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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Alice em metamorfose: o grotesco e o nonsense em diálogo nas obras de Carroll e Svankmajer / Alice through metamorphosis: the dialog of grotesque and nonsense in Carrolls and Svankmajers work

Thomaz, Nathalia Xavier 29 March 2012 (has links)
Esta dissertação estuda comparativamente o grotesco presente no manuscrito Alices Adventures Underground, de Lewis Carroll e no filme Alice (1988) do diretor Jan Svankmajer. Considerando a diferença dos campos narrativos em que atuam, relevou-se a especificidade de cada suporte, identificando como cada artista desenvolveu a estética em seu trabalho. Para focar a análise, selecionamos alguns aspectos: o início das histórias, o personagem do coelho branco, as mudanças de tamanho sofridas por Alice, a união do humor e do horror e o encerramento das narrativas. Observamos como esses elementos, marcantes no manuscrito de Carroll, reverberam na obra do cineasta surrealista, levando à construção de um filme capaz de ampliar, com maestria, os elementos da estética do grotesco, estabelecendo um diálogo criativo com o escritor vitoriano. / This thesis studies, through comparison, the grotesqu e found in the manuscript by Lewis ,jer. In view of the difference between their narrative fields, the specific traits of each medium were taken into consideration, and it was recognized how both the writer and the film director developed aesthetics in their work. To refine the analysis, some aspects were selected: the beginning of the stories, the White Rabbit character, the size changes through which Alice goes, the joining together of hu mor and horror, and the ending of the tales. We remark how these elements, so distinguished in Carrolls manuscript, echo in the work of the surrealist filmmaker, leading him to the creation of a film capable of masterly increasing the elements in the aesthetic of the grotesqu e, establishing a creative dialogue with the writer from the Victorian era.
2

Alice em metamorfose: o grotesco e o nonsense em diálogo nas obras de Carroll e Svankmajer / Alice through metamorphosis: the dialog of grotesque and nonsense in Carrolls and Svankmajers work

Nathalia Xavier Thomaz 29 March 2012 (has links)
Esta dissertação estuda comparativamente o grotesco presente no manuscrito Alices Adventures Underground, de Lewis Carroll e no filme Alice (1988) do diretor Jan Svankmajer. Considerando a diferença dos campos narrativos em que atuam, relevou-se a especificidade de cada suporte, identificando como cada artista desenvolveu a estética em seu trabalho. Para focar a análise, selecionamos alguns aspectos: o início das histórias, o personagem do coelho branco, as mudanças de tamanho sofridas por Alice, a união do humor e do horror e o encerramento das narrativas. Observamos como esses elementos, marcantes no manuscrito de Carroll, reverberam na obra do cineasta surrealista, levando à construção de um filme capaz de ampliar, com maestria, os elementos da estética do grotesco, estabelecendo um diálogo criativo com o escritor vitoriano. / This thesis studies, through comparison, the grotesqu e found in the manuscript by Lewis ,jer. In view of the difference between their narrative fields, the specific traits of each medium were taken into consideration, and it was recognized how both the writer and the film director developed aesthetics in their work. To refine the analysis, some aspects were selected: the beginning of the stories, the White Rabbit character, the size changes through which Alice goes, the joining together of hu mor and horror, and the ending of the tales. We remark how these elements, so distinguished in Carrolls manuscript, echo in the work of the surrealist filmmaker, leading him to the creation of a film capable of masterly increasing the elements in the aesthetic of the grotesqu e, establishing a creative dialogue with the writer from the Victorian era.

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