Thesis (Ph. D.)--Guo li zheng zhi da xue, 1981. / Cover title. Reproduced from typescript ; on double leaves. Errata slip inserted. Includes bibliographical references (p. 521-529).

No description available.

劉慶華. / Manuscript (cops. 2-3 復印本). / Thesis (M.A.)--香港中文大學硏究院語文學部. / Manuscript (cops. 2-3 fu yin ben). / Includes bibliographical references (leaves 372-387). / Liu Qinghua. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan yu wen xue bu. / 前言 / Chapter 第一章 --- 緒論 / Chapter 第一節 --- 論齊梁文風 / Chapter 第二節 --- 沈約與當時文風 / Chapter 第二章 --- 沈約之世系及生平 / Chapter 第一節 --- 沈約之世系 / Chapter 第二節 --- 沈約之生平 / Chapter 第三節 --- 結論 / Chapter 第三章 --- 沈約的文學理論 / Chapter 第一節 --- 《宋書．謝靈運傳論》中的文學理論 / Chapter （1） --- 詩歌的起源問題 / Chapter （2） --- 關於情和文的關係問題 / Chapter （3） --- 聲律問題 / Chapter 第二節 --- 關於四聲的問題 / Chapter （1） --- 沈約與四聲 / Chapter （2） --- 四聲與宮商的關係 / Chapter 第三節 --- 關於八病的問題 / Chapter （1） --- 八病的解說 / Chapter （2） --- 沈約與八病 / Chapter 第四節 --- 結論 / Chapter 第四章 --- 沈約的文學作品欣賞 / Chapter 第一節 --- 五言詩 / Chapter （1） --- 五言詩的分類 / Chapter （2） --- 沈約五言詩的欣賞 / Chapter （3） --- 從平頭、上尾、蜂腰、鶴膝看沈約的五言詩 / Chapter （4） --- 從唐代律詩形式看沈約的五言詩 / Chapter 第二節 --- 樂府 / Chapter （1） --- 樂府的分類 / Chapter （2） --- 樂府欣賞 / Chapter 第三節 --- 賦 / Chapter （1） --- 賦的分類 / Chapter （2） --- 賦的欣賞 / Chapter 第四節 --- 結論 / Chapter 第五章 --- 鍾嶸《詩品》沈約評語中的幾個問題 / Chapter 第一節 --- 論「憲章鮑明遠」 / Chapter 第二節 --- 關於「于時（永明）謝朓未遒，江淹才盡，范雲名級故微，故約稱獨步。」 / Chapter （1） --- 謝朓未遒 / Chapter （2） --- 江淹才盡 / Chapter （3） --- 范雲名級故微 / Chapter 第三節 --- 論「詞密于范，意淺于江」 / Chapter （1） --- 詞密于范 / Chapter （2） --- 意淺于江 / Chapter 第四節 --- 結論 / Chapter 第六章 --- 總結 / 附錄 / 參考書目 / 參考論文

"Yuewang Goujian shijia," the forty-first chapter of the Shiji, is one of the most important sources for the history of the ancient state of Yue. However, this chapter has not received serious scholarly examination in the West. Unlike those chapters of the Shiji which have been translated in the Shiji translation project headed by William Nienhauser, "Yuewang Goujian shijia" has not yet been translated into English. This thesis provides an annotated translation of the "Yuewang Goujian shijia." In addition, it has been argued that the history of the Spring and Autumn period in the Shiji is a compilation of earlier sources. The introduction to the translation will specifically look at the relationship of the "Yuewang Goujian shijia" to one of its proposed sources, the "Yueyu xia," which is the twenty-first chapter of the Guoyu. In comparing these two texts, it will be shown that dependence cannot be definitely demonstrated.

Thesis (M.CM)--Hong Kong Baptist University, 2006. / Dissertation submitted to the School of Chinese Medicine. Includes bibliographical references (leaves 24-26).

Thesis (Ph. D.)--Washington University, 1999. / Includes bibliographical references (p. 217-242) and index.

Thesis (M.A.)--Zhongguo wen hua xue yuan. / Reproduced from typescript. Includes bibliographical references (p. 275-295).

《樂府補題》是一部著名的詠物詞集，本文即以此詞集為研究對象。除緒論及總結外，本文共分三編七章。各章節的內容大要如下。緒論回顧了《樂府補題》的研究狀況，並提出了本文的研究問題：一、甚麼因素促使《樂府補題》問世？二. 能否整理出一個《樂府補題》的新文本以供討論？ 三. "樂府補題"究竟有何寄託？四.《樂府補題》的詠物成就如何？五.《樂府補題》復出之後，讀者又如何接受？上編一章，研究《補題》的生成語境，處理的是第一個研究問題。本章分別從「歷史語境」、「詠物詞史語境」、「詞學語境」和陳恕可的「個人語境」等四個層面，由廣而狹地逐步聚焦於《樂府補題》得以問世的因素，並嘗試界定「雅」的定義。中編包括第二、第三及第四等三章，主力研究《補題》的文本，處理的是第二、第三和第四等三個研究問題。本編探討了《補題》的版本、寄託和詠物等基本課題。第二章首先整理了《補題》的版本系統，重建了《補題》的文本，第三章即在此基礎上作進一步的討論，提出無本事而有寄託的解讀方法、應題典故和烘題典故的區分及其對解讀詠物詞所起的作用。此外，本編第四章又討論了《補題》在賦形和摹神所用到的手法，並嘗試界定「神」的定義。下編三章，討論了後世讀者對《補題》的接受，處理的是第五個研究問題。第五章討論了清代詞人追和《補題》的作品的特點，第六章則討論了清人對《補題》的理論開發，從而看出《補題》經典地位的建立。本編第七章則討論了《補題》進入民國之後被文學史家邊緣化的問題。總結即回顧本文各章的研究結果。= It is known that Yue Fu Bu Ti 樂府補題 is a famous anthology of object-chanting Ci poetry詠物詞. Where have such poems come from? How did such an anthology come about? Very simply put, in the early years of the Yuan Dynasty, a small number of poets held a handful of clandestine gatherings to mourn the demise of the Song Dynasty. The innocence of their verse - songs about very common objects and animals - hid their true feelings about the the Song Dynasty. Their lamentations, their regrets and even their feelings of guilt burn within the sub-text of this small collection of poems. This thesis is a study of this anthology. In this thesis, except for the introduction and the conclusion, there are 3 sections with 7 chapters. The synopsis is as follows. The introduction contains a literature review on Yue Fu Bu Ti. Five research questions are raised: 1. What are the factors that spurred the emergence of Yue Fu Bu Ti? 2. Is it possible to reconstruct a faithful and authentic version of Yue Fu Bu Ti today? 3. What are the hidden meanings - the subtext - of Yue Fu Bu Ti? 4. What are the accomplishments of object-chanting which Yue Fu Bu Ti achieved? 5. How have the readers over the years received Yue Fu Bu Ti? Chapter 1 addresses the first research question. It examines the factors which prompted Yue Fu Bu Ti to coalesce and to take shape through the perspectives of its historical context, the context of object-chanting Ci, the context of Ci poetry 詞學more generally, and the personal context of Chen Shu He 陳恕可, the editor and one of the authors of Yue Fu Bu Ti. In addition, the concept of Ya 雅 is also discussed in this chapter. Chapters 2, 3 and 4 make up Section 2. They concentrate on the second, third and fourth research questions respectively. The basic issues, including different versions of Yue Fu Bu Ti, the shrouded, concealed meanings Yue Fu Bu Ti, and the realization and triumph of object-chanting which Yue Fu Bu Ti achieved are discussed in this section. The text of Yue Fu Bu Ti is reconstructed. This latest version is the basis of further discussion. It is suggested that the true meanings of Yue Fu Bu Ti are cleverly disguised free of referential incidents. Direct and indirect allusion are keys to a successful reading of the poems. The concept of Shen 神 of objects, the writing technique for depicting a resemblance to objects, and the acquisition or attainment of the essence of the Shen of objects in Yue Fu Bu Ti, are discussed in this section. There are also 3 chapters in the last section. The final research question is discussed in this section. Chapter 5 studies the characteristics of Zhui He 追和 (compositions based on the rhymes of the original work ) during the Qing Dynasty while Chapter 6 examines the Ci theory revealed within Yue Fu Bu Ti and explored in the Qing Dynasty. The process of canonization of Yue Fu Bu Ti is shown here. Marginalisation of Yue Fu Bu Ti by literary historians in the Min Guo era is discussed in Chapter 7. The conclusion is a review of the achievements the chapters have presented.

published_or_final_version / Architecture / Master / Master of Landscape Architecture

published_or_final_version / Architecture / Master / Master of Architecture