LD2668 .T4 1962 P63

The purpose of this study is to reinterpret the influence of domestic ideology on middle-class Anglo women during westward migration using the Oregon Trail as a case study. By analyzing traditional cultural constructs which portrayed women as "reluctant drudges" or " stoic helpmates," a new paradigm for trail women emerged. The inculcated tenets of domesticity, comprised of a domestic routine and a values system, seemed to have equipped women with domestically-related role identities, and thus facilitated the accommodation of these women to the challenges of trail life. In addition, this ideology served as the basis for establishing relationships with Native American women, for Anglo women recognized similaritiesbetween the domestic routine of Native Americans and themselves. Finally, shared domestic chores and values enabled Anglo women to develop non-competitive, mutually beneficial relationships with each other, in contrast to the often competitive nature of interaction between men. / Department of History

Kanakas, Owhyees, Blue Men, were all names given to laborers from Hawaii, or the Sandwich Islands, who contributed significantly to the economic, cultural, and political history of the United States territory west of the Mississippi River in the period 1750-1900. The Sandwich Islands first entered the international economic scene in the latter eighteenth century when its excellent ports and favorable climate made the Islands an ideal winter harbor and stopover for merchant ships, whalers, and explorers' vessels who needed to replenish food and water supplies, or make necessary repairs. Just as frequently the crews of these vessels needed to be supplemented, and the Kanakas were eager to travel and to receive wages paid to seamen. Kanaka seamen sailed with William Douglas, Robert Gray and George Vancouver; and as seamen and land based laborers for the North West Company, Astor's expedition, the Russian-American Company, Hudson's Bay Company, and Nathaniel Wyeth's Columbia River Fur and Trading Company. In 1834 the first American missionaries arrived in the Northwest, and they immediately made demands on the Islanders for labor supply. Both the Methodists and the ABCFM missionaries hired Kanakas for building, kitchen chores, farm labor, blacksmithing, and as herders. When the Oregon country began to attract annual emigrations from the East, the Kanakas found their skills also in demand by these new settlers. They were hired to work in the sawmills or as farm and house servants. Their seamanship opened doors all over the world for them, and involved the Islanders in various foreign intrigues. In Japan they were among deserters imprisoned and mistreated by the Oriental isolationists. During the American Civil War many were taken prisoner by Confederate ships. They also played a role in the movement to improve the lot of sailors by appearing before the British admiralty courts seeking redress for poor treatment aboard British ships. Those Kanakas who remained on the American mainland wanted to become citizens of the United States with their white neighbors. Their petition to the territorial government of Oregon, however, was refused. Restrictions were placed upon their continued immigration into the Northwest area, they were ignored by the 1849 Oregon census, the U.S. Consul in California received instructions from the Secretary of State barring the Kanakas from assistance or protection in California ports, and a long verbal battle ensued in the U.S. Congress over excluding them from the Donation Land Act. But the Kanakas were still recognized as excellent seamen and this occupation took them north to Kamchatka and south to California, Mexico, and around the tip of South America to ports of the eastern U.S. Those who left the sea worked in California gold fields, preached to Digger Indians, became part of the Mormon movement in Utah, or continued to serve the Hudson's Bay Company, Puget's Sound Agricultural Company, and the Russian-American Company. Throughout their historical journey in western America, they remained loyal, inconspicuous, and hardworking. But they also had dark skins and were foreign in origin. Once they threatened white superiority and white acquisition of land titles they became the targets of discrimination. They were not slaves so they could not be emancipated, but the white, Protestant ruling hierarchy could not allow them to become citizens and thereby free to settle land and demand the protection of American laws. They therefore found themselves classed with the Negro, Chinese, and Indians as undesirable elements in America's 'Manifest Destiny.' By 1900 most Kanakas had chosen to return to their homeland rather than recede into the shadows of American life, but their contributions to western American deserve recognition.

Thesis: B.S., Massachusetts Institute of Technology, Department of Business and Engineering Administration, 1955 / Includes bibliographical references (leaves 234-238). / by Stanley Huntington Barriger. / B.S. / B.S. Massachusetts Institute of Technology, Department of Business and Engineering Administration

No description available.

During the late nineteenth and early twentieth centuries, white middle and upper class women active in reform became involved in the movement for American Indian reform. Focusing on the so-called "Indian problem," groups such as the Women's National Indian Association (WNIA) were formed to address the injustices against, and sufferings of, American Indian people at the hands of the U.S. military due to the increasing pressures and demands of western migration. This study addresses the role white women played in the movement for Indian reform through their involvement either as part of the WNIA membership or as missionaries, teachers or field matrons. The thesis is concerned, above all, with the ways in which their involvement reflects larger historical trends that enveloped white middle class women during the late nineteenth and early twentieth centuries. The work of reform groups like the WNIA helped transform missionary and field positions into jobs which were identified as specially suited for women. While missionary work was, before the 1870s, part of the male or public sphere, through the feminization of American religion, Victorian tenets of domesticity and moral superiority, and changing economic and commercial opportunities, the way was opened for women to serve as missionaries without the "protection" of a husband. The WNIA provides an impressive example of the scope and influence of women's reform organizations during the Progressive era. However, the goals and beliefs of WNIA leadership provide a contrast to the goals and beliefs of women working in the field. This contrast illuminates women's intentions in their quest for Indian assimilation and their role in that pursuit. The thesis is based upon the individual experience of women who worked as missionaries, teachers and field matrons. Four case studies explored in chapter III provide a window into the redefinition of "true womanhood" that took place at the turn-of-the century through the ways in which the subjects of this thesis arrive at a new self consciousness about their role in Indian reform.

This thesis examines the dynamic change the market revolution had on social and cultural institutions in the American West. Specifically, it investigates how market forces influenced rural life patterns for farmers, urban mercantile culture and regional commercial interests. Davenport, Iowa is the focus for the narrative’s hinge, as this midsized western marketplace represented a link between its farmers and the regional markets in Chicago. This project uses wheat and the prairie region in antebellum Iowa and Illinois as a case study and examines the cultural and social development of farmers and merchants in the marketplace. Following wheat from farm to market, both locally and regionally, helps to explain how Americans understood the commodity at each economic level. Time and place were central to the American West's economic, social, and cultural development and this thesis considers just a moment in its history. A intersect of rural, agricultural, technological, and environmental histories are at the project's core, but it also attempts to make sense of frontier capitalism and the ramifications it had on farming and the grain industry. The market revolution gradually influenced and shaped the nation’s agricultural economy and the people that preformed its labor and production. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection

This thesis explores the complexities of race relations in the nineteenth century American West. The groups considered here are African Americans, Anglo Americans, Chinese, Mexican Americans, and Native Americans. In recent decades historians of the West have begun to tell the narratives of racial minorities. This study adopts the aims of these scholars through a new lens--music. Ultimately, this thesis argues that historians can use music, both individual songs and broader conceptions about music, to understand the complex and contradictory race relations of the nineteenth century west. Proceeding thematically, the first chapter explores the ways Anglo Americans used music to exert their dominance and defend their superiority over minorities. The second chapter examines the ways racial minorities used music to counter Anglo American dominance and exercise their own agency. The final chapter considers the ways in which music fostered peaceful and cooperative relationships between races. Following each chapter is a short interlude which discusses the musical innovations that occurred when the groups encountered the musical heritage of one another. This study demonstrates that music is an underutilized resource for historical analysis. It helps make comprehensible the complicated relations between races. By demonstrating the relevance of music to the history of race relations, this thesis also suggests that music as a historical subject is ripe for further analysis.

The myth of the West is still very much alive in contemporary America. Lately, there has been a resurgence of new Western movies, TV series, and fiction. Until recently the West has been the exclusive domain of the quintessential masculine man. Women characters have featured only in the margins of the Western hero's tale. Contemporary Western fiction by women, however, offers new perspectives. Women's writing about the Old and New West introduces strong female protagonists and gives voice to characters that are muted or ignored by traditional Western literature and history. Western scholarship has largely been polarized by two approaches. First, the myth and symbol school of Turner, Smith, and followers celebrated American exceptionalism and rugged male individualism on the Western frontier. Second, the reaction against these theories draws attention to the West's legacy of racism, sexism and violence. The purpose of the present study is to collapse these theoretical fences and open a dialogue between conflicting theoretical positions and contemporay Western fiction. Molly Gloss's 1989 The Jump-Off Creek and Karen Joy Fowler's 1991 Sarah Canary selfcritically re-write the Old West. This study has attempted to explore the following questions: How can one re-write history in the context of a postmodern culture? How can "woman," the quintessential "Other" escape a modernist history (and thus avoid charges of essentialism) when she has not been in this history to begin with? In this study I analyze how these two contemporary feminist authors, Molly Gloss, and Karen Joy Fowler, face the dual challenge of writing themselves into a history that has traditionally excluded them, while at the same time deconstructing this very historical concept of the West. Fowler's and Gloss's use of diverse narrative strategies to upset a monolithic concept of history-- emphasizing the importance of multiple stories of the Old West-- is discussed in detail.

Indiana University-Purdue University Indianapolis (IUPUI) / This thesis will look at the various images of the American Far West presented by the Saturday Evening Post during the 1920s under the editorship of George Horace Lorimer, and will examine his editorial strategy that promoted the Far West as a last land of opportunity while also recognizing and weighing in on the challenges of that region.