The critical preface, "Learning to Break the Rules" discusses workshop rules as guidelines, as well as how and why I learned to break them. The creative portion of this thesis is made up of eight short stories: "The Many Incarnations of Blazer Chief," "Anna's Monsters," "The Pecan Tree's Daughter," "When the Seas Emptied," "The Umbrella Thief," "How to Forget," "Fracture," and "Stealing Dreams."

1 Artificial intelligence and copyright law Abstract This thesis studies the relationship between copyright law and artificial intelligence which is becoming more and more significant even in the field of creative arts. The main question of this ongoing conflict is whether creative outputs of artificial intelligence can be copyrightable works and if so, who is the author of such works. The first part of the thesis deals with the two preliminary questions which must be answered before assessing the main issues of this thesis. Firstly, the thesis answers what artificial intelligence is, how it works and what is its definition. Secondly, current legislation regarding artificial intelligence and its creative outputs is assessed. In the second part the thesis identifies relevant regulation defining conceptual features of copyrightable works in the Czech Republic and the European Union. Main issue of this part is whether outputs of artificial intelligence can fulfill requirements set by the conceptual features of work. Two examples of real artificial intelligence projects from the music industry are used in this analyses. Thesis focuses mainly on the requirements of originality and creativity which are usually the most problematic for artificially generated outputs to meet. The third part of this thesis deals...

This thesis analyzes the position of the author in the environment of internet. The main source of information for this thesis is the study of Roland Barthes - Death of the Author and the lecture of Michel Foucault - What is an author? After a thorough analysis of these two works, the thesis focuses on the description of the webpage www.pismak.cz, which has been selected as a suitable representative for environment of internet. This website allows us to study and explore the role and place of the author. I tried to describe the position of the author on this website. Mainly the fact, that every user of this website uses a pseudonym - nick. The work also presents new insights into the phenomenon of internet anonymity, based on the information gathered from current scientific articles. At the end I compare my own analysis with theories of Roland Barthes and Michel Foucault. The thesis concludes, that works of Roland Barthes and Michel Foucault are still valid, even when compared with modern phenomenon - internet.

This thesis analyzes the position of the author in the environment of internet. The main source of information for this thesis is the study of Roland Barthes - Death of the Author and the lecture of Michel Foucault - What is an author? After a thorough analysis of these two works, the thesis focuses on the description of the webpage www.pismak.cz, which has been selected as a suitable representative for environment of internet. This website allows us to study and explore the role and place of the author. I tried to describe the position of the author on this website. Mainly the fact, that every user of this website uses a pseudonym - nick. The work also presents new insights into the phenomenon of internet anonymity, based on the information gathered from current scientific articles. At the end I compare my own analysis with theories of Roland Barthes and Michel Foucault. The thesis concludes, that works of Roland Barthes and Michel Foucault are still valid, even when compared with modern phenomenon - internet.

Name ambiguity of authors is a long-standing challenge in Digital Libraries. Simple string searches for authors often have unsatisfactory results: publications by the author in which their name is written differently cannot be found, and publications by other authors of the same name get included. The authors can be distinguished with the use of persistent identifers. This improves the search function and also contributes to the data linking process. But many catalogs of libraries are not fully disambiguated and it is not feasible for big libraries like the ZBW - Leibniz Information Centre for Economics to disambiguate the bibliographic records manually. The goal of this work is to help the ZBW with their disambiguation task. For this purpose I analysed the datasets of the ZBW and identifed the challenges that need to be overcome. I proposed an approach which uses already disambiguated records to assign persistent identifer to ambiguous author references. The approach could disambiguate ambiguous author references, though the quality of the method needs to be further evaluated.:List of Figures List of Tables Listings List of Algorithms 1 Introduction 1.1 Aim of the work 1.2 Structure of the thesis 2 Author disambiguation 2.1 Formal defnition 2.2 Types of disambiguation methods 2.3 Types of disambiguation features 2.4 Co-authorship as a disambiguation feature 3 The datasets of the ZBW 3.1 Methodology 3.2 Analysing the Econis data 3.3 Disambiguating names from other sources 4 Current approaches 4.1 Solving the common name problem 4.2 An incremental approach 4.3 Approaches in related fields 5 Proposal of an application-relevant approach 5.1 Disambiguation approach 5.2 Test datasets 5.3 Evaluation of the results 5.3.1 Partly disambiguated bibliographic records 5.3.2 Ambiguous bibliographic records with two or more authors 5.3.3 Ambiguous bibliograpic records with one author 6 Conclusion A Full figures B Extended tables C Full results of the tests of the proposed method C.1 Partly disambiguated bibliographic records C.2 Ambiguous bibliographic records Bibliography

A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in Creative Writing, 2017 / MT2018

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