La présente étude porte sur l'expression de la mémoire féminine dans les fictions traitant de la guerre civile espagnole(1936-1939) et du franquisme. Elle s’intéresse plus particulièrement aux oeuvres publiées depuis la fin de la dictature (1975) jusqu’en 2010, en français (Agustin Gomez-Arcos et Mercedes Deambrosis) et en espagnol (Dulce Chacón, Carme Riera, Josefina Aldecoa, Jesús Ferrero, Marifé Santiago Bolaños et Ángeles Caso).Nous nous attachons d’abord à l’étude globale des représentations des expériences féminines de la guerre et de la répression. Dans l’écriture des violences subies comme dans celle des luttes et résistances, la double dimension politique et de genre émerge. L’analyse se resserre ensuite sur les représentations du traumatisme, entre manifestations pathologiques et tentatives de ritualisation. Nous montrons à cet égard comment le récit peut assumer une fonctionrituelle.La « poétique du traumatisme » mise au jour dans le corpus d’étude qualifie des réalisations formelles diverses, rassemblées en trois ensembles, correspondant à autant de lieux possibles d’ancrage du traumatisme : le rapport générationnel, le corps et la voix. Une attention spéciale est accordée à la figure de la victime. Des phénomènes tels que la répétition et la délinéarisation, apparaissant à divers niveaux du récit, éclairent le rapport que les fictions entretiennent avec le passé ainsi que leurs positions éthiques et politiques dans le présent de la démocratie / The current study explores the expression of women’s memory in literary works dealing with the Spanish Civil War (1936-1939) and Francoism. It focuses on the fictional narratives published between the end of the dictatorship (1975) and 2010, in French (Agustin Gomez-Arcos and Mercedes Deambrosis) and Spanish (Dulce Chacón Carme Riera, Josefina Aldecoa, Jesús Ferrero, Marifé Santiago Bolaños and Ángeles Caso).The thesis first conducts a global analysis on the representations of women’s experiences of war and repression. In thewriting of violence, struggle and resistance, the double political and gendered dimension emerges. The research focuses subsequently on the trauma representations, between pathological manifestations and ritual attempts, and shows how narrative can assume a ritual function.The « poetics of trauma » characterises various formal realisations, divided into three groups. Each of them embodies a possible space for the inscription of trauma : the generational link, the body and the voice. Special attention is given to the figure of the victim. Phenomena such as repetition and delinearisation, that appear at various levels, clarify the relationship that fictional narratives build with the past as well as their ethical and political positions in the democracy

Yeung Shuk Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 150-162). / Abstracts in English and Chinese. / Abstract --- p.i / 論文摘要 --- p.ii / Acknowledgements --- p.iii / Transliteration --- p.iv / Table of Contents --- p.v / Chapter Chapter 1 --- Introduction: Sending the women back home --- p.1 / Chapter Chapter 2 --- Connections between Germany and China --- p.20 / Post-First World War experience --- p.22 / Sino-German relationship --- p.28 / Similar characteristics in nationalistic leadership and political ideology …… --- p.36 / Chapter Chapter 3 --- "´ب´بNew women, liberated women"": The 1920s" --- p.44 / New roles and images --- p.46 / New sexualities and moralities --- p.61 / The “old´ح values --- p.70 / Chapter Chapter 4 --- Women under NSDAP and GMD --- p.76 / Home and family --- p.78 / Employment --- p.97 / War years --- p.105 / Chapter Chapter 5 --- Women leaders in NSDAP and GMD --- p.114 / The profile of the women leaders --- p.115 / Women organizations --- p.124 / Viewpoints of the women leaders --- p.132 / Chapter Chapter 6 --- Conclusion: Nationalism and women --- p.141 / Bibliography --- p.150

Thesis (Ph. D.)--Illinois State University, 2006. / Title from title page screen, viewed on April 27, 2007. Dissertation Committee: Cynthia Huff (chair), Ronald Strickland, Rebecca Saunders, Perle Besserman. Includes bibliographical references (leaves 216-230) and abstract. Also available in print.

Thesis (M.A.)--Florida State University, 2004. / Advisor: Dr. Jonathan A. Grant, Florida State University, College of Social Sciences, Interdisciplinary Program in Russian and East European Studies. Title and description from dissertation home page (viewed June 16, 2004). Includes bibliographical references.

Thesis (M.A.)--Denver Seminary, 2008. / Abstract. Includes bibliographical references (leaves 78-84).

Foreign Bodies: Military Medicine, Modernism and Melodrama traces how representations of warfare in the modernist novel, girls' romances, nursing memoirs, and war films dramatize the humanitarian disaster of war through the figure of woman. My analysis focuses on the visual and literary poetics of violence as troped in and through the bodies of combat nurses. The "uncanny" serves as a lens to explore the complex links between gendered war work and the radical transgression of the boundaries of the nation state and the body experienced during wartime. To establish the unique explanatory power of the uncanny for gender issues, I trace how feminist and postcolonial theorists have revised Freud's analysis of the uncanny. I trace medical metaphors of wounding and infection in the novel and various cinematic adaptations of A Farewell to Arms (1932, 1951, 1957, 1996). I read the letters and diaries of World War I nurse Agnes von Kurowsky against the censored memoirs of American nurses Mary Borden and Ellen La Motte. I show how the uncanny aesthetic adopted by Ernest Hemingway in A Farewell to Arms is subverted by these women writers. I explore how these uncanny aesthetics also manifest in adolescent nursing romances from Sue Barton to Cherry Ames. With the onset of World War II, I trace how the discourse of foreign bodies in relation to the metaphor of malaria in the South Pacific. Focusing on the portrayal of the Japanese foreign body, often encoded through off-screen sound, I demonstrate how medical metaphors of malaria operate in films portraying nursing in the South Pacific such as So Proudly We Hail (1943) and Cry Havoc (1943). Turning to the Korean and Vietnam Wars, I explore the representation of post-traumatic stress disorder in M*A*S*H (1970) and in nursing memoirs such as American Daughter Gone to War (1992) and Home Before Morning (1983). I bring this history of nursing representation to bear on media texts concerning the war in Iraq including Baghdad E.R. (HBO, 2006).

The exploitation and extermination of people in the context of internal conflict in the former Yugoslavia is a grave injustice and the result of a systematic policy of war by an unconventional state. Internal conflict requires investigation by international relations scholars because it is evidence of the changing nature of war. Given that both the methods of violence (ethnic cleansing, systematic/genocidal rape, and sexual torture) and (ethno)nationalism are gendered, a 'new' approach to war is needed. Traditional international relations theoretical approaches to the state, anarchy, and war/peace prove unable to analyze: one, the unconventional state (structure); two, the dichotomous separation of the public/international/external/formal/masculine/autonomous from the private/domestic/internal/informal/feminine/vulnerable; three, unconventional war policy; and four, the 'new' actors, the external and internal 'Others,' the 'Invisibles,' the noncombatants/ civilians, the 'women' (women and men; people with identities). Thinking that will lead to solutions for the dilemma of war, inclusively defined, will be - to employ Joy Kogawa's word - merciful; it will not exclude people and, while critical, it will be hopeful that the protection of both human dignity and community is in the 'national interest,' in 'our and their interest' as political/social/economic/etc. beings. Because it analyzes dichotomies and deals with the role of identity in the various aspects of (changing) war, a feminist or gendered/identity-deconstructivist approach is advanced as a means to more effectively examine internal/international conflicts, such as the former Yugoslav wars - i.e., unconventional wars whose character challenges the rigid traditionalist international relations definition of war.

The disarmament, demobilization, reintegration and reinsertion of ex-combatants generally and female ex-combatants specifically constitute one of the most fundamental activities in the 1994 post-genocide and war period in Rwanda. Initiated in 1997, the Rwanda Demobilisation and Reintegration Commission (RDRC) had the task of supporting the effective social and economic reintegration of ex-combatants into civilian life so as to realise national security, reconciliation, development, and sustainable peace. The findings of this study show that there is a tendency to regard former combatants as a homogenous group, overlooking significant variations based on gender, age, disability, military ranking, education and vocational skills, which are found in even small groupings. This study found that the needs, capacities and expectations of former combatants tend to be wide ranging, depending on these specificities/characteristics. On the whole, the transition from reinsertion to reintegration is often marked by drawn-out processes, and considerable difficulty in catering to all beneficiaries and developing comprehensive programmes. The findings revealed that, as they re-join their former communities, female ex-combatants are often affected differently in terms of identity crises, stigma, stereotypes, trauma, vulnerability, and power relations within society through intra-house and social relations. Even though the RDRC has made some progress, it has become clear that more needs to be done to help female ex-combatants through the reintegration programme. From the viewpoints expressed by the respondents during focus group discussions, one can conclude that in the planning of reinsertion assistance, it is imperative that the overall socioeconomic dynamics and the challenge of poverty are factored in as key variables to minimize resentment and marginalisation of broader war-affected communities. This would ensure a better linkage between reinsertion and reintegration, contributing to the sustainability of the identity transformation of female ex-combatants. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2013.

Note: / An estimated 48,000 child soldiers were involved in the violent civil war in Sierra Leone between 1991 and 2002. It is suggested that approximately 12,000 were girls. Lacking material possessions and facing other negative structural factors, the majority was in need of some form of assistance post-conflict. Although international aid response was substantial, only 500 girls entered the countrywide Disarmament, Demobilization and Reintegration (DDR) program. The remainder followed a variety of different courses. Giddens' structuration theory offers a useful theoretical framework to explore the reasons for their absence in the program, as it permits a focus on the role of structure and agencyin understanding behaviour. Social stigmatization and a gender-biased DDR program, within a broader structure of gender inequality, are identified as the principal problems . / On estime que 48,000 enfants soldats ont été impliques dans la violente guerre civile en Sierra Leone entre 1991 et 2002.11 est suggéré que prés de 12,000 d'entre eux étaient des filles. Avec des lacunes importantes au niveau matériel et faisant face a d'autres problèmes d'ordre structurel, la majorité de ces filles ont eu besoin d'une certaine forme d'assistance post-conflit. Bien que l'aide internationale ait été importante, seulement 500 filles ont été inscrites au programme national de Désarmement, démobilisation et réinsertion (DDR). Les autres filles ont suivies différents parcours. La théorie de structuration de Giddens offre un cadre théorique utile pour étudier les raisons de leur absence dans le programme car il permet de focaliser sur le rôle de la structure et de I' agence dans la compréhension du comportement. La stigmatisation sociale et une inégalité de genre au sein du programme de DDR, situe dans une structure plus généralisée d'inégalité de genre, sont identifiées comme étant les problèmes principaux .

Bibliography: leaves 290-311. / xiii, 354, 14 leaves : ill. (chiefly col.) ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / This study investigates the roles and experiences of "women warriors" in Zimbabwe's anti-colonial national liberation war, and reveals certain glorifications which have served to obscure and silence the voices of thousands of young girls and women involved in the struggle. The problems associated with the inclusion of women in an armed/military guerrilla force are discussed, and the (re)presentation of women in discourses of war, fictional accounts, public and national symbols and other multiple discursive layers which have re-inscribed the women back into the domestic examined. The Zimbabwean film Flame highlights the political sensitivity of the issues, including accusations of rape by male comrades in guerrilla training camps. An overview of women's involvement in Zimbabwean history, anti-colonial struggle, and the African nationalist movement provides the background for a critique of western feminist theories of nationalism and women's liberation in Africa. Historical records are juxtaposed with the voices of some women ex-combatants who speak their reasons for joining the struggle and their experiences of war. White Rhodesian women's roles are also examined in light of the gendered constructions of war. / Thesis (Ph.D.)--University of Adelaide, Dept. of Politics, 1999