Noise turns into form in the intertwining the and dissolving of shapes and lines. In the paintings, the idea of what is seen is interrupted by the noise. I look for camouflage in paintings. In the space between the brushstrokes, where rhe colors merge and vibrateag ainst each other. In this noise, a sonorous embodiment begins to reveal itself, a constructed nature that strives for beauty by taming the landscape. The fulfillment of our desires leads us to a streilized park, a pleasant place in the search for the arranged. I try to depict what has already been made beautiful, with, the aim of capturing more than just what is visible on the surface. The aspiration toward nature is reformulated as a dystopian ambition grasping for the beautiful in the veil of the unreal.