Thesis (B.A.) Magna Cum Laude--Butler University, 1926. / Includes bibliographical references (leaf [2]).

Thesis (Ph. D.)--University of Texas at Austin, 2005. / Vita. Includes bibliographical references.

Thesis (doctoral)--Viadrina, 1905. / Vita. Filmed with: Walter, K. / Emendationum in Sophoclis fabulas specimen -- Wandinger, C. / Pomponiana Graecina : Tac. Ann. XIII. 32 -- Walther, G.H. / Observationum in C. Cornelii Taciti opera conscriptarum specimen alterum -- Warren, M. / On the enclitic ne in early Latin -- Wasmansdorff, E. / Luciani scripta ea, quae ad Menippum spectant, inter se comparantur et diiudicantur -- Zellmer, W. / De lege Plautia quae fuit de vi -- Zijnen, F.B.J.S. / Specimen historico-philosophum, quo Plutarchi de nonnullis Chrysippi placitis judicium examinatur -- Waldfogl, C. / Ueber den Platonischen Dialog der Sophist oder vom Sein -- Waller, W. / Excursus criticus in P. Papinii Statii Silvas -- Wallinder, J. / De statu plebejorum Romanorum ante primam in montem sacrum secessionem quaestiones -- Wallrafen, W. / Einrichtung und kommunale Entwicklung der rm̲ischen Provinz Lusitanien -- Walther, E. / De dativi instrumentalis usu Homerico -- Walther, F. / Studien zu Tacitus und Curtius -- Werner, J. / Quaestiones Babrianae -- Wernicke, J.C. / De Pausaniae Periegetae studiis Herodoteis -- Wessig, H. / De aetate et auctore Philopatridis dialogi -- Wetzell, C. / De usu verbi substantivi Tacitino -- Werder, C.F. / De Platonis Parmenide -- Stamer, A. / Engkuklios paideia in dem Urteil der griechischen Philosophenschulen -- Sexauer, H. / Sprachgebrauch des Romanschriftstellers Achilles Tatius -- Stamkart, J.A. / Specimen litterarium inaugurale exhibens commentarium in Plauti Mostellarium -- Seibel, M. / Klage um Hektor im letzten Buche der Ilias -- Siegismund, A.J. / Quaestionum de metathesi Graeca particula I -- Tanzmann, J.J. / De C. Plinii Caecilii Secundi vita ingenio moribus quaestio -- Teetz, F. / Beitrg̃e zur Rhythmopoiie des Sophokles ... -- Siemering, F.O. / Quaestionum Lucretianarum particula I et II -- Thedinga, F. / De Numenio philosopho Platonico -- Theissen, W. / De Sallustii, Livii, Taciti digressionibus -- Schemann, L. / De legionum per alterum bellum Punicum historia quae investigari posse videantur -- Natorp, P. / Quos auctores in ultimis Belli Peloponnesiaci annis describendis secuti sint Diodorus Plutarchus Cornelius Iustinus -- Olsen, W. / Quaestionum Plautinarum de verbo substantivo specimen -- Partsch, J.F.M. / Darstellung Europa's in dem geographischen Werke des Agrippa. Includes bibliographical references.

Thesis (Ph. D.)--Johns Hopkins University, 1916. / "This monograph comprises chapters one, two, and three of a study to be published in Hesperia, Supplementary Series, no. 6."

Thesis (Ph. D.)--Columbia University, 1929. / Vita.

Thesis (Ph. D.)--Johns Hopkins University, 1916. / "This monograph comprises chapters one, two, and three of a study to be published in Hesperia, Supplementary Series, no. 6."

Thesis (Ph. D.)--University of Texas at Austin, 2005. / Vita. Supervisor: Karl Galinsky. Includes bibliographical references (leaves 281-324).

Inaug.-Dissert.--Halle. / Vita.

No description available.

Berlioz based the libretto of his five—act Grand Opera Les Troyens on books II, the second half of I, and IV of the Aeneid of Virgil, and set it to music which illuminates his vision of Virgil’s epic poem. This thesis compares the story patterns, narrative techniques, themes and content of the two works. Because Virgil uses the technique of retrospective narrative in Book II of the Aeneid, and Berlioz unfolds his story in chronological order, I have used the sequence of Berlioz’s work as the basis for the comparison. The thesis analyses in detail Berlioz’s re—use of Virgil, the points where Berlioz’s treatment coincides with Virgil’s, the points where he diverges from Virgil, arid the main thrust of Berlioz’s argument. The two most important differences which emerge between the two works are the divergent ideas on the gods, and on the conflict between personal love and duty. Whereas pietas and filial duty are central to Virgil’s work, the importance of love between man and woman is central to that of Berlioz. And in Les Troyens the terrific tension between love and duty is illuminated in Act V, where Aeneas must leave Dido even though Berlioz has shown in Act I, with Cassandra and Coroebus, that, fate permitting, such a love can be duty as well. Virgil shows us the gods at work, and carefully attempts to explain their motivation. Berlioz however structures his music—drama so that the gods, only one of whom (Mercury) makes an appearance, are shown to be cruel by their complete indifference to those who invoke them. / PhD Doctorate