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Boundaries transgressed : action-reaction-repercussion ; /Delgado Huitrón, Cynthia Citlallin. January 2009 (has links) (PDF)
Undergraduate honors paper--Mount Holyoke College, 2009. Dept. of Art. / Includes bibliographical references (leaf 13).
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Travelling space : locating in-between : exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2007 /James, David. January 2007 (has links)
Exegesis (MA--Art and Design) -- AUT University, 2007. / 5 DVDs contain appendices. Includes bibliographical references. Also held in print (47 leaves : col. ill. ; 30 cm. + 5 DVDs) in City Campus Collection (T 709.93 JAM)
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The transformation of pictorial space from the fifteenth to the seventeenth centuryWatkins, Law Bradley, January 1970 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Openness of Being: The Question Emptiness in Chinese Landscape as seen from Heidegger's Discourse on ArtLin, Siou-Sia 13 June 2012 (has links)
With respect to art, we mainly discuss the issue of 'space', and we generally believe that there exists the so-called 'art-space'. However, Heidegger considers art in a very different way which is phenomenological. With phenomenological reduction, he reinterprets how the art-space exists, and he also endows art with a brand new meaning, that is, ¡§opening¡¨ , which is the way one expresses oneself.
Nonetheless, Heidegger explains art in a dialectical way, that is to say, the negative way. However, that is the reason for Chinese landscape painting to be painted. In this essay, I try to yield further evidence for Heidegger 's theory, by investigating into Chinese landscape painting.
The 'art-space' is hidden by the 'blank' spot of the landscape painting, so it is not emptiness, but gathering 'space', 'space itself', and 'light' into a whole; at the same time, it shows truth, which is lived truth. The 'art-space' does not come from imitating, but from a 'text-space' between likeness and unlikeness.
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The interrelation of art and space an investigation of late nineteenth and early twentieth century European painting and interior space /Fitzpatrick, Devin Marie, January 2004 (has links) (PDF)
Thesis (M.A.)--Washington State University. / Includes bibliographical references.
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Do utopias require fire exits? /Li, Eric, January 1900 (has links)
Thesis (M.Arch.) - Carleton University, 2005. / Includes bibliographical references (p. 77-78). Also available in electronic format on the Internet.
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Through the transit zone between here and there /Laing, Melissa. January 2008 (has links)
Thesis (Ph. D.)--University of Sydney, 2008. / Title from title screen (viewed Apr. 22, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney College of the Arts. Includes bibliographical references. Also available in print form.
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Sound art and spatial practices situating sound installation art since 1958 /Ouzounian, Gascia. January 2008 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2008. / Title from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.
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The poetics of thresholds : chair as a social portrait /Thomas, P. R. January 1995 (has links)
Thesis (M.A.)(Hons)--University of Western Sydney, Nepean, 1995. / Includes bibliography.
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Pour une ontologie du corps /Lamontagne, François, January 1994 (has links)
Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1994. / Résumé disponible sur Internet. Diapositives à la fin du v. en pochette. CaQCU CaQCU Document électronique également accessible en format PDF. CaQCU
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