In this work multi-pipe Whistles of North-Eastem Europe, Lithuanian 'skuduCiai', 'kuima chipsan' of the Komi Republic (Komi-Zyrenians), 'pöljannez' of the Permian Komi, Russian 'kuvikly' of the Briansk (Kaluga) region and 'kugikly' of the Kursk region are analyzed by means of a comparative typological method. It becomes evident after comparison, that these musical instruments are related not only by the same construction (all these instruments are separate, not linked together, without holes and with one end c1osed), collective performance and many other things.