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Patrick White : a critical analysis of his novels, with specific attention to the religious and apocalyptic elements in his work /Schwerdt, Dianne. January 1971 (has links) (PDF)
Thesis (M.A.) -- University of Adelaide, Dept. of English, 1971.
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Le Sens du mystère dans l'œuvre romanesque de Patrick White.Laigle, Geneviève. January 1989 (has links)
Th.--Etud. angl.--Reims, 1983.
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'Torture in the country of the mind', a study of suffering and self in the novels of Patrick White / Albert Pieter BrugmanBrugman, Albert Pieter January 1988 (has links)
This study is concerned with an evaluation of the suffering
and self of the elected characters in the novels of Patrick
White. The suffering these elected characters endure, apart
from the uncomprehending antagonism of society, takes place
mainly in the country of the mind - "that solitary land of
the individual experience, in which no fellow footfall is
ever heard" (Epigraph to The Aunt's Story) - and is a form
of catharsis in preparatory to a reunion with God as the
Source of all Being. The suffering, whether of a psychic or
physical nature - or both - is complicated by the duality
between the esoteric and exoteric selves of the characters
involved. The nature of the suffering is always solitary.
The wisdom eventually gained from the suffering cannot be
shared. Contact with fellow elect is brief and without consequence
except for mutual recongnition of "outsidership".
It is clear that the elected character has no apparent control
of what happens to him in life. The reader gains the
impression that the elected characters in White's novels are
the involuntary victims of some "malign" life-force that,
paradoxically, brings about a state of grace. White touches
on, but wisely prefers not to examine, the problems of
predestination and euthanasia.
The elected characters are all outsiders in the sense that
they are, in some psychic or physical manner, different from
the members of the society in which they find themselves.
In the earlier novels the elected characters' alienism is
characterised by their intuitive awareness of another, nonphysical,
transcendent plane of being - "There is another
world, but it is in this one" (Epigraph to The Solid
Mandala) . Progressive reading of White's novels reveals
that his conception of suffering, despite disavowal, is in
line with the Biblical concept of suffering as described in
Paul's letter to the Romans.
The non-elected members of society with whom the elect come
into conflict either do not understand or are unwilling to
admit their intuitive awareness that there is another world
within the familiar one, a concept White frequently refers
to in his image of boxes and boxes within boxes. The secret
knowledge the elect seem to have antagonises the other members
of society because of the sense of loss they experience.
White's later novels reveal a concern with sexually aberrated
suffering which is closely aligned to his own unhappiness.
The sexual duality that is an essential aspect of
Theodora Goodman's (The Aunt's Story) dilemma gains progressively
more of White's attention and is eventually exposed
in his biography of Eddie Twyborn (The Twyborn Affair).
White's concern with abnormal sexuality is related to his
disquiet with the mystery of the soul baing "housed” in a
body not only unsuitable, but also contrary to the nature of
the psyche which is either predominantly male or female.
White is clearly angry that this mystery should be the
profound result of momentary lust. Although so many of
White's elect labour under spiritually destructive burdens
of guilt, the parents who are considered the root cause of
all suffering in a post-lapsarian state, feel little of any
compunction because they are too concerned with their own
suffering, real or imagined.
God as Source or God as the "One" is an all-pervading, if
unacknowledged force in White's corpus and in the lives of
his elect. The elect turn to God only when they have suffered
and acknowledged their dependence on Him.
It is sad that White should, in the end not find himself in
"the boundless garden" with Stan Parker (The Tree of Man).
He seems to share the fates of Theodora Goodman (The Aunt's
Story) and Arthur Brown (The Solid Mandala). / Thesis (DLitt)--UOVS, 1989
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'Torture in the country of the mind', a study of suffering and self in the novels of Patrick White / Albert Pieter BrugmanBrugman, Albert Pieter January 1988 (has links)
This study is concerned with an evaluation of the suffering
and self of the elected characters in the novels of Patrick
White. The suffering these elected characters endure, apart
from the uncomprehending antagonism of society, takes place
mainly in the country of the mind - "that solitary land of
the individual experience, in which no fellow footfall is
ever heard" (Epigraph to The Aunt's Story) - and is a form
of catharsis in preparatory to a reunion with God as the
Source of all Being. The suffering, whether of a psychic or
physical nature - or both - is complicated by the duality
between the esoteric and exoteric selves of the characters
involved. The nature of the suffering is always solitary.
The wisdom eventually gained from the suffering cannot be
shared. Contact with fellow elect is brief and without consequence
except for mutual recongnition of "outsidership".
It is clear that the elected character has no apparent control
of what happens to him in life. The reader gains the
impression that the elected characters in White's novels are
the involuntary victims of some "malign" life-force that,
paradoxically, brings about a state of grace. White touches
on, but wisely prefers not to examine, the problems of
predestination and euthanasia.
The elected characters are all outsiders in the sense that
they are, in some psychic or physical manner, different from
the members of the society in which they find themselves.
In the earlier novels the elected characters' alienism is
characterised by their intuitive awareness of another, nonphysical,
transcendent plane of being - "There is another
world, but it is in this one" (Epigraph to The Solid
Mandala) . Progressive reading of White's novels reveals
that his conception of suffering, despite disavowal, is in
line with the Biblical concept of suffering as described in
Paul's letter to the Romans.
The non-elected members of society with whom the elect come
into conflict either do not understand or are unwilling to
admit their intuitive awareness that there is another world
within the familiar one, a concept White frequently refers
to in his image of boxes and boxes within boxes. The secret
knowledge the elect seem to have antagonises the other members
of society because of the sense of loss they experience.
White's later novels reveal a concern with sexually aberrated
suffering which is closely aligned to his own unhappiness.
The sexual duality that is an essential aspect of
Theodora Goodman's (The Aunt's Story) dilemma gains progressively
more of White's attention and is eventually exposed
in his biography of Eddie Twyborn (The Twyborn Affair).
White's concern with abnormal sexuality is related to his
disquiet with the mystery of the soul baing "housed” in a
body not only unsuitable, but also contrary to the nature of
the psyche which is either predominantly male or female.
White is clearly angry that this mystery should be the
profound result of momentary lust. Although so many of
White's elect labour under spiritually destructive burdens
of guilt, the parents who are considered the root cause of
all suffering in a post-lapsarian state, feel little of any
compunction because they are too concerned with their own
suffering, real or imagined.
God as Source or God as the "One" is an all-pervading, if
unacknowledged force in White's corpus and in the lives of
his elect. The elect turn to God only when they have suffered
and acknowledged their dependence on Him.
It is sad that White should, in the end not find himself in
"the boundless garden" with Stan Parker (The Tree of Man).
He seems to share the fates of Theodora Goodman (The Aunt's
Story) and Arthur Brown (The Solid Mandala). / Thesis (DLitt)--UOVS, 1989
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" Illusions of Solidity" : Individuum und Gesellschaft im Romanwerk Patricks Whites /Stein, Thomas Michael, January 1990 (has links)
Habilitationsschrift--[Englische Philologie]--Mainz--Johannes Gutenberg-Universität, 1988.
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Otherness in the novels of Patrick White /Budurlean, Alma. January 1900 (has links)
Zugleich: Diss. Würzburg, 2007. / Literaturverz.
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Four novels of Patrick WhiteBellette, Antony Frank January 1963 (has links)
The intention of this thesis is to remedy the lack of serious critical attention given to the Australian novelist Patrick White. In Australia critical reaction has been tepid if not openly hostile, while in Britain and America only a small number of critics have dissociated White from his regional background and endeavoured to place him in a wider context. It is the purpose of the thesis to define this context, and to demonstrate that White is a highly original novelist in his own right.
Of White's total output to the present time of six novels, only four are discussed here—The Aunt's Story (1948), The Tree of Man (1955), Voss (1957), and Riders in the Chariot (1961). As an introduction to these four novels the first chapter attempts to define White's place in the 'Australian tradition', to give an account of his local critical reception, and to discuss in brief the nature of his central preoccupations as an artist and the forms in which they are manifested.
An examination of the four novels reveals the development of White's thought from the time when his artistic maturity became fully evident. From The Aunt's Story to Riders in the Chariot White is concerned above all with the besetting problems of the present time: the dilemma of the individual when faced with the break-down of traditional modes of thought, the possibility of meaningful communication, the problem of identity in a world of inner and outer chaos, and the origin and nature of evil in the world.
From a subjective view of the world seen through the isolated consciousness of Theodora Goodman in The Aunt's Story, to the massive fourfold vision of Riders in the Chariot, White has demonstrated an ever-increasing range of tone and subject matter. He records with deadly accuracy the Australian 'comedy of manners', and in this respect he can be said to be the first genuine Australian satirist. At the other extreme, White is capable of rendering the profoundest mystical experience.
Whether satirist or mystic, or mere observer and recorder of the world around him, White has at his disposal a lucid and poetic style which, though often startling in its unorthodoxy, is capable of conveying and enlarging upon the subtlest nuance of thought and image. In his style, and in his broadness of vision, lie White's chief claims to excellence. This study of the four novels, in chronological order, endeavours to demonstrate that underlying them is a constantly expanding vision, and that Patrick White is a significant and powerful novelist, and worthy of the closest critical attention. / Arts, Faculty of / English, Department of / Graduate
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The vision of alienation : an analytical approach to the works of Patrick WhiteSchermbrucker, William Gerald January 1966 (has links)
This study of Patrick White's work is chiefly concerned with the first four novels, but refers also to some poetry, the short stories, the plays and the three later novels. It traces the development of themes and techniques in these four novels in terms of artistic vision and the rendering of that vision.
The early, experimental works, up to The Living and the Dead are treated at considerable length, chiefly to show how the later developments are basically improvements and variations on the themes and techniques which have already been used. A second reason for the length of this part of the treatment is that, in the existing criticism of White, these early works are almost entirely ignored. There is need for reappraisal (over and above the original review articles which are about all that exist), and this study makes a modest attempt at this.
The middle period, to which belong The Aunt’s Story and The Tree of Man (as well as one play and some stories), is presented as the high point of maturity, both of technique and of the vision which the technique embodies. The works have a high degree of structural integration and the vision is presented with great clarity and imaginative appeal.
The later novels, Voss, Riders in the Chariot and The Solid Mandala, continue the use of developed techniques from the middle period. There is an imaginative boldness of design in these later novels, but the themes reveal a vision which appears to be declining into personal reverie and dream. In this period White seems to lose the ability to maintain the stance of integrity-in-isolation which he has asserted in the two preceding novels, and appears instead to seek some kind of mystic communion for his heroes.
These interpretations of the later novels are suggested, but not argued in his study; they have been argued in several published articles. In part, it is this discrepancy between the mystical or basically symbolic vision of the later novels and the un-symbolic, essentially naturalistic vision of the earlier period, which has defined the limitations of the thesis presented.
At the present stage of critical interpretation, the vision of the later period appears less significant than the earlier vision. In order that we may resolve the apparent differences between the two visions, it is necessary first to define the earlier vision. This study analyses the earlier works, for that purpose. In the final chapter, a suggestion is offered as to how the later novels might be approached in a way that would show the later vision to be a consistent development of the earlier vision, through a boldly symbolic technique.
Above all, this study concentrates on White's vision of the alienated state of man, as the central pre-occupation of his earlier works. It analyses the techniques by which this vision is rendered, examining the tests of the four novels more closely than has been done in any criticism published to date. / Arts, Faculty of / English, Department of / Graduate
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A variation of the rainbow : an examination of pastoral in Patrick White's prose fictionDawson, Sally January 1989 (has links)
No description available.
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Against the monotonous surge : Patrick White's metafictionCowell, Lauren January 1989 (has links)
No description available.
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