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Oscar Wilde’s “The Happy Prince” : The Hidden Messages and the Debate on the Target AudienceBseiso, Layla January 2007 (has links)
Oscar Wilde’s fairytales have been read to children for more than a century. Nevertheless, since the time of their publication in 1888 and 1891, the target audience of The Happy Prince and Other Tales and A House of Pomegranates have been the concern of critics. Delving into the context behind the rich and colourful imagery, one can find implications of homosexuality, the Paterian aesthetic and religious connotations. According to Carol Tattersall, The Happy Prince and Other Tales successfully mislead the public that it is innocent of any intention to undermine established standards of living or writing. Tattersall’s argument is based on comparing the first collection to Wilde’s second, A House of Pomegranates, which was perceived as “offensive and immoral” (136). On the other hand, William Butler Yeats states in his introduction to The Complete Works of Oscar Wilde that overall the reviewers of The Happy Prince and Other Tales were hostile because of Wilde’s aesthetic views (ixxvi). But Yeats overlooks the fact that Wilde was very pleased and proud, dashing notes to friends and reviewers and signing copies to many people (Tattersall 129). In general, the reception of Wilde’s first collection was more positive than that of the second because it was milder and more subtle in its controversial themes.
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Das französische Fremdwort bei Oscar Wilde als Stilistisches Kunstmittel ...Lück, Karl, January 1927 (has links)
Inaug.-Diss.--Greifswald. / Lebenslauf. "Literatur-verzeichnis": p. [205]-209.
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Beauty, objectification, and transcendence : modernist aesthetics in The Picture of Dorian Gray and Pale FireMcLeod, Deborah S. January 2007 (has links)
Thesis (M.A.)--University of South Florida, 2007. / Title from PDF of title page. Document formatted into pages; contains 102 pages. Includes bibliographical references.
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Philosophische Ästhetik versus ästhetisches Manifest : Rekonstruktion und systematischer Vergleich der ästhetischen Theorien Kants und Oscar Wildes /Müller, Gerald, January 1983 (has links)
Diss. : Philosophie : Konstanz. - Bibliogr. p. 337-342. -
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Resurrecting Speranza : Lady Jane Wilde as the Celtic Sovereignty /Tolen, Heather Lorene, January 2008 (has links) (PDF)
Thesis (M.A.)--Brigham Young University. Dept. of English, 2008. / Includes bibliographical references (p. 103-110).
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Neither in nor out : transatlantic mutation in the literary development of Edgar Allan Poe and Oscar Wilde /Wall, Brian Robert. January 2008 (has links) (PDF)
Thesis (M.A.)--Brigham Young University. Dept. of English, 2008. / Includes bibliographical references (p. 64-69).
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Pater, Wilde, and the Victorian critics of the romanticsStavros, George, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Includes abstract and vita. Description based on print version record. Includes bibliographical references (leaves 227-235).
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Performing that-which-will-become posthuman and queer bodies in the works of Heinrich von Kleist and Oscar WildeNorman, Douglas Everett, January 1900 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2005. / Vita. Includes bibliographical references.
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Dissident culture : the little magazine in England, 1894-1941Murphy, Terry January 1992 (has links)
No description available.
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Portfolio of compositions : Wilde - an opera in two actsWilliams, Derek Leslie January 2012 (has links)
Wilde:An Opera in 2 Acts. Play and Music by Derek Williams. Based on the writings and utterances of Oscar Wilde and his contemporaries.
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