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The needle and the pen needlework and women writers' professionalism in the nineteenth century /Chambers, Jacqueline M. January 2000 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2000. / Typescript. Vita. Includes bibliographical references (leaves 189-196). Also available on the Internet.
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Gender, games and landscape in Njabulo Ndebele's The Cry of Winnie Mandela.Van Dyk, Vanessa. January 2004 (has links)
No abstract available. / Thesis (M.A)-University of Durban-Westville, 2004.
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Patterns of healing and wholeness in characterizations of women by selected black women writersAdams, Brenda Byrne January 1989 (has links)
Some Black women writers--Zora Neale Hurston, Toni Cade Bambara, Paule Marshall, Gloria Naylor, and Alice Walker--of American fiction have written characterizations of winning women. Their characterizations include women who are capable of taking risks, making choices, and taking responsiblity for their choices. These winning women are capable of accepting their own successes and failures by the conclusions of the novels. They are characterized as dealing with devastating and traumatic personal histories in a growth-enhancing manner. Characterizations of winning women by these authors are consistently revealed through five developmental stages: conditioning, awareness, interiorizing, reintegrating, and winning. These stages contain patterns that are consistent from author to author.While conditioning and awareness of the negative influcences of conditioning are predictable, this study introduces the concept of interiorizing and reintegrating as positive steps toward becoming a winning woman. Frequent descriptions of numbness and disorientation mark the most obvious stages of interiorizing. It is not until the Twentieth Century that we see women writers using this interiorizing process as a necessary step toward growth. Surviving interiorizing, as these winning women do, leads to the essential stage of reintegrating.Interiorizing is a complete separation from social interaction; reintegrating is a gradual reattachment to social process. First, elaborate descriptions of bathing rituals affirm the importance of a woman's body to herself. Second, reintegrating involves food rituals which signal social reconnection. Celebration banquets and family recipes offer an important reminder to the winning woman that the future is built on the past. Taking the best of what has been learned from the past into the future provides strength and stability.The characterization of a winning woman stops with potential rather than completion. A winning woman must still take risks, make choices, and bear the consequences of her choices. The winning woman does not accept a diminished life of harmful conformity. She is characterized as discovering how to use choice and power. Novels included in this study are: Zora Neale Hurston's Their Eyes Are Watching God; Toni Cade Bambara's The Salt Eaters; Paule Marshall's Brownstone, Brown Girl; The Chosen Place, the Timeless People; and Praisesong for the Widow; Gloria Naylor's The Women of Brewster Place, Linden Hills; and Alice Walker's Meridian, and The Color Purple. / Department of English
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"She believed her ballyhoo" women and advertising in fiction by Edna Ferber, Jessie Redmon Fauset, and Fannie Hurst /Reeser, Alanna L. January 2007 (has links)
Thesis (M.A.)--Villanova University, 2007. / English Dept. Includes bibliographical references.
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Where the spirit leads me : the autobiographical holy foremothers of contemporary African American women's writing /Douglass-Chin, Richard J. January 1998 (has links)
Thesis (Ph.D.) -- McMaster University, 1998. / Includes bibliographical references (leaves 382-394). Also available via World Wide Web.
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Seriality and domesticity the Victorian serial and domestic ideology in the family literary magazine /Lawrence, Lindsy M. January 2008 (has links) (PDF)
Thesis (Ph.D.)--Texas Christian University, 2008. / Title from dissertation title page (viewed May 8, 2008). Includes abstract. Includes bibliographical references.
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The recuperation of historic memory recognizing suppressed female voices from the Spanish Civil War and Francoist repression /Saeger, J'Leen Manning. January 2009 (has links)
Thesis (Ph. D.)--University of California, Riverside, 2009. / Includes abstract. Title from first page of PDF file (viewed March 31, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 267-283). Also issued in print.
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Truncated transgressions : fictions of female authorship by British women writers of the late-nineteenth and early-twentieth centuries /Mukherjee, Srilata, January 2000 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 203-215). Available also in a digital version from Dissertation Abstracts.
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Reading politically U.S. women writers and reconfigurations of political fiction /Silcox, S. Travis. January 1900 (has links)
Thesis (Ph. D.)--University of California, Santa Cruz, 1994. / Typescript. Includes bibliographical references (leaves 270-279).
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The language of truth Charlotte Brontë, the woman question, and the novel /Björk, Harriet, January 1974 (has links)
Thesis--Lund. / Includes bibliographical references (p. 143-150) and index.
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