Inaug.-Diss.--Tübingen. / "Die Arbeit ist gleichzeitig als Band XVI der 'Tübinger Forschungen zur Archäologie und Kunstgeschichte' ... erschienen." Vita.

Inaug.-Diss.--Munich. / Lebenslauf.

Inaug.-Diss.--Tübingen. / "Die Arbeit ist gleichzeitig als Band XVI der 'Tübinger Forschungen zur Archäologie und Kunstgeschichte' ... erschienen." Vita.

Inaug.--diss. - Leipzig. / Lebenslauf. "Litteratur": p.[74]-75.

This study foregrounds the problem of the center and periphery of Gothic architecture near Paris. Taking architectural citation as its interpretive framework, it focuses on a core group of rural parish churches situated in the land of the Paris cathedral chapter. It addresses the visual links between Notre-Dame of Paris and the village churches, the ways in which architectural citation was put into practice, and the institutional context that imbued the resemblances with meaning. It demonstrates that quoting the architecture of the cathedral of Paris was the exception, not the rule, in the villages of the cathedral chapter. When they occurred, the citations were mostly superficial, not structural, and resulted from contact between the community of secular canons installed at the cathedral and the administrators responsible for the village churches. The introduction sets the problem of architectural citation in the land of the Paris cathedral chapter against the backdrop of architectural citation in other contexts in medieval France: namely, Cluniac, Cistercian, and Capetian. Proceeding according to the Notre-Dame of Paris construction sequence, Part One reveals the architectural citations of the cathedral of Paris found in the chapter’s land: at Saint-Germain of Andrésy, Saint-Hermeland of Bagneux, Saint-Lubin of Châtenay, Saint-Christophe of Créteil, Saint-Germain of Itteville, Notre-Dame of Jouy, Saint-Mathurin of Larchant, Saint-Nicolas of Mézières, Notre-Dame of Rozay, Saint-Martin of Sucy, and Saint-Fortuné of Vernou. Part Two introduces the Paris cathedral chapter as an institution and a community of individual canons, maps the chapter’s rural property as it expanded from the ninth to the fourteenth century, articulates the language the chapter used to describe its villages and land, and explores the canons’ secular and sacred authority in its villages. Part Two concludes by bringing the institutional relationship to bear on the architectural evidence presented in Part One.

Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 420-440). Available also in a digital version from Dissertation Abstracts.

No description available.

The parish churches of Paris rebuilt between 1489 and 1590 are defined as an important group late Gothic monuments. They were each modeled after the Cathedral of Notre-Dame and given many of the same characteristics. The architectural features used in the rebuilding of the parish churches are part of a well-defined architectural vocabulary of both classical and flamboyant forms. The building histories show that the stylistic qualities of these monuments are the result of the constant application and reception of prevailing architectural ideas. The architectural arrangements and iconographic programs reveal the role of patrons; the monarchs, in particular, used the rebuilding of the parish churches to help define their own image. In this respect, the ecclesiastic architecture of the sixteenth century is reminiscent of the Court Style of Louis IX.

Thesis (Ph. D.)--Columbia University, 1992. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 260-274).

Inaug.-diss.--Bonn. / Vita.