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Edkins' theory is mainly consisted of two parts, comparative linguistics and researches on religious ideas of ancient Chinese people. At the same time, he also attempted to find western elements in ancient Chinese astrology, astronomy, philosophy and technology. His theory, together with other supporters, formed a special visual angle through which some Sinologists connected the Chinese culture with the main stream of the general history of human civilization constructed by western scholars. It seams to them that the Chinese civilization and the western civilization are not two different systems. To some Sinologists at that tine, whether the Chinese civilization could be correctly understood or not, rests on whether scholars could find its relation with western civilization. After a series of researches, almost all the elements of Chinese civilization were brought into the hermeneutic system of the west. The mystic color of China faded. / Edkins' theory is not completely new. In the 16th century, Jesuits began to interpret Chinese language, history and religion through the theory of the western origin of Chinese civilization. From the second part of the 19th Century to the first years of the 20 th century, this theory became popular, and among many advocates, there are not only westerners like John Chalmers, Joseph Edkins, Terrien de Lacouperie and Thomas Kingsmill, but also Chinese like Zhang Tai-Yan, Liu Shi-Pei and Huang Jie, etc. Meanwhile, various versions evolved from this theory, different from one another in the time and place that civilization came to China from the west. Some of them mix religious faith with academic studies together, and others' opinions are much more like scientific researches. Strange in the sight of scholars nowadays, this theory had its special meaning at the very beginning of western Sinology. / It seems that Sinologists of the 19th century did not try to describe China as an utter other, totally different from the west. On the contrary, they attempted to eliminate the difference. So this dissertation can also help us to get a deeper insight into the conception of Orientalism. / This dissertation is to discuss the methods that some Sinologists used to decipher the Chinese civilization by examining Joseph Edkins' works on Chinese language and civilization. Edkins is a missionary and Sinologist who advocated the theory of the western origin of Chinese civilization. / 陳喆. / Adviser: Xue Yu. / Source: Dissertation Abstracts International, Volume: 70-06, Section: A, page: 2069. / Thesis (doctoral)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (p. 152-164) and index. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Chen Zhe.

Ninety years ago Japanese music was essentially monophonic, confined to a limited number of traditional instruments, and completely Oriental in technique and sound. Today, Western harmony and counterpoint are intrinsic elements in much of Japanese music. Highly competent symphony orchestras in Japan perform skillfully orchestrated Japanese scores. Year by year the musical world of Japan becomes more Western.

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This creative project is a study of cultural awareness in architecture. The hypothesis states that architecture is one of many cultural manifestations in a society. One seeking contemporary architecture in a society should explore the idea of contemporary culture in that society. This study aims to point out the relationship of living patterns and living spaces (culture and architecture). Living patterns are influenced by their own cultures and, at the same time, the characteristics of living spaces reflect the aspects of living patterns. To explore contemporary living spaces, cultural issues must be considered.However, culture is dynamic. It is changed by reasons of time, place and people. Even though the tradional cultures in a society continuingly permeate to the next generations, some of them disappear as time, place or people change. Therefore, to study the issue of culture in contemporary society, traditional and new cultures are reckoned with as contemporary families adapt both cultures into their lifestyles.While Thai society has maintained its own unique culture, recently globalization has brought influences of Western ideas into Thailand. These influences are effecting Thai culture and bearing on how housing responds to a changing society.The work is divided into two parts, research and design. To explore the deeper meaning of contemporary living spaces, the research focuses on the importannce of culture to the characteristics of living spaces. It analyzes cultural and social changes that have influenced contemporary Thai families. This cultural analyses confirms that the meaning and design of contemporary living spaces are directly influenced by cultural adjustments.To support the hypothesis and research, a housing project for contemporary Thai families is proposed. It is a schematic design that incorporates the cultural analyses into the design process. The design is a model for organizing cultural information into the design of living spaces. / Department of Architecture

Ng Chin Pang. / Thesis (M.Div.)--Chinese University of Hong Kong, 2000. / Includes bibliographical references (leaves 85-91). / Abstracts in English and Chinese. / Acknowledgments --- p.i / Abstract --- p.iii / Chapter Chapter1 --- Introduction --- p.1 / Chapter Chapter2 --- Theories on Sex and the Emergence of Sexual Identity --- p.4 / Chapter 2.1 --- "Origins and Development on the Concept of Sex in the ""Western"" World" / Chapter 2.1.1 --- Augustine's Notion on Sexual Desire / Chapter 2.1.2 --- Protestant Theology of Sex / Chapter 2.1.3 --- "Emergence of ""Western"" Sexual Identity" / Chapter 2.2 --- The Concept of Sexual Desire in China / Chapter 2.2.1 --- The Discourse of Sexual Desire in Late Imperial China / Chapter 2.2.2 --- Transformation of Sexual Identity in Modern China: Male Homosexuality as the Verdict / Chapter Chapter3 --- Queer Theory- a Post-colonial Perspective --- p.38 / Chapter 3.1 --- Postcolonial Theory as a source of Theology Discourse / Chapter 3.1.1 --- From Colonialism to Post-colonialism / Chapter 3.1.2 --- Building a Hybridized Sexual Ethics / Chapter 3.2 --- Queer Theory as a Source of Theology Discourse / Chapter 3.2.1 --- Queer Theory and Queer Politics / Chapter 3.2.2 --- Queering the Socially Constructed Sexual Identities / Chapter Chapter4 --- A Post-colonial Sexual Theology --- p.59 / Chapter 4.1 --- The Modes of Discourse / Chapter 4.1.1 --- Transgressive Metaphors / Chapter 4.1.2 --- Hybrid Sexual Theologies / Chapter 4.2 --- A New Framework about Sexual Desire / Chapter 4.2.1 --- Building our Relations in Erotic Desire / Chapter 4.2.2 --- Beyond Sexuality and Spirituality Dichotomy / Chapter 4.3 --- Conclusion: Building an Inclusive Community / Bibliography --- p.85

This study represents the scandal of current colonial racist ideologizing by focusing on the American Orientalizing project in Singapore. It argues that, in the era of global capitalism and post-colonial theory, the new colonialist epistemologies rely on collaborations between the ruling classes of the 'third world' and 'first world' as well as a rhetoric of 'native' nationalism to contain threatening non-Western economic success and to create 'third world' populations and governments that will not resist the continuation of the Western/American colonizing project. Using a Marxist-Lacanian psychoanalytical theory of hegemony, of a "libidinal politics" which focuses on the role of desire in national culture, this thesis shows that the Singapore government has used American Orientalist ideology to effect disempowering cultural changes in the people. Examining political and literary texts, I argue that the Singapore government quotes American notions of 'Oriental' difference to keep "dangerous Western (liberal) influences" from 'ethnically contaminating' the nation, and that it has hegemonized an 'Asian'/'Confucianist' nationalism by hystericizing and repressing the people's desire, leading Singaporeans to disavow their location in a post-modern world. The Orientalizing of Singapore, where Chinese identity has been produced as a masquerade of Western culture, has also generated a crisis in male identity, involving an inward-looking escapist cultural narcissism that blocks a positive response to historical realities. Paradoxically, the claim to a non-Western modernity has also been used to suppress ethnic difference by producing ethnicity as 'fetish.' The East/West discourse that emerged from the caning of an American teenager, Michael Fay, in Singapore is used to reveal the entrapment of Singapore's 'Oriental' national identity in American colonial desire, and to argue that the perceived East Asian 'cultural confidence' often spoken about today overlooks the fact that such cultural certitude accrues from the East entering into the West's fantasy scenarios and staging itself as the other's object of desire. This thesis suggests that current 'post-colonial' claims to "ethnic, non-Western" modernisms be viewed with some skepticism as possibly involving the ventriloquistic 'passing' of Western colonial ideology as the voice of the 'racial other.'

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