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Thesis (M.M.) -- Florida State University, 2004. / Advisor: Jeffery T. Kite-Powell, Florida State University, School of Music. Title and description from thesis home page (viewed 9-24-04). Document formatted into pages; contains 66 pages. Includes biographical sketch. Includes bibliographical references.

Zugl.: Halle (Saale), Univ., Diss., 2007

Inaug. _ Diss.: Philosophische Fakultät: Köln: s.d. _ Bibliogr. p. 212-230. Index.

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Inaug.--diss.--Berlin. / Lebenslauf. Includes bibliographical references (p. 133-136) and index.

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Chiu Wai Yee, Lulu. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2000. / Includes bibliographical references (leaves 68-74). / Abstracts in English and Chinese. / List of tables --- p.vii / Introduction --- p.1 / Chapter Chapter One. --- The History of Opera Buffa / The origins of opera buffa --- p.4 / The development of opera buffa --- p.9 / The collaboration of Galuppi and Goldoni --- p.11 / Chapter Chapter Two. --- "Il filosofo di campagna,ts Plot, Orchestration, Overture and Tonal Organization" / The plot of Il filosofo di campagna --- p.20 / The orchestration of the opera --- p.24 / The overture of the opera --- p.25 / The tonal organization of the opera --- p.28 / Chapter Chapter Three. --- Characterization in the Solo Arias of Il filosofo di campagna / Buffa characteristics in the music of Don Tritemio --- p.32 / Seria characteristics in the music ofRinaldo --- p.36 / Mixed characteristics in the music of Lesbina and Nardo --- p.38 / Chapter Chapter Four. --- Characterization in the Ensembles of Il filosofo di campagna / Comic characteristics in the music of the Act one finale --- p.52 / The quasi-conclusion Act two finale --- p.61 / The problematic Act three finale --- p.64 / Conclusion --- p.66 / Bibliography --- p.68 / Appendices --- p.75 / Chapter A. --- The title-page and the cast list of Goldoni's libretto --- p.76 / Chapter B. --- The texts of the three finales --- p.77 / Chapter C. --- Musical examples of Il filosofo di campagna Overture --- p.86 / "Don Tritemio's aria ""La mia ragion e questa，"" Act one，sceneiii" --- p.95 / "Rinaldo's aria ""Taci，amor, nel seno mio，"" Act one, sceneiv" --- p.98 / "Lesbina's three canzonettas, Act one, sceneii:" / """Quando son giovine，""" --- p.104 / """Son fresca, son bella,""" --- p.105 / """Non raccoglie le mie foglie，""" --- p.106 / "Lesbina's aria ""Compatite，Signor，s'io non so,"" Act one, scenex" --- p.108 / "Lesbina's aria ""Una ragazza, che non e pazza，"" Act two, scenex" --- p.111 / "Nardo's aria ""Vedo quell'albero，"" Act one，scenevii" --- p.116 / "Nardo's aria ""Se non e nata nobile,"" Act two, scenexiv" --- p.119 / Act one finale --- p.124 / Act two finale --- p.137 / Act three finale --- p.149

Made available in DSpace on 2016-04-27T17:27:30Z (GMT). No. of bitstreams: 1 Daniel William da Silva Santos.pdf: 736281 bytes, checksum: 32a148fafc696dad08ac576fdcd21ed7 (MD5) Previous issue date: 2009-09-30 / Secretaria da Educação do Estado de São Paulo / The present research seeks to investigate the disparity reasons that comes out between Il Principe, of Niccolò Machiavelli, and the Book Fourth by Il Cortegiano, of Baldassare Castiglione, which is about the indicated behavior for the governing class that is looking for possession and power exercise; a fact that put such books inside the same literature genres Speculum Princeps. This kind of genre also constitute a object of study through which it s possible to point out the reasons why, even having a common origin, the referred books end different perspectives for giving advices to the governing class. So, this distinction seems to be based on the different interpretations of theoretical elements among those that articulate in Speculum Princeps genre since The Old Age. Therefore, as this research intends to point out, what is created among the thoughts expressed by Machiavelli and Castiglione isn t a rupture, as its particularities would suggest, but a tension, due to the confront that these works allow to see certain contiguity / A presente pesquisa busca investigar as razões das disparidades que afloram do confronto entre Il Principe, de Niccolò Machiavelli, e o Livro Quarto de Il Cortegiano, de Baldassare Castiglione, no que concerne à conduta indicada aos governantes com vistas à posse e exercício do poder; fator em virtude do qual tais obras inscrevem-se igualmente no interior do gênero literário Speculum Princeps. Esse gênero, por seu turno, também constitui objeto de análise, por meio da qual é possível evidenciar as razões pelas quais, mesmo possuindo uma ascendência comum, as referidas obras encerram perspectivas distintas quanto ao aconselhamento dos governantes. Com efeito, tal distinção parece fundar-se nas diferentes interpretações dos elementos teóricos que se articulam na história do gênero Speculum Princeps desde a Antiguidade. Portanto, como o estudo ora empreendido pretende mostrar, o que se engendra entre as reflexões expressas por Machiavelli e Castiglione não é uma ruptura, como suas particularidades poderiam sugerir, senão uma tensão, posto que o cotejo de suas obras permite vislumbrar certa contiguidade