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The Bass Clarinetist’s Pedagogical Guide to Excerpts From the Wind Band LiteratureBland, Britni Cheyenne 08 1900 (has links)
Student clarinet performers often encounter bass clarinet for the first time in a high school or university wind ensemble, so it is logical for clarinet pedagogues to encourage and assist their students in learning this wind band literature. In addition to becoming familiar with this oft performed repertoire, students will develop a set of specialized bass clarinet skills that one cannot learn on soprano clarinet. These skills include increased air capacity and support, timbre consistency in differing registers, intonation tendencies of the lower instrument, voicing flexibility, right hand thumb dexterity for keys that do not exist on soprano clarinet, technical facility for eleven pinky keys (as opposed to the seven pinky keys on a typical soprano clarinet, and effective altissimo fingerings. The purpose, then, of this document is to provide a performance guide for select bass clarinet solo excerpts from the wind band literature and to provide supplemental exercises intended to help students acquire the specialized bass clarinet skill set they will need in order to perform the selected excerpts successfully. The solos discussed in this document are excerpted from H. Owen Reed’s La Fiesta Mexicana, Florent Schmitt’s Dionysiaques, Percy Grainger’s Lincolnshire Posy, Frank Ticheli’s Blue Shades, William Bolcom’s First Symphony for Band, and Andrew Rindfleisch’s The Light Fantastic.
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Coal-Town SettingsShappell, Graeme Jennings 24 May 2022 (has links)
No description available.
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Julia Wolfe’s Zigzag for Wind Band: The Commission, Analysis, and InterviewsFarr, Daniel Kenneth 09 August 2022 (has links)
No description available.
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Blueline Concerto: Critical EssayLamb, Christopher 08 1900 (has links)
The purpose of this critical essay is two-fold. First, the essay presents a detailed critical analysis of my original composition, Blueline Concerto for bass trombone and wind ensemble. Second, using Blueline Concerto, the essay presents preliminary findings of my study to develop an approach to composing that takes into account the musicians' health, specifically regarding noise induced hearing loss (NIHL). Through various hypothesized composition- and orchestral-based approaches, I test effectiveness on changes in NIHL risk while also noting that artistic merit and compositional integrity is preserved.
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Pandora for Wind SymphonyWalden, Joseph P. 25 August 2015 (has links)
No description available.
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La Boutique Fantasque: A Full Score Edition for Wind BandWestgate, Matthew J. January 2009 (has links)
No description available.
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Concerto for Piano and Wind EnsembleMacura, Nebojsa S. 20 September 2011 (has links)
No description available.
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REHEARSAL EFFECTIVENESS: AN ANALYTICAL STUDY OF REHEARSAL PHILOSOPHIES AND PROCEDURES OF SELECTED PUBLIC SCHOOL AND POSTSECONDARY WIND BAND CONDUCTORSGonzalez, Luis S. 11 October 2001 (has links)
No description available.
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Ignace Pleyel's Parthia in Dis: A Study and Critical EditionOelrich, John Anthony 22 June 2012 (has links)
No description available.
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Symphony No. 10 by David Maslanka with Matthew Maslanka: Commissioning, Completion, Performance and AnalysisRose, Onsby Cray 03 July 2019 (has links)
No description available.
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