In the period between the granting of self-government in 1923 and 1938, the 'native' policy formulated by Europeans in colonial Zimbabwe had three dimensions. The first was a land and agricultural policy designed to restrict competition from Africans in the produce market. The second was a labour policy addressed at the chronic labour shortages in the European mining and agricultural sectors. The third was a series of control measures seeking to impede black political organization. The goals of these policies were largely achieved by 1938 due to a combination of government initiatives and the impact of the depression. Part of this success was directly due to the effects of the depression; as economic conditions improved, Africans regained some of their economic autonomy and reasserted themselves politically.

A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg in partial fulfilment of the requirements for the degree of Masters of Arts. / This paper analyses the music of Oliver Mtukudzi in order to ascertain how he uses his music as a means of addressing the socio-political issues in Zimbabwe. Mtukudzi's music has, for decades now, been thought to reflect and voice the realities of life in Zimbabwe. Particular emphasis has been placed on the lyrics because they contain the messages of the songs. An evaluation of the music and its addressivity in conjunction with the lyrics is also examined to determine how Mtukudzi uses them both as ways of enhancing the message in the songs. Using the theory of addressivity the paper looks at the nature of this address within the songs chosen for evaluation within the paper. Similarly the virtual audience, as distinguishable from real audiences, of Mtukudzi' s address is taken cognisance of in order to, not only verify the addressivity already discussed, but also to assess how extensive the audience's influence is in determining the songs that the artist writes. Using songs from recordings from the last five years I look specifically at how he deals with themes about women, children, HIV/AIDS and politics in his music and how this is used to address and reflect the social realities of Zimbabwe. / Andrew Chakane 2019

A dissertation submitted in partial fulfilment of a Master of Arts (MA) in Migration and Displacement by research and coursework, School of Social Sciences, Faculty of Humanities, University of the Witwatersrand, March 2018 / In this paper, I argue that the denationalization project which occurred in Zimbabwe between 2001 to 2013 brought with it new forms of citizenship, with the stateless persons engaging in network-building in order to navigate space and claim rights. Through a ‘mini-ethnographic study’ involving six participants who stayed in Zimbabwe despite being rendered stateless, this paper argues that spatial navigation and rights claiming is done through the assertion of agency akin to Ranciere’s ‘dissensus’, with stateless individuals fulfilling their revolutionary potential. This paper goes further to rebut current international and state centric strategies when dealing with statelessness. I suggest that a more community-based approach will assist in ensuring that statelessness and its inimical effects are addressed at the appropriate level. / XL2019

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The population of Glen View, a high density residential area in Harare, Zimbabwe is increasing. The effects on area living conditions are deleterious. The situation is expected to deteriorate further due to projected population increases: This creative project presents strategic planning, through Recommendations and Guidelines, for the high density residential area of Glen View. This project involves recommending guidelines for innovative urban planning strategies to address the significant living difficulties existing in Glen View. The sources used were secondary and related published material along with the knowledge gained through my personal experience in the high density residential areas in Harare, Zimbabwe during the summer of 1990. It is intended that this project can serve as an example of how innovative planning can work to create a better quality of life for people living in high density residential areas in developing countries. / Department of Urban Planning

A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfillment of the requirements for the degree of Doctor of Philosophy, February 2017 / This study is about the ways Gukurahundi memory is invoked by Zimbabwean migrants living in Johannesburg, South Africa. The research focused on inner city Johannesburg residents who are actively speaking about the Gukurahundi. Participants were drawn from three main migrant groups; Zimbabwe Action Movement, Mthwakazi Liberation Front and Ithemba leSizwe. Two artworks produced to document the atrocities; a film, The Tunnel, written and produced by an ‘outsider’ white South African filmmaker and music, Inkulu lendaba, written and performed by victims of the violence, were used as case studies; to answer questions about the meaning, role and appropriate form for remembering Gukurahundi in Johannesburg today. The Tunnel has enjoyed a global audience whereas Inkulu lendaba, remains within the victims’ locality. Findings of this study are drawn from participant observation of victims’ community events, in-depth interviews, focus group discussions and, an analysis and comparison of the artworks and their reception by victims. One of the key findings of this study focusing on contestation over how a history is narrated is that translation plays a significant role in maintaining global inequality and continuing forms of colonialism. The memory of Gukurahundi is invoked, partially translated, in the music to critique continuing forms of colonial inequality in the ways narratives of victimhood are received by the global audience highlighting a shortcoming in the film, which translates the story of Gukurahundi for a global audience yet causing it to lose its authenticity for the victims. The music by victims narrates the experience of being a victim of Gukurahundi, a migrant in xenophobic South Africa and black in a racist global community. In this way it postures the socio-economic location of the victims in the global community as the reason for their victimhood and its lack of acknowledgement. This socio-economic location is therefore pivotal to their healing. The study contributes to literature on post conflict transition mechanisms and foregrounds the role of acknowledgement in healing however; specific forms of narration are required for healing. Furthermore the study shows the role of music in the transmission of trauma across generations, facilitating the domestication of politics into the everyday and fostering ‘safe’ political participation in repressive contexts. The thesis also presents the potential of creative methodologies in disrupting the researcher-participant relationship power dynamics by presenting research in poetic form and facilitating participant engagement with research output; Poetic transcription similarly does this by creating transparency in the meaning making process of research analysis. / XL2018

Abstract With Harare, Zimbabwe, as my reference city, the aim of the study was to explore and substantiate how architecture and landscape can work together to facilitate platforms for the interaction between ‘‘people and nature’’ and ‘‘amongst the people’’. The theoretical themes that helped guide the investigation are phenomenology, place attachment, ecotherapy, healing environments, environmental psychology and sustainability. Over the years Harare has suffered economic downturn which has led to a rapid disintegration of its socio-economic and biophysical systems including physical infrastructure. This has negatively affected the people, creating an atmosphere of disconnection and apathy towards their environment and to each other. The study pursues the objective of a sustainable antidote for the city through development of a healing environment that would rejuvenate, reconnect and inspire the people of Harare to pursue sustainable life styles. Through renewed and reinvigorated relationships, the people can then begin to build one another and in turn develop a positive attitude towards their environment. No matter what the circumstances we are constantly drawn and connected to nature and to each other in a manner similar to what is often captured under the African spirit of Ubuntu. The design intervention developed into a Therapy Performing Arts Centre embedded in the landscape of an open public space in the city. The spaces engage with nature in order to create a sensual experience that seeks to tone down the pace of the people and get them to appreciate their surroundings and one another. The driving concept for the design was reconnecting through moments of pause and motion. The spaces were inspired by the existing paths as guidelines thus allowing the building and nature to be woven together through experiential journeys within the spaces provided. Embedding the building in the landscape allowed for the creation of an intimate connection to nature in order to re-ignite the humannature relationship and thus restoring balance, development and renewal to the health circle. In turn, and over time, this would begin to heal the human-to-human relationships as well. / MN (2016)

In partial fulfilment of the requirements for the degree Master of Arts (Migration and Displacement) by Coursework and Research Report, August 2017 / In Zimbabwe, the past two decades have been characterized by a growing flow of refugees into the country from other parts of the continent such as Burundi, Sudan, the Democratic Republic of Congo (DRC), Rwanda, and Somalia. Drawing from the biomedical model, prevailing discourses about mental health posit that after going through traumatic experiences in the wartorn regions of the world, refugees and asylum seekers are particularly vulnerable to developing mental health problems and are, therefore, in need of counselling and psychosocial services. This assumption has guided, and has subsequently been supported by, several studies conducted in the Global North, and there is generally a lack of local literature and research that either confirm or challenge the assumption in Southern Africa. This research was prompted by such a substantial research gap and therefore seeks to examine the perceptions of refugees regarding mental health and access to care. The study identified Tongogara Refugee Camp as the study site and targeted adult individuals aged 18 and above, residing in the camp, as well as officials from the Zimbabwean Ministry of Public Service, Labor and Social Welfare, United Nations High Commissioner for Refugees (UNHCR), Christian Care, Jesuit Refugee Services (JRS), International Committee of the Red Cross (ICRC), clinic officials as well as faith-based leaders. The access to health care framework (McIntyre, Thiede, & Birch, 2009), was used as the basis and theoretical framework for this research to explore the various factors determining availability, affordability and acceptability. The overall methodology employed was the qualitative approach and the case study research design. Respondents were recruited through the purposive sampling method and semi-structured interviews were used for data gathering. Thematic content analysis yielded participants’ perceptions of mental health and access to care through their descriptions of pre-migration trauma and post-migration stress as the major causes of mental illness, and expressions of mental illness such as sadness, worrying, wandering aimlessly through the camp, talking too much and violence. The study sheds light on the problems of medicalizing distress and human suffering, particularly the limitations of the biomedical model of mental health treatment. Camp residents mainly rely on spirituality and social support for coping with mental health. Several issues, relating to all the dimensions of the concept of access were identified, including language barriers, temporary solution to a permanent problem, lengthy waiting times, as well as ill-treatment at the camp clinic. Recommendations include the key need to be cautious about the importation of Western biomedical approaches, the need to pay more attention to the prevention of mental health problems and the promotion of mental health through action on the social determinants of health, the need for language interpreter services at the camp clinic, the need for improved engagement with refugee families, and the need for resettlement. Such information may help add to the body of available literature on refugee and asylum seekers’ access to health services and to literature that is exploring the development of appropriate responses to mental wellbeing in the Southern African context. / XL2018

Thesis (MTech (Tourism and Hospitality Management))--Cape Peninsula University of Technology, 2018. / A well-packaged tourism product is the deciding factor in the choice of tourists about which destination to visit. A tourism product can be bundled with many tourism elements such as accommodation, attractions, activities and tours, price, image and climate. The tourism elements that build up a tourism product are the principle factors that contribute to the decision to choose one destination over another destination. Tourists can put a number of tourism products on the table, based on their needs and wants. However, they opt for one tourism product that promises to satisfy their demands. Destinations that offer unique tourism products are the most successful in a competitive industry since tourists will visit such destinations to fulfil their needs. However, even though some destinations like Victoria Falls offer unique tourism products, it is important to understand the nature and trends of tourists visiting this destination and their perceptions of the tourism product. This will assist in planning how to address any areas of concern as well as maintaining areas that are performing well. Limited research exists on tourist perspectives of the Victoria Falls tourism product and hence this is the focus of the current research. It will help in broadening the knowledge of the relevant tourism bodies in Zimbabwe on how tourists view the tourism product, as well as aiding sustainable development and growth of the tourism product. This study followed a quantitative methodology design. The interviewer administered 377 questionnaires on face-to-face basis to tourists on a voluntary participation basis. Systematic sampling was used to collect the data.Key findings indicate that despite the increasing number of females visiting this destination, males still dominate the tourist numbers. The majority of tourists fell within the age bracket of 21-50 years. The findings further show that availability of attractions, price of the tourism product, and accessibility of the destination play a paramount role in influencing tourists to visit the destination. Most tourists’ expectations were met and they would visit again in future and recommend the destination to friends and relatives. The most satisfactory results were noted on the attractions, activities, tours, and tourist accommodation. Despite these positive results, tourists felt that prices of accommodation, activities, tours, as well as dining, was too high. Furthermore, too many police roadblocks and unnecessary fines were noted as being detrimental to the tourism product. The researcher noted all concerns and made recommendations to overcome these negative aspects. The experience of tourists at a destination is strongly associated with an amalgamation of different elements of a tourism product. It is crucial to understand the performance of each tourism element as this contributes significantly to the success of the tourism product. The results of this study will afford the Zimbabwe Tourism Authority and Zimbabwe Parks and Wildlife Management Authority an understanding of the Victoria Falls tourism product from a tourist perspective. These entities will be able to improve the product, make it more attractive to tourists, and hence grow future visitor numbers. In addition, the results of this study create a baseline for future research. Monitoring of tourist perspectives over time and an evaluation and assessment of the tourist demands can be done, which will help in the modification and upgrading of the tourism product to match the demands of the consumers (tourists).

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