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Depiction of scenes in Eileen Chang's novelettes Zhang Ailing zhong, duan pian xiao shuo zhi chang jing miao xie /Chu, Hau-ying. January 2009 (has links)
Thesis (M.A.)--University of Hong Kong, 2009. / Includes bibliographical references (p. 91-106).
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On Eileen Chang's view of men and their images in her novels Lun Zhang Ailing de nan xing guan ji qi xiao shuo zhong de nan xing xing xiang /Wong, Ah-yin. January 2009 (has links)
Thesis (M.A.)--University of Hong Kong, 2009. / Includes bibliographical references (p. 57-60).
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Cong xiao shuo dao dian ying : lun "Qing cheng zhi lian" yu "Ban sheng yuan" /Mak, Yan Yan. January 2002 (has links)
Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2002. / Includes bibliographical references (leaves 276-289). Also available in electronic version. Access restricted to campus users.
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The life and works of Zhang Ailing : a critical studyHoyan, Carole H.F. 11 1900 (has links)
This dissertation is a study of Zhang Ailing's life and works and aims to provide a
comprehensive overview of her literary career. Zhang Ailing (Eileen Chang %. jf; 5£%
1920-1995) is a significant figure in modern Chinese literary history, not only because of
her outstanding artistry and modernist vision, but also because of her diverse
contributions to the course of Chinese literature.
The study follows the conventional chronological order of her life and is divided
into eight chapters, together with an introduction and a conclusion. The first and the
second chapters examine how Zhang's family experiences and wartime impressions
contributed to the formation of her anti-romantic vision and how they influenced her
subsequent creative writings. The third and fourth chapters analyze the significance and
implications of her early works, written before she embarked on her literary career, and of
her English-language cultural critiques and film reviews published in The Twentieth
Century.
Chapters five and six focus on the two major genres of Zhang's creative writing:
short stories and informal essays. Her short stories, with their exploration o f the
individual psyche in a modern urban context and their sense of disengagement and irony,
can be considered as one of the earliest manifestation of modernism in China. Her essays
show a strong sensuality and sympathetic understanding, as well as an identification with
femininity and with everyday life. Showing a similarity to other modern Chinese women
writers in her concern for detail, Zhang sets herself off by a uniquely witty and humorous
tone. Her use of poetic diction and splendid imagery also serves as a striking contrast to
the insipid style of most of her contemporaries.
Chapter seven traces the development of Zhang's novels, which in turn reflects
changes in her life and personal psychology. Chapter eight examines Zhang's career as a
screenplay writer, translator and academic scholar.
The concluding chapter deals with Zhang's contribution to the course of modern
Chinese literature, through an investigation of her legacy in Taiwan, Hong Kong and
Mainland China.
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An analysis of Zhang Ailing's movie scripts Zhang Ailing dian ying ju ben chuang zuo yan jiu /Chow, Wing-kam. January 2008 (has links)
Thesis (M.A.)--University of Hong Kong, 2008. / Includes bibliographical references (p. v-vii)
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The life and works of Zhang Ailing : a critical studyHoyan, Carole H.F. 11 1900 (has links)
This dissertation is a study of Zhang Ailing's life and works and aims to provide a
comprehensive overview of her literary career. Zhang Ailing (Eileen Chang %. jf; 5£%
1920-1995) is a significant figure in modern Chinese literary history, not only because of
her outstanding artistry and modernist vision, but also because of her diverse
contributions to the course of Chinese literature.
The study follows the conventional chronological order of her life and is divided
into eight chapters, together with an introduction and a conclusion. The first and the
second chapters examine how Zhang's family experiences and wartime impressions
contributed to the formation of her anti-romantic vision and how they influenced her
subsequent creative writings. The third and fourth chapters analyze the significance and
implications of her early works, written before she embarked on her literary career, and of
her English-language cultural critiques and film reviews published in The Twentieth
Century.
Chapters five and six focus on the two major genres of Zhang's creative writing:
short stories and informal essays. Her short stories, with their exploration o f the
individual psyche in a modern urban context and their sense of disengagement and irony,
can be considered as one of the earliest manifestation of modernism in China. Her essays
show a strong sensuality and sympathetic understanding, as well as an identification with
femininity and with everyday life. Showing a similarity to other modern Chinese women
writers in her concern for detail, Zhang sets herself off by a uniquely witty and humorous
tone. Her use of poetic diction and splendid imagery also serves as a striking contrast to
the insipid style of most of her contemporaries.
Chapter seven traces the development of Zhang's novels, which in turn reflects
changes in her life and personal psychology. Chapter eight examines Zhang's career as a
screenplay writer, translator and academic scholar.
The concluding chapter deals with Zhang's contribution to the course of modern
Chinese literature, through an investigation of her legacy in Taiwan, Hong Kong and
Mainland China. / Arts, Faculty of / Asian Studies, Department of / Graduate
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Tian cai meng : Zhang Ailing Meiguo shi qi de sheng huo yu xie zuo chu tan /Sun, Xiaoming. January 2009 (has links)
Includes bibliographical references (p. 104-107).
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Miao hong Taiwan Zhang pai zuo jia shi dai lun /Su, Weizhen. January 2006 (has links)
Originally presented as the author's thesis (Ph. D.--Chinese University of Hong Kong) under the title: Taiwan Zhang pai zuo jia shi dai lun. / Includes bibliographical references.
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Transgressing boundaries : hybridity in Zhang Ailing's writing and its multidimensional interpretations in contemporary ChinaWang, Yuan, 1977- January 2006 (has links)
Zhang Ailing is an extraordinary yet important literary figure in 1940s China. In her writing, the specificity of hybridity breaks through restriction of domestic, social, political and cultural issues and makes her writing surpass the boundaries of races, cultures and space and time. It integrates Zhang's profound concern for human life and humanity with her exquisite literary sensibility. In my thesis, I deploy my study on this hybrid specificity, and also on the cultural phenomena relevant to Zhang Ailing in 1990s China, namely the "Zhang Ailing fever" and the nostalgia theme in Hong Kong film. By exploring the underlying relationship between the two issues on the basis of respective analyses of them, I try to enrich our understanding of this legendary writer and stimulate further thought on the broad and complex process of the "rehabilitation" of Zhang's literary reputation in both Western sinology and Chinese academia.
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The novels of Zhang Ailing in Hong Kong 1952-1955 /Su, Weizhen. January 1999 (has links)
Thesis (M. Phil.)--University of Hong Kong, 1999. / Summary in English. Includes bibliographical references (leaves 174-202).
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