Spelling suggestions: "subject:"wolfgang amadeus"" "subject:"wolfgang madeus""
31 |
Die Gloria- und Credo-Sätze der Messen W. A. Mozarts : zur Theorie der Form, des vokal-instrumentalen Satzes und der Metrik... /Morbach, Bernhard. January 1979 (has links)
Diss. : Saarbrücken--Univ. des Saarlandes--Phil. Fak., 1978. / 1. Textband. 326 p. : musique. 2. Satzschemata und Notenbeispiele zur grafischen Analyse der Gloria- und Credo-Sätze. XXXI-157 p. : musique.
|
32 |
Musik som lyssnandets konst en analys av W.A. Mozarts symfoni no 40, g moll K.550 /Stockfelt, Ola. January 1900 (has links)
Thesis (doctoral)--Göteborgs universitet, 1988. / Extra t.p. with thesis statement inserted. Summary in English. Includes bibliographical references (p. 225-239).
|
33 |
Humor in the piano sonatas of Wolfgang Amadeus Mozart /Choi, Yoon-Sook, January 2000 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2000. / Vita. Includes bibliographical references (leaves 100-107).
|
34 |
Individualisierungsprozesse in der Sinfonie des 18. Jahrhunderts dargestellt am Phänomen vorhangsartiger Eröffnungsfloskeln /Gleim, Elfrid, January 1900 (has links)
Thesis (doctoral)--Friedrich-Alexander-Universität Erlangen-Nürnberg, 1984. / "W.A. Mozart, der Weg in die Individualisierung": p. 105-161. Vita. Bibliography: p. 165-170.
|
35 |
Der Klangstil des Mozartorchesters Ein Beitrag zur Instrumentations-Geschichte des 18. Jahrhunderts ...Thieme, Carl. January 1936 (has links)
Inaugural-Dissertation - Leipzig. / "Vita": p. [89]. "Bibliographischer Überblick": p. 3-7.
|
36 |
Mozarts Requiem KV 626 : ein Fragment Wird ergänzt /Korten, Matthias, January 2000 (has links)
Diss.--Philosophie--München--Ludwig-Maximilians-Univ., 1997. / Bibliogr. p. 188-201.
|
37 |
Mozart's dialectic with gender : Le nozze di Figaro and Piano concerto no. 25, K. 503 /Smith, Linda S. January 1999 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 101-104).
|
38 |
The Serenades and Divertimenti of MozartGibson, O. Lee (Oscar Lee) 06 1900 (has links)
This study has two divisions: Part I, an historical and analytical summary of the emergence and development of the divertimento and the serenade in the eighteenth century, and Part II, the culmination of these structures in the works of W. A. Mozart. Two primary purposes are envisioned: 1) to further our knowledge of how German Gesellshafts-musik evolved toward its peak in the second half of the eighteenth century, and 2) to furnish a useful analytical handbook of Mozart's works in these genres.
|
39 |
A Musical and Dramatic Analysis of the Principal Tenor Roles in Mozart's SingspieleAlexander, Ronald C. (Ronald Curby) 12 1900 (has links)
This paper will examine one area of Mozart's work, the Singspiele. This study is an analysis of the principal tenor roles of Mozart's Singspiele. The organization for analyzing these works conforms to three periods in Mozart's life. (1) Childhood and Early Youth, to 1774; (2) The Period of the First Masterworks, 1774-1781; and (3) The Years in Vienna, 1781-1791. Related biographical data and historical background have been utilized in discussing each work. Because the Singspiele is a musical composition, analyses will consider music as the major source of development, using plot and character wholly as supporting features.
|
40 |
Mozart’s Die Zauberflöte: A Kingdom of Notes and NumbersUnknown Date (has links)
Wolfgang Amadeus Mozart composed Die Zauberflöte in the last year of his life.
It was intended in part to glorify Freemasonry as a new Emperor, more hostile to the
Masons, took his office. After a brief survey of his life and works, this paper shows how
Mozart used number symbolism in the opera, and will equip the reader with an
understanding of this as practiced by the Freemasons. Further, it will show how Mozart
associated the characters of the opera with specific musical tones. It will expose a deeper
understanding of the question of meaning in word and text in his opera. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection
|
Page generated in 0.0798 seconds