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The emergence of Los within Blake's archetypal dialecticMandell, Robert, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 134-137).
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The artist's year a study of the meaning of time in the life and works of William Blake /Freiberg, Stanley K. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1956. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 152-155).
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Toward a literary history of the subject a reading of Rousseau's Confessions and Blake's visionary epics /Griffin, Paul F. January 1981 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1981. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 314-320).
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Nature, Reason, and Eternity: Images of the Divine Vision in The Four ZoasShaw, Cathy January 1973 (has links)
No description available.
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The poetical sketches of William Blake : a definitive text, the reputation of the poems from 1783 to the present and an interpretation of their meaningPhillips, Michael Curtis January 1969 (has links)
No description available.
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The Significance of William Blake's Poetry in Joyce Cary's The Horse's MouthGaston, Karen Carmean 06 1900 (has links)
William Blake's poetry in Cary's novel plays an integral role, and it is the purpose of this thesis to discuss the significance of Blake's poetry in The Horse's Mouth.
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Image and poetry in selected early works of William Blake: producing a third textDouglas, Carla 23 April 2013 (has links)
Thesis (M.A. (Masters by dissertation))--University of the Witwatersrand, Faculty of Humanities, 2012. / This study is concerned with the relationship between images and poetry in the early illuminated
books of William Blake. It seeks to explore the generative production of meaning which arises from
the interaction of these different aesthetic modalities. Such meanings are investigated through the
notion of a “Third Text”, which has been adapted from the thought of Stephen Behrendt
(“‘Something in my Eye’: Irritants in Blake’s Illuminated Texts”). The Third Text arises from the
interaction of images and texts, but is identical to neither alone, nor is it constituted by the sum of
the contributing parts. The interactions of image and text are further elucidated through the
application of selected poststructuralist theories, drawn from the writing of Jacques Derrida and
Roland Barthes. Notions of the Text, différance, the supplement and spectrality are central to the
argument. An interaction is established between Blake’s illuminated books and the chosen
poststructuralist constructs in order to recognise the singularity of the verbal and visual material
considered.
An interrelated component of this study is a reflection on the ways in which Blake breaks the
conceptual frames of image and text in his illuminated books, thus challenging a range of established
models. Particular attention is paid to the early illuminated books, Songs of Innocence and of
Experience and America a Prophecy. Key concerns of this study include the ways in which Songs
challenges the boundaries between innocence and experience and the exploration of prophetic
vision in America. The dissertation concludes by emphasising the importance of preserving an
infinite relation of image to text, both in Blake studies and more broadly in the analysis of image-text
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William Blake and the Mysticisms of Sense and Non-sensePeat, Raymond F. 06 1900 (has links)
134 pages
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Infinity on the anvil : a critical study of Blake's poetryGardner, Stanley January 1956 (has links)
No description available.
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Mysticism in Blake and Wordsworth ...Korteling, Jacomina, January 1928 (has links)
Proefschrift--Amsterdam. / Bibliography: p. 170-174.
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