黃震宇. / "2011年9月". / "2011 nian 9 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 241-250). / Abstract in Chinese and English. / Huang Zhenyu. / 摘要 --- p.i-ii / 致謝 --- p.iii / 目錄 --- p.iv-v / 緒論 --- p.1-21 / 研究緣起 --- p.1 / 文獻回顧 --- p.4 / 研究資料 --- p.12 / 研究方法及關鍵概念 --- p.13 / 論文結構 --- p.19 / Chapter 第一章、 --- 五四時代的中國文壇與女作家 --- p.22-46 / Chapter 1.1 --- 石評梅及其時代 --- p.22 / Chapter 1.2 --- 五四的女兒 --- p.28 / Chapter 1.3 --- 五四後的中國文壇 --- p.33 / Chapter 1.4 --- 女性、副刊與文學 --- p.41 / Chapter 1.5 --- 小結 --- p.45 / Chapter 第二章、 --- 薔薇社和（蔷薇〉的歷史概略 --- p.47-69 / Chapter 2.1 --- 薔薇社的出現（1923-1924年） --- p.47 / Chapter 2.2 --- 《薔薇》的先聲：《婦女週刊》(1924-1925年） --- p.50 / Chapter 2.3 --- 她們的《薔薇》 --- p.54 / Chapter 2.3.1 --- 早期的《薔薇》（1926-1928年） --- p.57 / Chapter 2.3.2 --- 中期的《薔薇》（1928-1931年） --- p.59 / Chapter 2.3.3 --- 晚期的《薔薇》（ 1931-1934年） --- p.61 / Chapter 2.4 --- 小結 --- p.68 / Chapter 第三章、 --- 《蔷薇》與文政治 --- p.70-105 / Chapter 3.1 --- 文壇的「政治」 --- p.70 / Chapter 3.1.1 --- 兩次「抄襲」事件：石評梅與歐陽蘭 --- p.72 / Chapter 3.1.2 --- 男子世界：「純陽性」的文壇 --- p.75 / Chapter 3.2 --- 《薔薇》與「週刊」的文化生產 --- p.77 / Chapter 3.2.1 --- 週刊：一種獨特的文化生產方式 --- p.78 / Chapter 3.2.2 --- 《薔薇》的自主性與其局限 --- p.80 / Chapter 3.3 --- 《薔薇》：文藝的園地 --- p.86 / Chapter 3.3.1 --- 無名作家的文學園地 --- p.86 / Chapter 3.3.2 --- 讀者的反應 --- p.92 / Chapter 3.4 --- 《薔薇》：婦女的發聲空間 --- p.95 / Chapter 3.4.1 --- 婦女問題 --- p.96 / Chapter 3.4.2 --- 女性的情感空間 --- p.101 / Chapter 3.5 --- 小結 --- p.104 / Chapter 第四章、 --- <薔薇〉中的女性聲音 --- p.106-136 / Chapter 4.1 --- 《薔薇》與女性文學 --- p.106 / Chapter 4.2 --- 石評梅：女性的心聲 --- p.108 / Chapter 4.2.1 --- 《心海》：女性的精神異域 --- p.110 / Chapter 4.2.2 --- 《濤語》：潛行的獨身主義 --- p.115 / Chapter 4.3 --- 書寫內心：另一種「現實」書寫 --- p.122 / Chapter 4.4 --- 石評梅的女性主義關懷 --- p.126 / Chapter 4.5 --- 石評梅的「革命」小說 --- p.129 / Chapter 4.6 --- 小結 --- p.136 / Chapter 第五章、 --- 《蔷薇》中的記憶與歷史 --- p.137-162 / Chapter 5.1 --- 紀念：記憶與歷史 --- p.137 / Chapter 5.2 --- 悼念：歷史的創傷 --- p.139 / Chapter 5.2.1 --- 三一八慘案與《三一八紀念特刊》 --- p.139 / Chapter 5.2.2 --- 濟南慘案與《薔薇國恥紀念號》 --- p.144 / Chapter 5.3 --- 傷逝：追憶石評梅 --- p.149 / Chapter 5.4 --- 記憶政治：女性與歷史 --- p.153 / Chapter 5.5 --- 小結 --- p.162 / 結論 --- p.163-167 / 附錄 --- p.168-240 / 附錄一：論文附表 --- p.169 / 附錄二：論文附圖 --- p.174 / 附錄三：人物小傳 --- p.191 / 附錄四：石評梅生平年表 --- p.199 / 附錄五：石評梅作品繫年目錄 --- p.202 / 附錄六：《薔薇週刊》總目錄 --- p.210 / 參考書目 --- p.241-250

Liang, Yue. / "November 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references. / Abstracts in English and Chinese. / ACKNOWLEDGMENTS --- p.i / INTRODUCTION --- p.1 / Chapter Chapter One: --- "The Appearance of the ""Robust Beauty Girl"" in the late 1920s" --- p.9 / "The Infatuation with the ""Western Beauty""" --- p.10 / "The Western ""Robust Beauty Girl:"" Hollywood Film Stars" --- p.13 / "The Chinese ""Robust Beauty Girl:"" Female Students" --- p.19 / Chapter Chapter Two: --- "The Reconstruction of the western ""Robust Beauty"" in the 1930s-40s" --- p.27 / "The Suspicion on the Western ""Robust Beauty""" --- p.29 / "The Reconstruction of the western ""Robust Beauty"": critique on the ""Modern Girl""" --- p.37 / "The Kuomintang's Response to the western ""Robust Beauty""" --- p.52 / Chapter Chapter Three: --- The Construction of the Chinese Womanhood in the War Period --- p.70 / The Communist Womanhood in the Jiangxi Period --- p.72 / The Women's Steering Committee and the Wartime Womanhood --- p.80 / The New Outlook of the Communist Womanhood in the Yan'an Period --- p.91 / Chapter Chapter Four: --- "The National Communist Womanhood: the ""Iron Maiden"" in the 1960s-70s" --- p.107 / "National Model: Two Categories of the ""Iron Maiden""" --- p.109 / From Person to the Nation: Organization Form and Political Consciousness --- p.114 / CONCLUSION --- p.126 / APPENDIX --- p.132 / BIBLIOGRAPHY --- p.139

The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition. / Chapter 1 provides an overview of the social-cultural context in which late Ming courtesans flourished. I emphasize office-holding as losing its appeal for late Ming nonconformists who sought other alternative means of self-realization. Chapter 2 examines the importance of poetry by courtesans in literati culture as demonstrated by their visible inclusion in late Ming and early Qing anthologies of women's writings. Chapter 3 examines the life and poetry of individual courtesans through three case studies. Together, these three chapters illustrate the strong identification between nonconformist literati and the courtesans they extolled at both collective and individual levels. / In Chapter 4, by focusing on the context and texts of the poetry collection of the courtesan Chen Susu and on writings about her, I illustrate the efforts by both male and female literati in the early Qing to reproduce the cultural glory of late Ming courtesans. However, despite their cooperative efforts, courtesans became inevitably marginalized in literati culture as talented women of the gentry flourished. / This dissertation as a whole explores how male literati and courtesans responded to the social and literary milieu of late Ming Jiangnan to shed light on aspects of the intersection of self and society in this floating world. This courtesan culture was a counterculture in that: (1) it was deep-rooted in male poetry societies, a cultural space that was formed in opposition to government office; (2) in valuing romantic relationship and friendship, the promoters of this culture deliberately deemphasized the most primary human relations as defined in the Confucian tradition; (3) this culture conditioned, motivated, and promoted serious relationships between literati and courtesans, which fundamentally undermined orthodox values.

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「革命加戀愛」小說在一九二零年代末中國的大量出現，反映了當時知識份子藉書寫對革命與性別之間的關係所展開的思考。而這些思考往往集中表現在文本中的革命女性身上。論文選擇以茅盾（1896 - 1981）及蔣光慈（1901 - 1931）這兩人創作的「革命加戀愛」小說為例，嘗試說明這些文本中的革命女性，蘊藏著一種未被充份理解的革命性。這一革命性，是以當時一套經翻譯進入中國的社會主義女性主義柯倫泰（1872 - 1952）的論述為參照而顯現出來。以此為基礎，我們重新發現通過《虹》這個文本中的革命女性，茅盾敘述了一個女性如何成為「革命的性別」的故事。而在《衝出雲圍的月亮》這本小說中，蔣光慈則在革命女性的思考、行動上，展示了革命如何可以是一場「性別的革命」。「革命的性別」及「性別的革命」說明了當時中國左翼知識份子對革命的思考及想像中，性別解放的可能的面向。 / With the mushrooming of Revolution and Love stories in China during late 1920s, intellectuals at the time have begun their reflection on the relation between “revolution and “gender through their writings, and addressed specifically on female characters that are engaged in revolutions. The following thesis sheds light on the Revolution and Love stories of Mao Dun（1896 - 1981）and Jiang Guangci（1901 - 1931）, and tries to illuminate the revolutionary spirit of those female characters. By comparing these fictions with Alexandra Kollontai（1872 - 1952）’s gender theories, my thesis aims at revealing the revolutionary traits when Kollontai’s socialist feminism theories were introduced into China through translation. From this point of departure, the underlying meaning of how Mao Dun transformed a female narrative into a “revolutionary oriented gender one would be underscored in his book Rainbow. While in another story written by Jiang, The moon that breaks free from the clouds, he demonstrated how a revolution could be perceived as a “gender oriented revolution through the reasoning and accomplishment of revolutionary females. By highlighting both the “revolutionary oriented gender and “gender oriented revolution, it allows us to rethink how leftist Chinese intellectuals at that time have comprehended the possibilities of gender emancipation through their understandings and imaginations towards revolution. / Detailed summary in vernacular field only. / 高俊傑. / "2013年2月". / "2013 nian 2 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 120-123). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Gao Junjie. / Chapter 第一章 --- 序 --- p.頁1 / Chapter 一、 --- 緒論：「革命加戀愛」小說的爭議 --- p.頁1 / Chapter 二、 --- 研究對象：茅盾的《虹》及蔣光慈的《衝出雲圍的月亮》中的革命女性 --- p.頁6 / Chapter 三、 --- 研究方法：引入柯倫泰的思想脈絡重讀《虹》及《衝出雲圍的月亮》中的革命女性 --- p.頁12 / Chapter 四、 --- 研究內容 --- p.頁19 / Chapter 第二章 --- 柯倫泰的性別論述 --- p.頁22 / Chapter 一、 --- 柯倫泰在現代中國 --- p.頁23 / Chapter 二、 --- 柯倫泰性別論述的背景 --- p.頁29 / Chapter 三、 --- 資本主義下家庭與婚姻對女性的剝削 --- p.頁31 / Chapter 四、 --- 社會主義下新型的家庭與婚姻 --- p.頁33 / Chapter 五、 --- 獨身女性 --- p.頁37 / Chapter 六、 --- 新性道德：戀愛遊戲 --- p.頁39 / Chapter 七、 --- 小結 --- p.頁44 / Chapter 第三章 --- 革命的性別--從柯倫泰到茅盾的《虹》 --- p.頁46 / Chapter 一、 --- 翻譯作為起點：柯倫泰與茅盾在女性解放議題的連結 --- p.頁49 / Chapter 二、 --- 柯倫泰進入茅盾小說創作的視野：從《蝕》到《虹》的轉變 --- p.頁52 / Chapter 三、 --- 性別意識：梅行素作為克服傳統女性特質的「新婦人」 --- p.頁59 / Chapter 四、 --- 性別身份：新女性的獨身主義 --- p.頁63 / Chapter 五、 --- 性別身體：女性與女性的戀愛遊戲 --- p.頁69 / Chapter 六、 --- 小結 --- p.頁76 / Chapter 第四章 --- 性別的革命--從柯倫泰到蔣光慈的《衝出雲圍的月亮》 --- p.頁79 / Chapter 一、 --- 茅盾與蔣光慈的可比性 --- p.頁82 / Chapter 二、 --- 為甚麼是《追求》？逆寫《追求》的意義 --- p.頁84 / Chapter 三、 --- 逆寫《追求》 --- p.頁89 / Chapter （1）. --- 女性的自我意識 --- p.頁89 / Chapter （2）. --- 女性與其他女性的關係 --- p.頁94 / Chapter 四、 --- 柯倫泰與蔣光慈 --- p.頁97 / Chapter 五、 --- 新性道德：革命女性的戰場 --- p.頁102 / Chapter 六、 --- 新家庭：新的倫理關係，與繼續革命 --- p.頁109 / Chapter 七、 --- 小結 --- p.頁114 / Chapter 第五章 --- 結語 --- p.頁116 / 參考書目 --- p.頁120