No description available.

One of the primary objectives of voice research is to better understand the biomechanics of voice production and how changes in properties of the vocal folds (VFs) affect voice ability and quality. Synthetic VF models provide a way to observe how changes in geometry and material property affect voice biomechanics. This thesis seeks to evaluate an approach of using a genetic algorithm to design synthetic VF models in three ways: first, through the development of a computationally cost-effective 3D vocal fold model; second, by creating and optimizing a variation of this model; and third, by validating the approach. To reduce computation times, a user-defined function (UDF) was implemented in low-fidelity 2D and 3D computational VF models. The UDF replaced the conventional meshed fluid domain with the mechanical energy equation. The UDF was implemented in the commercial finite element code ADINA and verified to produce results that were similar to those of 2D and 3D VF models with meshed fluid domains. Computation times were reduced by 86% for 2D VF models and 74% for 3D VF models while core vibratory characteristic changes were less than 5%. The results from using the UDF demonstrate that computation times could be reduced while still producing acceptable results. A genetic algorithm optimizer was developed to study the effects of altering geometry and material elasticity on frequency, closed quotient (CQ), and maximum flow declination rate (MFDR). The objective was to achieve frequency and CQ values within the normal human physiological range while maximizing MFDR. The resulting models enabled an exploration of trends between objective and design variables. Significant trends and aspects of model variability are discussed. The results demonstrate the benefit of using a structured model exploration method to create models with desirable characteristics. Two synthetic VF models were fabricated to validate predictions made by models produced by the genetic algorithm. Fabricated models were subjected to tests where frequency, CQ, and sound pressure level were measured. Trends between computational and synthetic VF model responses are discussed. The results show that predicted frequency trends between computational and synthetic models were similar, trends for closed quotient were inconclusive, and relationships between MFDR and sound pressure level remained consistent. Overall, while discrepancies between computational and synthetic VF model results were observed and areas in need of further study are noted, the study results provide evidence of potential for using the present optimization method to design synthetic VF models.

No description available.

Submitted by Maria Medeiros (maria.dilva1@ufcg.edu.br) on 2018-08-24T15:00:51Z No. of bitstreams: 1 RAISSA BEZERRA ROCHA - TESE (PPgEE) 2017.pdf: 2547994 bytes, checksum: e7533ebc755ba778f971329b75a40ff2 (MD5) / Made available in DSpace on 2018-08-24T15:00:51Z (GMT). No. of bitstreams: 1 RAISSA BEZERRA ROCHA - TESE (PPgEE) 2017.pdf: 2547994 bytes, checksum: e7533ebc755ba778f971329b75a40ff2 (MD5) Previous issue date: 2017-03-20 / CNPq / A busca por novos modelos que representem a biofísica da fonação da voz é importante em aplicações que incluem o processamento do sinal de voz por representar uma ferramenta no conhecimento de característica dos locutores. Esta tese de doutorado apresenta uma nova abordagem para a teoria fonte-filtro de geração de voz, mais precisamente sons sonoros, que realiza a modelagem da voz por meio de três subsistemas independentes: fonte de excitação, trato vocal e radiação dos lábios e narinas. Trata-se de um modelo em que a geração da voz é feita por meio de filtros lineares e invariantes ao deslocamento no tempo e que leva em consideração a física da fonação, a partir da característica cicloestacionária do sinal de voz, proveniente do comportamento de vibração das cordas vocais. É sugerido que a frequência de oscilação das cordas vocais é dada em função da massa e comprimento delas, e que seu valor é alterado principalmente pela tensão longitudinal aplicada a elas. No modelo proposto para geração da voz, o movimento vibratório das cordas vocais é modelado por meio de um de gerador de trem de impulsos cicloestacionário, controlado por um sinal de tensão obtido a partir da forma de onda do sinal de voz. É realizada toda a análise matemática que abrange o novo modelo para a excitação glotal, apresentando-se uma expressão matemática da densidade espectral de potência do sinal que excita a glote, bem como para o sinal de voz, cujos parâmetros podem ser ajustados para emular patologias na glote. Além disso, apresenta-se a análise no domínio da frequência do pulso glotal usado. Para analisar o desempenho do modelo proposto, testes com locução foram realizados e os resultados indicam que o modelo proposto se ajusta bem a geração da voz. / The search for new models that represent the biophysics of voice phonation is important for applications that include voice signal processing because it represents a tool for getting to know the characteristics of the speakers. This doctoral thesis presents a new proposal for the source-filter theory of voice production, more precisely related to voiced sounds, that performs the voice modelling using three independent subsystems: the excitation source, the vocal tract, the lip and nostrils radiation system. It is a proposal for a model to generate voice using linear and time-invariant systems, and takes into account the phonation physics and the cyclestationarity characteristics of the voice signal, related to the vibrational behavior of the vocal cords. The model suggests that the frequency oscillation of the vocal folds is a function of the mass and length, but controlled by the longitudinal tension applied to them. In the proposed voice generation model, the vibratory movement of the vocal cords is modeled by a cyclestationary train of impulses, controlled by a tension signal obtained from the voice signal waveform. A mathematical analysis encompassing the new model for glottal excitation is accomplished by presenting a mathematical expression of the signal power spectral density which excites the glottis, as well as the voice signal, whose parameters can be adjusted to emulate pathologies in the glottis. Moreover, the analysis of the utilized glottal pulse in the frequency domain is presented. To analyze the performance of the proposed model, tests with locutions were done and the results indicate that the proposed model adjusts well to voice generation.

The human voice may convey meaningful information about socially and evolutionarily relevant characteristics of the vocalizer. In turn, listeners may readily evaluate personal characteristics, such as body size, on the basis of nonverbal voice features. Research investigating vocal communication of physical size in humans has focused on two salient and largely independent voice features, fundamental frequency and/or corresponding harmonics (perceived as voice pitch) and formant frequencies (resonance frequencies of the supralaryngeal vocal tract). However, the degree to which fundamental and formant frequencies reliably predict variation in body size controlling for sex and age, and their relative role in the perception or accurate estimation of body size, has to date been unclear. In the current thesis, using meta-analysis, I establish that formants reliably predict variation in men’s and women’s heights and weights. In contrast, fundamental frequency only weakly predicts men’s heights and women’s weights. These findings corroborate work on many other mammals whose vocal production, like humans, follows the source-filter model. Despite the lack of a robust physical relationship between fundamental frequency and size within sexes, I further demonstrate that listeners utilize voice pitch to accurately gauge men’s relative height. My research suggests that voice pitch indirectly facilitates accurate size assessment by providing a carrier signal (i.e., dense harmonics) for formants. This is the first evidence that pitch does not confound accurate size estimation. Finally, I demonstrate that voices with lowered pitch, but not raised pitch, are perceived as larger when projected from a low than high spatial location. These results suggest that strong cross-modal perceptual biases linking low pitch to low elevation and large size may, in some contexts, cause errors in size estimation. Taken together, this thesis provides a detailed account of human vocal communication of body size, which can play a meaningful role in sexual and social contexts. / Dissertation / Doctor of Philosophy (PhD)