本文以「從禮樂到生民:論中唐樂府的復興與新變」為題，試圖將中唐樂府放入當時思想、政治與文化的新格局中，探討其創作及觀念之特徵，並對盛、中唐之際的文學發展與中唐樂府的革新提出新的解釋。 / 已往之研究往往強調中唐樂府「刺時」的一面，而歸因於中唐的政治狀況。但本文認為，就題材來說，中唐樂府並非僅有「刺時」的內容，亦有大量的風俗描寫; 就原因而言，政治固然是因素之一，然絶非唯一因素。其背後還涉及詩學觀念的轉向與文人身份的變化。 / 本文指出，盛、中唐之際文人對於「風雅」或者「詩教」的觀念發生了變化。盛唐以前對「教化」的理解總與「禮樂」相伴，認為只要行禮樂便可以達到教化的目的，強調「禮樂」的作用自然凸顯《詩經》「上以風化下」的一端，而非「下以風刺上」的一面。至盛唐末期，這種觀念受到挑戰，文人對詩教的理解從頌讚的雅頌走向諷刺的國風，而最後刺時之文也獲得了正當性。中唐樂府的興盛與這種詩學觀念的轉變有著密切的關係。 / 本文認為，中唐文人的政治身分變化與中唐樂府的變化亦有密切關係。初盛唐文人少做地方官，至中唐，長期擔任地方官的文人比例大增。他們在觀念上調和「儒」、「吏」關係，更多地認同「循吏」的價值與傳統，使得地方官文人與漢良二千石的傳統銜接。他們以「循吏」的眼光在地方進行創作，為樂府的「觀風」職能提供良好的背景。 / 觀念的轉向、文人身份的變化，加之當時的政治狀況，造成了中唐樂府的興盛，也造就其獨特之特徵。本文對張籍、王建樂府在盛中唐樂府演變中的作用與地位提出了新的論述，認為張、王的樂府唱和，繼承、改造了盛唐李白和杜甫新、古題樂府的創作形式，體現了盛唐末年所開啟的「風雅」詮釋方式，而以興諷刺時作為樂府的主要內容，為其後的元、白樂府提供了借鏡。本文指出，中唐樂府雖然繼承了漢樂府「觀風」的傳統，但在題材內容上有所擴大。漢代，「樂府」作為中央官署，其「采詩」的主要目的是考察地方吏治，對於地方風土風俗則沒有太大興趣，但中唐樂府對此一題材卻有大量的書寫。「風俗」題材的興起與當代儒學關注點從「禮樂」轉向「生民」有關。「生民」既成為評判政治優劣的標準，「生民」的活動自然被納入創作的視野。論文認為，從文體角度說，中唐的樂府作者雖在主觀上排斥六朝傳統，但在樂府的命題以及表現方式上依然深受六朝的影響。 / 論文還考察了與新樂府創作相應的一套詩學論述，發現中唐詩人提出了所謂樂府「正聲」的觀念，以對抗初、盛唐樂府的觀念。不僅如此，中唐的樂府觀念還與「史官」、「諫官」的意識相互滲透，使得本為詩歌所獨有的「采風」觀念擴散到詩歌以外的文類，而本為樂府所關注的獨特題材也進入其他文體的書寫當中。 / This thesis focusing on Yuefuin the Mid-Tang dynasty,discusses its characteristicsin the new pattern of thought, politics and culture. The thesis tries to provide a new explanation for the literature development in the Mid-Tang. / Existing researches often emphasized the relation between yuefu and political reality. However, political reality was not the only theme reflected in yuefu, the description of customs was included. Politic was not the mere reason. Literati’s political identitywas changed and the existing tradition of "praise and criticize" from the Han dynasty was also transformed. / The thesis pointed out that the idea of "Fengya" or "poetic education" was changed from the High-Tang to the Mid-Tang dynasty. "Civilization", usually relating to "rites and music", was considered to be successful in the High-Tang dynasty. Therefore, literature was encouraged to praise the dynasty while criticism was ignored. This idea faced challenged from the end of the High-Tang dynasty, and the "poetic education" was lead to "criticize" instead of "praise". The prosperity of yuefu in the Mid-Tang dynasty was closely allied to the new idea. / Meanwhile, literati’s political identity changed. Most of them were local officials.Travelling within a wider area activated them to identify the "liangqiandan" tradition from the Han dynasty and to write in a "moral official’s" sight. / The change of idea, literati identity as well as political reality provided an environment for yuefu creation in the Mid-Tang dynasty. The thesis provides a new exposition for Zhang Ji and Wang Jian’s positions in this literature development. Zhang and Wang wrote poems in replies. They continued or reformed Li Bai and Du Fu’s yuefu works and represented the new idea of "Fengya" in their works, which provided experience for Yuen Zhen and Bai Juyi later. At the same time, the concept of "Guan Feng" was broadened. Han "Yuefu", as a central office, collected poems to look at local politics with no interest in local customs. However, yuefu in the Mid-Tang dynasty viewed customs as a mean subject of writing. The literati subjectively excluded the tradition of the Six dynasties, but were in fact influenced by this tradition. Besides, customs as a literary subject related to the transform of contemporary Confucianism. When literati viewed "people", not "ritesand music" as the basic of civilization in the political field, people’s activities became a literary theme with justification. / Finally, yuefu developed a standard for itself as poets concerned their works on the field. Poets raised "canon" of yuefu againstthe verse written in the Early and High-Tang dynasty. And the idea about yuefu penetrated with the sense of both historian and remonstrating officials when it came to mature. The idea of "folk song collection", coming down from yuefu was broadened and literary themes originally belonged to yuefu were written by other literary forms. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 呂家慧 = From rising "rites and music" to viewing "people": the research on yuefu poem in the Mid-Tang dynasty / Lu Chia Hui. / Thesis (Ph.D.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 251-256). / Abstracts also in English. / Lü Jiahui = From rising "rites and music" to viewing "people" : the research on yuefu poem in the Mid-Tang dynasty / Lu Chia Hui.

(M. Arch.)--University of Hong Kong, 1997. / Includes special report entitled: Special study on the design of a shopping centre. Includes bibliographical references.

(M.Arch.)--University of Hong Kong, 1997. / Includes special report entitled : Special study on the design of a shopping centre. Includes bibliographical references. Also available in print.

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No description available.

張武宜. / "2013年9月". / "2013 nian 9 yue". / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 229-239). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Zhang Wuyi.

Thesis (M. Hous. M.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 72-75).

Thesis (M.Hous.M.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 72-75) Also available in print.

梁德華. / "2007年8月" / "附錄1: 《漢紀》、《漢書》、《史記》三書比勘表"--P. 1-873 (2nd group). / 論文(哲學碩士)--香港中文大學, 2007. / 參考文獻(leaves 197-209). / "2007 nian 8 yue" / "Fu lu 1: 'Han ji', 'Han shu', 'Shi ji' san shu bi kan biao"--P. 1-873 (2nd group). / Abstract also in English. / Liang Dehua. / Can kao wen xian (leaves 197-209). / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007. / Chapter 第一章： --- 引言 --- p.1 / Chapter 第二章： --- 荀悦生平及其學術背景 --- p.2 / Chapter 第一節： --- 荀悦的生平 --- p.2 / Chapter 第二節： --- 《漢紀》、《申鑒》引書硏究 --- p.5 / Chapter 第三節： --- 「荀悦曰」與儒家典籍之關係 --- p.35 / Chapter 第三章： --- 《漢紀》用《史記》考 --- p.48 / Chapter 第一節： --- 前人硏究《漢紀》史源槪況 --- p.48 / Chapter 第二節： --- 《漢紀》用《史記》集證 --- p.53 / Chapter i. --- 《漢紀》用《史記》官名、數字及人物例 --- p.54 / Chapter ii. --- 《漢紀》據《史記》補充史料及文句例 --- p.61 / Chapter iii. --- 《漢紀》直用《史記》文辭例 --- p.69 / Chapter iv. --- 《漢紀》據《史記》改寫文辭例 --- p.77 / Chapter V. --- 《漢紀》與徐廣所見古本《史記》相合例 --- p.88 / Chapter 第三節： --- 結語 --- p.91 / Chapter 第四章： --- 《漢紀》用《漢書》考 --- p.100 / Chapter 第一節： --- 化紀傳體爲編年體 --- p.100 / Chapter 第二節： --- 通比其事 --- p.104 / Chapter 第三節： --- 《漢紀》、《資治通鑑》比事硏究 --- p.106 / Chapter i. --- 取材問題. --- p.109 / Chapter a. --- 《漢紀》弓懺《漢´書Ø志》、〈表〉之文句不見於《通鑑》例 --- p.110 / Chapter b. --- 《漢紀》引錄《漢´書Ø傳》之內容不見於《通鑑》例 --- p.118 / Chapter ii. --- 紀年問題 --- p.125 / Chapter a. --- 論《漢紀》記事以人物爲中心而《通鑑》以時間爲中心 --- p.127 / Chapter b. --- 論《漢紀》記事連類相及而《通鑑》繫年於確實年份 --- p.131 / Chapter 第四節： --- 《漢紀》整理《漢書》之方法 --- p.133 / Chapter i. --- 《漢紀》迻錄《漢書》原文例 --- p.133 / Chapter ii. --- 《漢紀》以通假、同義、近義詞改易《漢書》文句例 --- p.135 / Chapter iii. --- 《漢紀》删削《漢書》人物對白例 --- p.139 / Chapter iv. --- 《漢紀》删削《漢書》情節例 --- p.145 / Chapter v. --- 《漢紀》因删削而失《漢書》原文文意例 --- p.152 / Chapter vi. --- 《漢紀》槪括《漢書》文句例 --- p.156 / Chapter vii. --- 《漢紀》修飾《漢書》文辭例 --- p.160 / Chapter viii. --- 《漢紀》改寫《漢書》文句例 --- p.165 / Chapter ix. --- 《漢紀》補充《漢書》例 --- p.172 / Chapter X. --- 《漢紀》倂合《漢書》不同篇章例 --- p.178 / Chapter Xi. --- 《漢紀》據其他古籍改易《漢書》文句例 --- p.186 / Chapter 第四節： --- 結語 --- p.192 / Chapter 第五章： --- 結論 --- p.195 / 參考書目 --- p.197 / Chapter 附錄一： --- 《漢紀》、《漢書》、《史記》三書比勘表 --- p.1-837

徐焯賢. / 論文(哲學碩士) -- 香港中文大學人類學部, 1997. / 參考文獻: leaves 73-76. / Xu Zhuoxian. / Chapter 第一章 --- 總論 --- p.1 / Chapter 甲. --- 硏究課題 / Chapter 乙. --- 文獻回顧 / Chapter 丙. --- 硏究方法 / Chapter 第二章 --- 香港粤曲曲藝社的槪況一一以觀華遊樂社爲例 --- p.14 / Chapter 甲. --- 觀華遊樂社的背景資料 / Chapter I. --- 名稱由來 / Chapter II. --- 成立經過和歷史 / Chapter III. --- 會員人數 / Chapter IV. --- 日常活動 / Chapter V. --- 宗旨 / Chapter VI. --- 組織架構 / Chapter 乙. --- 活動描述 / Chapter I. --- 操曲 / Chapter II. --- 敎授老人中心 / Chapter III. --- 公開演出 / Chapter 丙. --- 小結 / Chapter 第三章 --- 觀華遊樂社與香港社會的關係 --- p.34 / Chapter 甲. --- 觀塘社區發展 / Chapter 乙. --- 整體粤曲粤劇發展 / Chapter 丙. --- 九七回歸帶動的身份認同 / Chapter 丁. --- 小結 / Chapter 第四章 --- 觀華遊樂社與個人社會空間的關係 --- p.50 / Chapter 甲. --- 前言 / Chapter 乙. --- 個人資料 / Chapter 丙. --- 參加觀華的重要性 / Chapter I. --- 觀華成員身份的確立 / Chapter II. --- 社區身份 / Chapter III. --- 中國文化身份 / Chapter 丁. --- 小結 / Chapter 第五章 --- 總結一一個人、社會與曲藝社 --- p.69 / 參考書目 --- p.73