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Dramatics for the elderly : a survey of characteristics, problems encountered, and solutions suggested in dramatics programs in New York senior centers and residential care settings.Gray, Paula Elizabeth. January 1972 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Sponsor: Ruth Bennett. Dissertation Committee: Paul Kozelka. Includes tables. Includes bibliographical references.
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Adapting committed space in the high school for theatre productionsWilkinson, James C. January 1968 (has links)
There is no abstract available for this thesis.
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A descriptive study of the function of drama in the correctional institutionJohnson, Marjorie Ferrell, January 1972 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1972. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Little shop of horrors comparative lighting designs through stage directions /Moody, David Adams. January 2010 (has links)
Thesis (Honors)--College of William and Mary, 2010. / Includes bibliographical references (leaves 34-35). Also available online.
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Le jeune théâtre dans la champ théâtral québécois, évolution idéologique, 1950-1985Bélanger, Louis January 1997 (has links) (PDF)
No description available.
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Public Performances with Elemenetary School Vocal ClassesKavanaugh, Janette M. (Janette Mae) 01 1900 (has links)
The purpose of this study was to examine the justifications for and production problems of presenting elementary children in public performances.
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The history of the Vancouver Little Theatre AssociationNesbitt, Carol Dell 05 1900 (has links)
The thesis covers the history of the Vancouver Little
Theatre Association (VLTA), one of the oldest amateur theatre
groups in Canada. The subject was chosen partly because of
the shortage of informative papers written on the histories of
amateur theatre in Vancouver. As there has been very little
written on this subject, the majority of the research was done
with primary sources, most of which were in the VLTA archival
collection at the City of Vancouver Archives.
The VLTA was founded in 1921 by a group of people
inspired by the art theatre movement in Europe. The
Association proved to be very popular from its inception, and
was able to buy a theatre building by its third season. The
building was its home base until 1978. The Depression at the
end of the 1920s dramatically affected the VLTA, and the
company, once financially successful and widely accepted, lost
much of its stability and following. From then on, most of
the history of the VLTA is a struggle for survival. During
the Second World War, the Association helped with the war
effort, either by raising money for war charities or by giving
performances for servicemen. At the end of the war,
professional theatre began to emerge in Vancouver, and the
VLTA had much competition. This early professionalism led to
the building of Vancouver’s civic theatres in the late 1950s and early 1960s, as well as the founding of smaller,
alternative, professional theatre companies of the 1970s. The
Little Theatre found that it could not compete with these new
movements. The Association’s position in the Vancouver theatre
scene was forced to change.
The Introduction presents a brief overview of the
theatrical ongoings in Vancouver before the inception of VLTA,
as well as the reasons behind the creation of the Little
Theatre. Chapters Two to Five cover the main part of VLTA’s
history, from its inception in 1921 to the selling of the York
Theatre building in 1978. Chapter Six brings up to date the
rest of VLTA’s history and discusses whether the VLTA
succeeded in its original mandates. It also considers why
VLTA remained amateur, while other little theatres in Canada
turned professional. The thesis will cover the internal
workings of VLTA as a company, and its position in the
Vancouver Theatre scene in comparison to other theatrical
happenings in the city.
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Social settlement theatre Hull House and Karamu House.Benson, Carol Angela, January 1965 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1965. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 186-200).
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The history of the Vancouver Little Theatre AssociationNesbitt, Carol Dell 05 1900 (has links)
The thesis covers the history of the Vancouver Little
Theatre Association (VLTA), one of the oldest amateur theatre
groups in Canada. The subject was chosen partly because of
the shortage of informative papers written on the histories of
amateur theatre in Vancouver. As there has been very little
written on this subject, the majority of the research was done
with primary sources, most of which were in the VLTA archival
collection at the City of Vancouver Archives.
The VLTA was founded in 1921 by a group of people
inspired by the art theatre movement in Europe. The
Association proved to be very popular from its inception, and
was able to buy a theatre building by its third season. The
building was its home base until 1978. The Depression at the
end of the 1920s dramatically affected the VLTA, and the
company, once financially successful and widely accepted, lost
much of its stability and following. From then on, most of
the history of the VLTA is a struggle for survival. During
the Second World War, the Association helped with the war
effort, either by raising money for war charities or by giving
performances for servicemen. At the end of the war,
professional theatre began to emerge in Vancouver, and the
VLTA had much competition. This early professionalism led to
the building of Vancouver’s civic theatres in the late 1950s and early 1960s, as well as the founding of smaller,
alternative, professional theatre companies of the 1970s. The
Little Theatre found that it could not compete with these new
movements. The Association’s position in the Vancouver theatre
scene was forced to change.
The Introduction presents a brief overview of the
theatrical ongoings in Vancouver before the inception of VLTA,
as well as the reasons behind the creation of the Little
Theatre. Chapters Two to Five cover the main part of VLTA’s
history, from its inception in 1921 to the selling of the York
Theatre building in 1978. Chapter Six brings up to date the
rest of VLTA’s history and discusses whether the VLTA
succeeded in its original mandates. It also considers why
VLTA remained amateur, while other little theatres in Canada
turned professional. The thesis will cover the internal
workings of VLTA as a company, and its position in the
Vancouver Theatre scene in comparison to other theatrical
happenings in the city. / Arts, Faculty of / Theatre and Film, Department of / Graduate
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The case for high school dramatics : including a survey of the status of dramatics in the high schools of CaliforniaDavis, Musa Evans 01 January 1931 (has links) (PDF)
In presenting The Case for High School Dramatics the writer wishes, in advance, to be relieved of any charge of specious pleading. It is not maintained that the dramatic method offers a panacea for the teaching of English, for she is also an advocate of continuous drill in the fundamental processes.
In this case of special pleading, however, the effective points of the dramatic method are emphasized to the best of the pleader's ability, and wholly without prejudice to other satisfactory methods of motivating oral and written English.
Several years of study arid observation in the milieu, and the pragmatic teaching by trial and error have placed the writer in a position to plead the case with good conscience. From the theoretical as well as the practical point of view the method stands the pragmatic test — it works. The case is sound.
In brief, dramatics is a method particularly applicable to the present-day student material, and, in combination with thorough drill in the fundamentals, seems to justify its constantly increasing influence in the senior high school curriculum.
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