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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 11 to 14 of 14 (0.022 seconds)Spelling suggestions: "subject:"woyzeck"" "subject:"wozzeck""
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Literatura a hudba: Woyzeck a Wozzeck. Hudební zpracování dramatu Georga Büchnera Albanem Bergem / Literature und Music: Woyzeck and Wozzeck.Alban Berg's Musical Adaptation of the drama by Georg BüchnerStanovská, Tereza January 2012 (has links)
TITLE: Literature und Music: Woyzeck and Wozzeck. Alban Berg's Musical Adaptation of the Drama by Georg Büchner. SUMMARY: This thesis deals with a musical adaptation of the opera Wozzeck by the composer Alban Berg in the context of its literary model. The theoretical part offers an overview of the most important information and data about the authors and the origin of their works, based on the relevant sources. In the practical part, the principal emphasis is put on the libretto, specifically on formal and language similarities and differences detected in the text and their impact on the content and message of the work. Another focus is on musical language and its essential features, especially on the treatment of the voice, instrumentation and motives in the opera. The attention is also paid to the occurrence of autobiographical elements and critical reviews of the work. KEYWORDS: opera, drama, Woyzeck, Wozzeck, Alban Berg, Karl Emil Franzos, libretto, scenes, elision, alteration, literary model
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Rejecting the Page, Inciting Visuality: Staging 'Woyzeck' in a Mediatized CultureConway, Elisha 14 January 2013 (has links)
The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual.
Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration.
This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.
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Rejecting the Page, Inciting Visuality: Staging 'Woyzeck' in a Mediatized CultureConway, Elisha 14 January 2013 (has links)
The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual.
Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration.
This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.
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Rejecting the Page, Inciting Visuality: Staging 'Woyzeck' in a Mediatized CultureConway, Elisha January 2013 (has links)
The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual.
Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration.
This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.
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