- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 101 to 110 of 227 (0.066 seconds)| 101 |
An object under light : the metaphysical strength of light as revealed in Saint Augustine's ConfessionsElliott, Benjamin Wing 05 1900 (has links)
No description available.
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| 102 |
Ways of making within dematerialized spaceTurnipseed, Mary Faith 12 1900 (has links)
No description available.
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| 103 |
The architecture of collageBlack, George David 05 1900 (has links)
No description available.
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| 104 |
Masonry ornament : applications of masonry construction in post-modern architectureJones, Doyle Michael 08 1900 (has links)
No description available.
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| 105 |
Interventions into the cityTardio, Marco Carlos 05 1900 (has links)
No description available.
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| 106 |
Learning from MackintoshGoodwin, Elizabeth Eve 05 1900 (has links)
No description available.
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| 107 |
Interaction between industrialized building systems and architecture : generic principles of variations with industrialized building systemsKim, Juho. January 1985 (has links)
No description available.
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| 108 |
A contemporary assessment of the genesis of the modern aesthetic : the impact of modern art on modern architecture.January 1999 (has links)
This dissertation assesses the impact of modem art on the so-called heroic period of modem architecture, dated for the purposes ofthis thesis from 1917 to 1933. The study is premised on two principal arguments: firstly, modem art - Cubism, in particular - was the seminal influence on the codification of a modem architectural vocabulary. Secondly, the increasing preoccupation with utilitarian tenets obscured and ultimately undermined the semantic significance ofmodem architecture that was derived from the visual arts. A general introduction to the tumultuous history of 20th century architecture substantiates these presuppositions and contextualizes the current interest in the aesthetic intent of the pioneering Modernists. For the sake of reviewing the genesis of the modem aesthetic, the classical ideal of beauty is briefly reflected upon. This is followed by a review of the alternating depiction of pictorial depth and its extraordinary symbiotic relationship with the expression ofplastic space. The cubist-induced perception and experience of space is preceded by the catalytic role of the mechanization ofvision on the rejection ofthe classical canons of beauty. An in-depth analysis of Cubism, coupled with its derivatives that spawned architectural equivalents, reinforces the volumetric incarnation of modem art, exemplified by Purism, Constructivism and Neo-Plasticism. This study is concluded with an assessment of the adopted prerruses and a reflection on the longer-term objectives of this study. / Thesis (Ph.D.)-University of Natal, Durban, 1999.
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| 109 |
Owen Jones, architectFlores, Carol Ann Hrvol 12 1900 (has links)
No description available.
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| 110 |
A curious view on negation and architectural creativityKenzari, M. Bechir 12 1900 (has links)
No description available.
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