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The seasons : four poems by Robert Frost for tenor and orchestra : opus 5 (1969)Meeks, Richard 01 January 1969 (has links) (PDF)
No description available.
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High wire : for chamber orchestraMcManaman, Steve January 1989 (has links)
No description available.
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CompositionsMuyco, Maria Christine 05 1900 (has links)
The succeeding pages contain scores of my music—Passage to Kublb, Dalamhati ni Osang, Pintig,
and Talibun-ag.
"Passage to kublb" , for large orchestra, is a travelogue. Using a certain number of intervals, the
instruments go through a journey, signifying life's constant changes and ceaseless motion. Melodic and
rhythmic motives are used, fragmentation, and variation of timbral colors. "Kublb" is a fictional place; in
essence, a destination of one's life journey.
"Dalamhati ni Osang" (Lament of Osang) for a soprano, bass clarinet and marimba, is a composition
revolving around a hextatonic scale which goes through a process of change as the music progresses.
The text, written in the Filipino language, conveys the lament of a woman wanting to escape from her
sorrows as she pleads her beloved to "lull" her; thus the repeated phrase "iduyan mo, o hirang" which
means lull me or cradle me, my beloved. The woman's concept of "sleep" is an end-goal from which she
frees herself of bitter memories of the past. The nuances of the vocal lines point to some native materials
common to the Filipino "kundiman"(ballad). Use of expressive lines in legato phrasing, repeated sections
(ABA form), and in some instances, use of embellishments like the repeated grace notes. The hextatonic
scale is the composer's own material injected to some pre-formed structure already existing as in the
mentioned ballad.
"Pintig" (Pulses of Mother Earth) which was originally written for the "Elektra Women's Choir" during
a pre-Christmas choral reading is a study of tribal vocables and different vocal effects. Stomping of foot,
tapping, and other ritual sounds are employed to concoct an amalgam of primitive or earthy vista. (Note
that the recording provided with this thesis is simply a reading session of the piece).
"Talibun-ag " is a coined title from the Filipino words "tali" and "bun-ag" (bondage and birth) which if
combined literally can mean "birth of freedom". This is a music drama for a chamber ensemble (piano, alto
flute and percussions), a mono-dramatist and a choral quartet.
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CompositionsMuyco, Maria Christine 05 1900 (has links)
The succeeding pages contain scores of my music—Passage to Kublb, Dalamhati ni Osang, Pintig,
and Talibun-ag.
"Passage to kublb" , for large orchestra, is a travelogue. Using a certain number of intervals, the
instruments go through a journey, signifying life's constant changes and ceaseless motion. Melodic and
rhythmic motives are used, fragmentation, and variation of timbral colors. "Kublb" is a fictional place; in
essence, a destination of one's life journey.
"Dalamhati ni Osang" (Lament of Osang) for a soprano, bass clarinet and marimba, is a composition
revolving around a hextatonic scale which goes through a process of change as the music progresses.
The text, written in the Filipino language, conveys the lament of a woman wanting to escape from her
sorrows as she pleads her beloved to "lull" her; thus the repeated phrase "iduyan mo, o hirang" which
means lull me or cradle me, my beloved. The woman's concept of "sleep" is an end-goal from which she
frees herself of bitter memories of the past. The nuances of the vocal lines point to some native materials
common to the Filipino "kundiman"(ballad). Use of expressive lines in legato phrasing, repeated sections
(ABA form), and in some instances, use of embellishments like the repeated grace notes. The hextatonic
scale is the composer's own material injected to some pre-formed structure already existing as in the
mentioned ballad.
"Pintig" (Pulses of Mother Earth) which was originally written for the "Elektra Women's Choir" during
a pre-Christmas choral reading is a study of tribal vocables and different vocal effects. Stomping of foot,
tapping, and other ritual sounds are employed to concoct an amalgam of primitive or earthy vista. (Note
that the recording provided with this thesis is simply a reading session of the piece).
"Talibun-ag " is a coined title from the Filipino words "tali" and "bun-ag" (bondage and birth) which if
combined literally can mean "birth of freedom". This is a music drama for a chamber ensemble (piano, alto
flute and percussions), a mono-dramatist and a choral quartet. / Arts, Faculty of / Music, School of / Graduate
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Portfolio of original compositions陳錦標, Chan, Kam Biu, Joshua. January 1994 (has links)
published_or_final_version / Music / Doctoral / Doctor of Philosophy
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Graduate recitalKovarik, Christopher Matthew January 1900 (has links)
The scores here collected represent all the music heard in the recital of 3 April,
1995 (programme on p. iii), save "Shimmering Reflections on a Dark Carrall
Street Night." This is an electroacoustic piece which does, however, appear on
the accompanying recording.
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Graduate recitalKovarik, Christopher Matthew January 1900 (has links)
The scores here collected represent all the music heard in the recital of 3 April,
1995 (programme on p. iii), save "Shimmering Reflections on a Dark Carrall
Street Night." This is an electroacoustic piece which does, however, appear on
the accompanying recording. / Arts, Faculty of / Music, School of / Accompanied by sound cassette of recital. / Graduate
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A portfolio of music compositions. / CUHK electronic theses & dissertations collection / CUHK electronic theses & dissertations collectionJanuary 2011 (has links)
Dead water : song cycle for tenor and piano -- Shan shui : for string quartet -- Kuang fu : for SSAAATTBB and yangqin -- If life is unknown : for wind quintet -- Symphony II : Marrison for chamber orchestra, male choir, erhu and zheng -- Jazzy illusion of a Chinaman : for clarinet/bass clarinet, piano/electric keyboard, electric guitar, drum set, cello and double bass -- Liao Zhai : Chinese strange tale for recorders , percussions, soprano, tenor and baritone -- A madman's diary : piano solo work. / Tam, Chin Fai. / Thesis (D.Mus.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 391-392). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong , [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract also in Chinese; includes in Chinese.
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Compositions [Instrumental music. Selections]Berger, Steven 11 1900 (has links)
Compositions include Sightings : for clarinet and marimba (ca. 14:00), Proboscis maximus : bass trombone solo (ca. 11:00), Pathways : for violin, ’cello and piano, Impulses : for marimba duet, and Gleaned from the wind : for chamber orchestra (ca. 13:00).
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Portfolio of original compositions.Grant, Quentin Stuart David January 2008 (has links)
This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included. These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work. In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the main volume, looking at how each are formed, and comparing their formal characteristics. This involves an analysis of the musical materials and how such materials are treated through repetition and transformation. I will also look at the aesthetic and stylistic concerns and how they inform the formal architecture of each work. An appendix includes the scores of a further ten works, with a brief introductory commentary on each. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1351235 / Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2008
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