Orientador: José Ricardo Barbosa Gonçalves / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-08-24T21:51:27Z (GMT). No. of bitstreams: 1 Rangel_RonaldoRaemy_D.pdf: 2011320 bytes, checksum: 8cbd2a68eb0ceeefba3750469bd375fa (MD5) Previous issue date: 2013 / Resumo: O presente trabalho tem como objetivo discutir o papel de um grupo específico das elites no Império, segmento que sem dúvida pertencia ao grupo hegemônico do país, mas que dele se destacava por sua instrução, nível cultural e, principalmente, por seu contato frequente com o mundo já desenvolvido nos moldes da revolução industrial. Por um lado tal segmento, como parte da elite econômica, atuou de forma pragmática na direção da criação de um Estado que se tornasse um ator privilegiado e que atendesse aos interesses dos produtores envolvidos com o modelo escravocrata¿agrário¿exportador e, por outro, adotou uma visão humanista que se vinculava a sua compreensão sobre as transformações em sociedades que desfrutavam de ganhos advindos da revolução industrial, mas que viam emergir novas relações sociais. Assim, o segmento da elite estudado, independente da esfera do Estado, buscou discutir questões relevantes para os seus interesses e o fez pela aproximação a instituições privadas de caráter não confessional através das quais puderam generalizar suas ideias, quer fosse entre seus próprios membros (já que entendiam como necessário que estivessem eles próprios organizados como atores coletivos) quer com o conjunto de homens livres, que não derivassem do grupo hegemônico. Uma das associações escolhidas por esse segmento foi a Sociedade Amante da Instrução que é usada como guia do trabalho / Abstract: This work intends to discuss the role of a specific group of elites in the Empire, a segment which belonged to the hegemonic group in the country, but it stood out for their education, cultural level, and especially for his frequent contact with the developed world after the industrial revolution. As part of the economic elite, acted pragmatically to create a State to become a privileged actor and would meet the interests of producers involved with model slave agrarian export, and, secondly, adopted a humanistic vision that was linked to transformations in societies that enjoyed gains from the industrial revolution, but they saw emerging new social relations. The segment of elite studied, regardless of the sphere of the State, sought to discuss issues relevant to their interests and made the approach to private institutions (non-confessional) through which could generalize their ideas, whether it were among their own members (as understood that they needed to be organized as collective actors) or among free men, that were not derived from the hegemonic group. One of the associations chosen by this segment was the Sociedade Amante da Instrução which is used to guide the work / Doutorado / Historia Economica / Doutor em Desenvolvimento Economico

abstract: The following thesis tries to rescue the novels Sab and Dos mujeres, written by the XIX century writer Gertrudis Gómez de Avellaneda, from the hegemonic discourse offered by the contemporary critics. This is possible by comparing the Epistolar novel Tu amante ultrajada no puede ser tu amiga with the two novels analyzed. Also, this thesis examines the epistolary novel as a set of documents that creates a literary work on their own. That is to say, it studies how these letters, written to her lovers during the years 1839 to 1854, create an autobiographical fiction, a novel of the romantic period, and a character that makes a myth out of the writer and poet Gertrudis Gómez de Avellaneda. / Dissertation/Thesis / Masters Thesis Spanish 2016

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.

This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.