"A Master's paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science." / Title from PDF title page (viewed on Apr. 25, 2006). "May 2004." Includes bibliographical references (p. 45-47).

The aim of this research, Reading Selection as Information Seeking Behavior: A Case Study with Adolescent Girls, was to explore how the experience of reading fiction affects adolescent girls aged 13 through 15, and how that experience changes based upon four activities: journaling, blogging, a personal interview, and a focus group session. Each participant reflects upon works of her own choosing that she had recently read. The data is evaluated using content analysis with the goal of developing a relational analysis tool to be used and tested with future research projects. The goal of this research is to use the insights of the field of bibliotherapy together with the insights of the adolescent girls to provide a higher, more robust model of successful information behavior. That is, relevance is a matter of impact on life rather than just a match of subject heading. This work provides a thick description of a set of real world relevancy judgments. This may serve to illuminate theories and practices for bringing each individual seeker together with appropriate documents. This research offers a new model for relevant information seeking behavior associated with selecting works of essential instructional fiction, as well as a new definition for terminology to describe the results of the therapeutic literary experience. The data from this study, as well as from previous research, suggest that literature (specifically young adult literature) brings the reader to a better understanding of herself and the world around her.

Well-meaning educators often recommend more "boy" books to increase reading motivation amongst boys. This experimental mixed-methods study investigated the influence of the "boy" book/ "girl" book phenomenon on willingness to read using a researcher-designed instrument called the Textual Features Sort (TFS). The TFS measured two attitudinal constructs—gendered beliefs about texts and willingness to read—in relation to individual textual features of selected young adult novels. Data came from 50 sixth and seventh grade students at a mid-sized public school in a rural New England state. Mean scores, frequencies, and percentages were analyzed using independent samples t-tests, paired t-tests, and Fisher's exact test. Qualitative data was used to explain quantitative results. Findings indicate that boys were not more willing to read "boy" books than other books, nor less willing to read books with female protagonists. Boys were significantly less willing to read "girl" books, though individual textual features of a single novel elicited different gendered beliefs along with varying degrees of willingness to read. Girls were significantly less willing to read a novel if it was first sorted as a "boy" book. Research revealed a widespread belief in social consequences for a boy carrying a "girl" book down the hallway, that did not hold for girls. Findings suggest that sociocultural constructions of gender inhibit both boys and girls as readers, though to varying degrees, and challenge the notion that highly gendered and heteronormative assumptions about books and reading practices will increase willingness to read among young adolescent boys.

This research focuses on how Young Adult (YA) novelists adapt Shakespeare’s plays to address the concerns of a contemporary teenage audience. Through the qualitative method of content analysis, I examined adaptations of the three most commonly read texts in the high school curriculum: Romeo and Juliet, Macbeth, and Hamlet. The research looked for various patterns in the adaptations and analyzed the choices made by the authors in aligning their texts to or deviating from the original plays. A final chapter addresses practical classroom application in using adaptations to teach the plays to high school students. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

Traditional historical writing focuses on the cause and effect of human action, assuming that it is the historian's responsibility to recount the ebbs and flows of human progress. In the process of laying hold of the past as a narrative of human action, historical writing has developed the tendency to marginalise nature and undermine its power to influence the historical narrative. My investigation explores the fantastic in historical fantasy as a means of resisting historical writing's anthropocentrism. Historical fantasy uses fantastical elements to create counterfactual and alternative historical realities that have the potential to resist and undermine history's anthropocentric norm. My thesis examines four contemporary young adult historical fantasy trilogies that reimagine key turning points in history such as industrialisation, the American frontier, European imperialism, and World War I. They share the theme of retrieving and subverting anthropocentric discourses in the history of human development and thereby creating space for nature's presence and agency. My study finds that the fantastic is an effective means of subverting historical writing's anthropocentrism. But it also uncovers ambiguities and contradictions in historical fantasy's ecological revisionism, pointing to the idea that despite the fantastic's capacity for subversion, historical representations of nature cannot be separated from considerations of human identity and survival.

The original thesis contains the novel "Stranger, I" as an integral part of the thesis. However this novel has been omitted in this digital copy. / Thesis (MA (Hons))--Macquarie University, Division of Humanities, Department of English, 2006. / Bibliography: p. 93-97. / On divergence in fantasy -- Introduction -- Preliminary -- The thousand and one definitional nights -- Characteristic works: inclusions and exclusions -- Critical objections to fantasy -- Conclusion. / On Divergence in Fantasy explores the ways in which fantasy criticism continually redefines its boundaries, without arriving at agreement. The paper draws on Foucault to suggest that these disputes and dispersions are characteristic of the operation of fantasy critisim as a discursive formation. / Mode of access: World Wide Web. / 97 p

Thesis (Ed.D.) -- Teachers College, Columbia University, 1995. / Includes tables. Typescript; issued also on microfilm. Sponsor: Florence McCarthy. Dissertation Committee: Allayne Sullivan. Includes bibliographical references (leaves 155-164).

Thesis (Ph. D.)--Illinois State University, 2003. / Title from title page screen, viewed October 17, 2005. Dissertation Committee: Karen S. Coats (chair), Anita C. Tarr, Janice Neuleib. Includes bibliographical references (leaves 145-151) and abstract. Also available in print.

Thesis (Ph. D.)--Ohio State University, 2006. / Title from first page of PDF file. Includes bibliographical references (p. 237-288).

This thesis is a young adult fictional novel from the perspective of Rachel Jackson, or Rae, a seventeen year-old girl with Williams Syndrome, a rare developmental disorder caused by missing genes on chromosome 7 that causes those with it to lack logical connections, yet possess very gregarious, social, and musical personalities. Think of it as an inverted form of autism. At the genesis of the novel, Rae becomes pregnant. Upon misunderstanding her mother's sugar-coated reasoning for giving the baby up for adoption, Rae spends the novel trying to find a man to marry so that, in her understanding, she may keep her child. Along her journey, Rae meets Theo, a well-meaning Christian boy, who appears to be a possible match. Rae falls in love with Theo and gets into various kinds of trouble as she discovers how to take care of herself as well as how to accept herself, disorder and all. Along with her hardworking mother, her feisty grandmother, and her sassy little sister, Rae endeavors this bildungsroman to discover who she is and how she fits into society.