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Account-giving in the narrative of farming in isiXhosaRalehoko, Refilwe Vincent 03 1900 (has links)
Thesis (MA (African Languages))--University of Stellenbosch, 2009. / The purpose of this study is to examine message production and image restoration in the
narratives of isiXhosa-speaking farming communities. According to Gergen (1994), narrative
forms – such as the stability narrative, progressive narrative and regressive narrative – are
linguistic tools that have important social functions to fulfil. Gergen (1994) further indicates
that self-narratives are social processes in which individuals are realised on the personal
perspective or experience. The self-narratives used and analysed in this study portray the
contemporary, truth-based elements of a well-formed narrative. Narrative accounts are also
embedded within social action; they render events socially visible and typically establish
expectations for future events because the events of daily life are immersed in narrative.
The study starts by laying the foundation for the reasons why human beings tell stories and
why stories are so important in people’s daily lives, since most people begin their encounters
with stories at childhood. Possibly because of this intimate and long-standing acquaintance
with stories from childhood, stories also serve as critical means by which human beings make
themselves intelligible within the social world. This study further examines the motivations
and conditions for account-giving in isiXhosa. Accounts are similar to narratives and can be
retained at the level of private reflections for others to read, to be educated and to learn from
and to refer to from time to time.
Gergen (1994) considers self-narratives as forms of social accounting or public discourse. In
this sense, narratives are conversational resources, their construction open to continuous
alteration as interaction progresses. The study elaborates on this phenomenon, especially in
the narrative accounts of the various isiXhosa stories that were collected and analysed. What
emerges from the analyses is that the individual characters whose stories are told are
portrayed as moving through their experience, dealing with some conflict or problem in their
lives and, at the same time, searching for a resolution.
It also emerges from the collection of these various isiXhosa narratives that they sharpen our
understanding of the major stressful situations in each person’s mind and how the individual
reasons about the difficulties encountered in life. The narratives prove, in this regard, to be a
cultural resource that serves social purposes, such as self-identification, self-justification, self criticism and social solidification. In this sense then, for an account to be true, it has to be
goal-orientated and relate to people’s day-to-day lives.
The study finds that the social-interactive aspects of account-giving involve severe reproach
forms, including personal attacks and derogatory aspects, which elicit defensive reactions
resulting in negative interpersonal and emotional consequences.
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Ukunika ingxelo kwimeko yamava obomi esixhoseniLugalo, Noxolo Veronica 03 1900 (has links)
Thesis (MA (African Languages))--University of Stellenbosch, 2009. / The aim of this study is to explore and encourage the use of accounts in the sense
that events occur in our societies that compel those who are victims of those
circumstances to give account of their experiences.
The theme of this study is based on statements about events such as abuse,
cheating, death and being HIV positive and on answers to such events. In respect of
the theory of image restoration, Benoit (1995) discusses why people should give
account of their wrongdoings and narrate such events. He states that language and
communication practitioners as well as the great philosophers in communities have
an interest in how image restoration works in our communities. This research focuses
on the Benoit theory.
People give account in everyday life of their wrongdoings or of accusations of
wrongdoing, since this helps to restore their reputations. The focus of this study is on
the use of accounts in Xhosa culture as a strategy in the narration of life stories.
According to Benoit (1995), accounts are excuses and justifications that are
responses to offence or failure events such as requests for an account of the
violation of a norm, of the rebuke of another person and of the expression of surprise
or disgust at certain behaviours.
This study illustrates how to give account of your own experience. In this regard,
Gergen (1994) states that the term “self-narrative” refers to an individual’s account of
the relationship of self-relevant events across time, while White and Epston (1990)
state that people give meaning to their lives and relationships by narrating stories
about their experience of life.
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Uhlalutyo lwamanqaku kalindixesha wesiXhosa ngobhalo ngokudlulileyo nangobhalo olunika ingcaciso ngokubhekisele kuhlobo lwe-genreSimayile, Thulani Alfred 12 1900 (has links)
Thesis (MA (African Languages))--Stellenbosch University, 20008. / This study employs the theoretical framework of text construction advanced by Feez
and Joyce (1998) and Grabe and Kaplan (1996) for the analysis of Xhosa texts of
biographical recounting and consequential explanation.
Text-linguistic methods are used to analyse five written biographical recounting texts
and five written consequential explanation texts taken from Bona magazine. These
text-linguistic methods explore the incorporation of texts in the National Curriculum
2005, in order to equip both teachers and learners with the skills to get to know the
Xhosa language – to learn, to teach and to follow the language structure when
writing.
The analysis facilitates the discovery of the communicative purpose, culture and
social elements in written text. In addition, models of writing, text-linguistic
construction, properties of written text and elements of text structure are explored in
the analysis of the Xhosa texts. Based on these terms, the broad emphasis will be on
parameters of the ethnography of writing as proposed by Grabe and Kaplan (1996).
These parameters are, among others, as follows: who writes what to whom, for what
purpose, why, when, where and how? This study also proves that the theoretical
framework advanced by Feez and Joyce (1998) and Grabe and Kaplan (1996) about
written texts could result in effective teachers and learners who have acquired skills
and become text experts.
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