Main objective of this thesis is to determine the process for rent calculation of flats in line with presumptions influencing dependence of rent on common flat price. Proposed methodology is based on presumption of investing in property and possible yields or risks of this investment. The work studied the effects of correlation rentals and flat price.

Este estudo tem como objetivo investigar e sistematizar princípios e procedimentos de formação da cena performativa. A pesquisa se justifica a partir da necessidade de reflexão sistemática sobre a cena contemporânea, dinâmica, sincrética, pulsante, em constante movimento e contaminada pela performance, visando à elaboração de fundamentos que possam auxiliar artistas e educadores cênicos em seus processos de formação. A seleção das referências teóricas se deu a partir da perspectiva de filósofos como DELEUZE, GUATTARI, SPINOZA, MORIN, LEVY, BARTHES, PELBART e de teóricos do teatro contemporâneo como FÉRAL, LICHTE, FERNANDES, ARAÚJO, MARTINS, PAVIS, ANDRÉ e CIOTTI. Propomos a investigação sobre a perspectiva rizomática em processos de formação cênica, a noção de desterritorialização destes processos, os conceitos de nuvem hipertextual e navegação rizomática como abordagem metodológica. Por fim, considerando a navegação rizomática proposta neste estudo, sistematizamos princípios e procedimentos de formação contextualizados na cena performativa contemporânea, através de experimentos cênicos realizados com atores, não-atores e iniciantes, bem como da análise de experimentos performativos da cena contemporânea. As considerações elaboradas pelo presente estudo poderão contribuir para o debate acerca do panorama atual das artes cênicas no que concerne a seus processos de formação, além de desdobrar-se na criação de uma nuvem hipertextual, no ciberespaço, com conteúdo didático desenvolvido durante a pesquisa. / This study aims to investigate and systematize principles and procedures for formation of the performative scene. The research is justified by the need for systematic reflection on the contemporary scene, which is dynamic, syncretic, pulsating, constantly moving and contaminated by performance, aiming at the design of foundations that can assist scenic artists and educators in their training processes. The selection of theoretical references has drawn on the perspective of philosophers such as DELEUZE, GUATTARI, SPINOZA, MORIN, LEVY, BARTHES, PELBART and contemporary theater theorists such as FÉRAL, LICHTE, FERNANDES, ARAÚJO, MARTINS, PAVIS, ANDRÉ and CIOTTI. We propose research on the rhizomatic perspective in scenic formation processes, the notion of deterritorialization of these processes, the concepts of hypertextual cloud and rhizomatic navigation as a methodological approach. Finally, considering the rhizomatic navigation proposed in this study, we systematized principles and training procedures contextualized in the contemporary performative scene, through scenic experiments with actors, non-actors and beginners, having also relied on the analysis of performative experiments in the contemporary scene. The considerations emerging from this study can contribute to debates about the current panorama of scenic arts as far as its formation processes are concerned, besides unfolding into the creation of a hypertextual cloud in the cyberspace, with teaching content developed during the research

Esta dissertação caracteriza-se como memorial reflexivo de uma pesquisa empírica, que se enquadra no campo de estudos dos processos de criação cênica. A pesquisa se articula em torno da questão da imersão na cena contemporânea, aqui despertada pelo contato com obras que têm como denominador comum a relação intrínseca da cena e da tecnologia e, ao mesmo tempo, investem na experiência de inundamento sensorial de seus espectadores. A partir dessa perspectiva, investigo procedimentos que possam promover essa experiência teatral imersiva. Para isso, desenvolvo uma pesquisa em dois módulos. O primeiro, um estudo bibliográfico, que visa reconhecer tensões conceituais sobre a perspectiva da imersão. Neste reconheço os princípios de provocação do efeito imersão para serem aplicados no segundo módulo da pesquisa. O segundo módulo dedico à investigação empírica por meio do agenciamento de um experimento cênico conduzido pelos disparadores de imersão discriminados nos desdobramentos teóricos. Esses desvendados por articulação de dispositivos tecnológicos com elementos da linguagem teatral: tempo, espaço, presença, dimensão real e ficcional e manipulação dos sentidos. A partir dessa premissa, desenvolvi o experimento cênico “Insônia”. Disseco o processo de criação e, por consequência, problematizo as descobertas e soluções cênicas encontradas no caminho. / This dissertation distinguishes as a memorial of an empirical research, that belongs to the research field of theatrical creation processes. This research revolve around the notion of immersion in the contemporary scene. In this work is considered by recent contact with theater plays that makes uses of technology and bets in the experience of sensory flooding the spectators. From this perspective, i develop a research about the procedures that might produce this immersive theatrical experience. For achieving that I divide this work in two modules. The first module, a bibliographical study, that wishes to recognize conceptual tensions about the notion of immersion. Here I recognize the principles of provoking this immersion effect for then applying in the second module of the research. In the second module I devote to the empirical research by the means of arranging a theatrical experiment conducted by the immersion triggers found in the conceptual studies. These were discovered by linking technological devices and elements of theatre language: time, space, presence, real and fictional dimensions and sense manipulation. Having this as premise, I developed the theatrical experiment called “Insônia”. I analyze the creative processes and problematize the discoveries and scenic solutions found along the way.

Esta dissertação caracteriza-se como memorial reflexivo de uma pesquisa empírica, que se enquadra no campo de estudos dos processos de criação cênica. A pesquisa se articula em torno da questão da imersão na cena contemporânea, aqui despertada pelo contato com obras que têm como denominador comum a relação intrínseca da cena e da tecnologia e, ao mesmo tempo, investem na experiência de inundamento sensorial de seus espectadores. A partir dessa perspectiva, investigo procedimentos que possam promover essa experiência teatral imersiva. Para isso, desenvolvo uma pesquisa em dois módulos. O primeiro, um estudo bibliográfico, que visa reconhecer tensões conceituais sobre a perspectiva da imersão. Neste reconheço os princípios de provocação do efeito imersão para serem aplicados no segundo módulo da pesquisa. O segundo módulo dedico à investigação empírica por meio do agenciamento de um experimento cênico conduzido pelos disparadores de imersão discriminados nos desdobramentos teóricos. Esses desvendados por articulação de dispositivos tecnológicos com elementos da linguagem teatral: tempo, espaço, presença, dimensão real e ficcional e manipulação dos sentidos. A partir dessa premissa, desenvolvi o experimento cênico “Insônia”. Disseco o processo de criação e, por consequência, problematizo as descobertas e soluções cênicas encontradas no caminho. / This dissertation distinguishes as a memorial of an empirical research, that belongs to the research field of theatrical creation processes. This research revolve around the notion of immersion in the contemporary scene. In this work is considered by recent contact with theater plays that makes uses of technology and bets in the experience of sensory flooding the spectators. From this perspective, i develop a research about the procedures that might produce this immersive theatrical experience. For achieving that I divide this work in two modules. The first module, a bibliographical study, that wishes to recognize conceptual tensions about the notion of immersion. Here I recognize the principles of provoking this immersion effect for then applying in the second module of the research. In the second module I devote to the empirical research by the means of arranging a theatrical experiment conducted by the immersion triggers found in the conceptual studies. These were discovered by linking technological devices and elements of theatre language: time, space, presence, real and fictional dimensions and sense manipulation. Having this as premise, I developed the theatrical experiment called “Insônia”. I analyze the creative processes and problematize the discoveries and scenic solutions found along the way.

Esta dissertação caracteriza-se como memorial reflexivo de uma pesquisa empírica, que se enquadra no campo de estudos dos processos de criação cênica. A pesquisa se articula em torno da questão da imersão na cena contemporânea, aqui despertada pelo contato com obras que têm como denominador comum a relação intrínseca da cena e da tecnologia e, ao mesmo tempo, investem na experiência de inundamento sensorial de seus espectadores. A partir dessa perspectiva, investigo procedimentos que possam promover essa experiência teatral imersiva. Para isso, desenvolvo uma pesquisa em dois módulos. O primeiro, um estudo bibliográfico, que visa reconhecer tensões conceituais sobre a perspectiva da imersão. Neste reconheço os princípios de provocação do efeito imersão para serem aplicados no segundo módulo da pesquisa. O segundo módulo dedico à investigação empírica por meio do agenciamento de um experimento cênico conduzido pelos disparadores de imersão discriminados nos desdobramentos teóricos. Esses desvendados por articulação de dispositivos tecnológicos com elementos da linguagem teatral: tempo, espaço, presença, dimensão real e ficcional e manipulação dos sentidos. A partir dessa premissa, desenvolvi o experimento cênico “Insônia”. Disseco o processo de criação e, por consequência, problematizo as descobertas e soluções cênicas encontradas no caminho. / This dissertation distinguishes as a memorial of an empirical research, that belongs to the research field of theatrical creation processes. This research revolve around the notion of immersion in the contemporary scene. In this work is considered by recent contact with theater plays that makes uses of technology and bets in the experience of sensory flooding the spectators. From this perspective, i develop a research about the procedures that might produce this immersive theatrical experience. For achieving that I divide this work in two modules. The first module, a bibliographical study, that wishes to recognize conceptual tensions about the notion of immersion. Here I recognize the principles of provoking this immersion effect for then applying in the second module of the research. In the second module I devote to the empirical research by the means of arranging a theatrical experiment conducted by the immersion triggers found in the conceptual studies. These were discovered by linking technological devices and elements of theatre language: time, space, presence, real and fictional dimensions and sense manipulation. Having this as premise, I developed the theatrical experiment called “Insônia”. I analyze the creative processes and problematize the discoveries and scenic solutions found along the way.

This thesis deals with understanding drivers influencing the end price of fuel in the Czech Republic and ramifications for relevant companies. Its aim is to provide a comprehensive understanding of all relevant elements have been influencing end prices of gasoline and diesel during last 8 years, understand their leverage and uncover which of those were the most important for this development. These are then researched using mainly graphical analysis and basic statistical tools. The delivery is that both prices of gasoline and diesel are highly correlated with the price development of crude oil and the prices of their respective commoditized barges expressed in the nominal value of CZK. It was also discovered that there are visible tendencies for asymmetrical pricing reaction and reaction lags, which could serve as a basis for a follow-up work. Based on these findings several conclusive recommendations for relevant companies were built and delivered.

The aim of the diploma thesis is to find out and evaluate the influences affecting the price of building lands in the given region. Furthermore, the results are confronted with the valuation decree. In the theoretical part are given the definitions of building lands according to different legal regulations. In the practical part, thirty parcels are valued, divided into two localities and subsequently compared with the purchase price of the individual lands.

Subject of this master’s thesis is to determinate the value of easement in rem arising in connection with engineering lines for a definite period. The value of easements for the purposes act No. 184/2006 digest, the withdrawal or restriction of ownership rights to land or to build (Expropriation) and also for the conclusion of the easement. The value will be based on analysis methods used and suggests the optimal valuation process

The aim of the diploma thesis is to find out and evaluate the influences affecting the price of building land in the city of Brno. The theoretical part of the thesis defines the concepts of laws relating to building land. Selected land is located in the city of Brno, which also analyzes the market of building plots. In addition, the aspects that influence the price of the building land in the valuation according to the price regulation are summarized. The analytical part is focused on the land to which the price data was published in the cadastre of real estate, which are then confronted with the valuation decree. In the end, the informations obtained are evaluated.

This thesis deals with the impact of territorial planning on land prices in the towns Hovorany and Čejč. The land is priced according to administrative price and market price. The thesis works with the land as agricultural land, land designed for construction according to the territorial planning and building land.