Thesis (Ph. D.)--Illinois State University, 1997. / Includes bibliographical references. Also issued in print.

Thesis (Ph. D.)--Illinois State University, 1997. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--Illinois State University, 1997. / Title from title page screen, viewed June 9, 2006. Dissertation Committee: Roberta Seelinger Trites (chair), Jan C. Susina, Heather Brodie Graves. Includes bibliographical references (leaves 227-247) and abstract. Also available in print.

No description available.

This study examined gender portrayals in the rhetoric of Beverly LaHaye. As the president of America's largest women's organization (Concerned Women for America), LaHaye has generated an enormous pool of rhetoric which is steeped in traditional gender expectations and conservative values. The thrust of LaHaye's perception of appropriate gender roles conceives of females as submissive and males as dominant. Despite her seemingly derogatory stance toward females, LaHaye's rhetoric and organization have proven remarkably popular and satisfying among American women.This analysis explored the schism between the feminist movement and antifeminist movement (as led by LaHaye) to determine how to best serve women. This study found that LaHaye holds a predominantly male worldview. This examination also found that LaHaye blends typically male and female communication styles to render an effective method of conveying her ideas.LaHaye's formula for helping women provides insight into the need for expansion of both the feminist perspective and feminist criticism as a method of rhetorical analysis. Further, this analysis presents the feminist movement with a challenge to offer women more choices about how to best conduct their lives in a manner that is personally fulfilling. This study maintains that among those choices should be the equally-respected option of being a "traditional" wife and mother. / Department of Speech Communication

Doct. thesis--Deprtment of English--Uppsala, 1993.

Thesis (M.A.)--University of Delaware, 2008. / Principal faculty advisor: Bernard L. Herman, Dept. of Art History. Includes bibliographical references.

Beverly Holcombe Robertson was a military commander around whose Civil War career controversy always seemed to swirl. Robertson was born June 5, 1827, to Dr. William H. and Martha (Holcombe) Robertson at the family plantation, "The Oaks," in Amelia County, Virginia. With the exception of the fact that he was educated locally, nothing is known of young Robertson's life during the period between his birth and his appointment as a cadet to the United States Military Academy at West Point. Based upon his later performance at lithe Point," it can be assumed that this education was solid. / Master of Arts

O objetivo desta tese é estudar as autobiografias de três escritoras aborígenes canadenses: Beverly Hungry Wolf, Lee Maracle e Maria Cambpell, à luz de teorias sobre temporalidades das narrativas. Entende-se aqui a narrativa como um espaço temporal no qual as escritoras incorporam e presentificam a figura das avós (grandmothers), o que torna a literatura produzida por elas uma ponte entre o individual e o coletivo, o estético e o social, o pessoal e político. Essas autobiografias apresentam três temporalidades: o presente do passado, em que a memória é o elemento principal na constituição da identidade; o presente do presente, em que a visão da experiência do sujeito motiva uma ação; e o presente do futuro, que aponta para uma expectativa no discernimento das responsabilidades frente à comunidade e ao poder político estabelecido. Para tal, lançaremos mão das teorias de Ricoeur sobre temporalidades em diálogo com a teórica indígena Kim Anderson e outros teóricos que conformam a fortuna crítica das autoras e da literatura indígena canadense e norte-americana. / The aim of this thesis is to study the autobiographical novels written by three Canadian aboriginal female writers: Beverly Hungry Wolf, Lee Maracle and Maria Campbell under the light of theories about temporalities on narratives. We take narratives as temporal spaces on which the writers incorporate and presentify the figure of their grandmothers, a device through which their literature becomes a bridge between the individual and the collective, the aesthetical and the social, and the personal and the political. These autobiographies present three temporalities: the present of the past, on which memory is the main element in the identity constitution; the present of the present, on which the vision of experience motivates action; and the present of the future, which points to an expectation on discernment of responsibilities towards the subjects community and the established political power. The theoretical background is based on Ricoeurs theories on temporalities in dialogue with Indigenous theoretician Kim Anderson and others who build up the critical reception of these authors and of Native Canadian and Native American literatures.

O objetivo desta tese é estudar as autobiografias de três escritoras aborígenes canadenses: Beverly Hungry Wolf, Lee Maracle e Maria Cambpell, à luz de teorias sobre temporalidades das narrativas. Entende-se aqui a narrativa como um espaço temporal no qual as escritoras incorporam e presentificam a figura das avós (grandmothers), o que torna a literatura produzida por elas uma ponte entre o individual e o coletivo, o estético e o social, o pessoal e político. Essas autobiografias apresentam três temporalidades: o presente do passado, em que a memória é o elemento principal na constituição da identidade; o presente do presente, em que a visão da experiência do sujeito motiva uma ação; e o presente do futuro, que aponta para uma expectativa no discernimento das responsabilidades frente à comunidade e ao poder político estabelecido. Para tal, lançaremos mão das teorias de Ricoeur sobre temporalidades em diálogo com a teórica indígena Kim Anderson e outros teóricos que conformam a fortuna crítica das autoras e da literatura indígena canadense e norte-americana. / The aim of this thesis is to study the autobiographical novels written by three Canadian aboriginal female writers: Beverly Hungry Wolf, Lee Maracle and Maria Campbell under the light of theories about temporalities on narratives. We take narratives as temporal spaces on which the writers incorporate and presentify the figure of their grandmothers, a device through which their literature becomes a bridge between the individual and the collective, the aesthetical and the social, and the personal and the political. These autobiographies present three temporalities: the present of the past, on which memory is the main element in the identity constitution; the present of the present, on which the vision of experience motivates action; and the present of the future, which points to an expectation on discernment of responsibilities towards the subjects community and the established political power. The theoretical background is based on Ricoeurs theories on temporalities in dialogue with Indigenous theoretician Kim Anderson and others who build up the critical reception of these authors and of Native Canadian and Native American literatures.