Every year, the US Conference of Mayors presents awards to mayors and their administrations for programs that enhance the quality of life in urban areas. In 2009, the City of Charleston won and was named America’s “Most Livable” City. The program that won them the honor was the Palmetto Artisan Program, an entrepreneurial skill program helping youth artisans become licensed business vendors. This report seeks to understand the potential for arts-based youth programs, like the Palmetto Artisan Program, to impact local economic development and enhance quality of life. I explore this issue through a literature review of workforce development, arts-related economic development, an analysis of five programs across the country, and an in-depth analysis of the Palmetto Artisan Program in Charleston, SC. The report concludes with recommendations and insights for cities and regions wishing to implement similar programs that benefit young people and their communities. / text

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Thesis (M. S.)--Civil and Environmental Engineering, Georgia Institute of Technology, 2008. / Committee Chair: Dr. Reginald DesRoches; Committee Member: Dr. Barry Goodno; Committee Member: Dr. Laurence Jacobs; Committee Member: Dr. Mulalo Doyoyo.

Thesis (Ph. D.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.

In what ways can historical power relationships be interpreted through a chronological analysis of historical maps, and how are these coded versions of history produced and reproduced through the modern tourist experience? I argue that historical maps can be interpreted to reveal the political influence and agendas inscribed upon the built environment. I review how the implications of these value systems can be seen in the cultural constructs and institutions that have been used over time to generate revenue through a two stage process,: first, through an analysis of historic and modern maps in two Southern cities, New Orleans and Charleston, South Carolina, and second, through personal ethnographic fieldwork. I analyze my findings to compare these two cities in their use of spatial representation to facilitate and contain a historic tourist industry that spawns local industries of historical tourism to both justify and codify these views as history.

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Architecture exists through human experience. As the product of the relationship between a building and a person, architecture gains meaning when it is viewed and contemplated by an individual moving throughout a building. Architecture simultaneously engages the body and mind of one who experiences it, and its intentions become visible through a continuous weaving of motion through situations that constitute a place. My thesis examines the interplay between architecture and human action. Manifest in the following thesis are explorations of the institution of the museum. From its earliest forms to its present day forms, the museum has undergone many changes due to a number of influences. In this thesis I will look at the cultural dynamics that shape museums. Specifically, my critique will be through the lens of its cultural history, my own culturally based observations, and through a design: the demonstration. One objective of this thesis is to revive the idea of the museum as a place of the muses, where the muses inspire those people who experience the place. I have selected Charleston and its historic setting for the project location of a Museum. This is a place where one might participate in a journey of initiation, education, and cultivation. Through design, I demonstrate a museum, which aims to initiate and encourage self-cultivation by one's experience of the objects in the museum and the space that surrounds the objects. It is perhaps through a perusal of objects contained without authoritative concepts applied that one may acquire knowledge and become inspired. / Master of Architecture

This thesis deals primarily with the importance of the arts to society and a means by which the arts might be used to develop our culture. First it was necessary to investigate the effects of the arts on society and the relationship between the arts and everyday life in America. From the findings of this investigation evolved a means by which our culture might be advanced through the arts. This means takes the form of art centers on a community scale. Charleston, West Virginia was selected by the author as an appropriate location for such an art center because of the interest displayed in the arts by many of its local organizations and because of its lack of facilities to house the functions of these organizations. The basic concept of the Creative Arts Center to serve this community not merely as a place for exhibition and presentation of the arts, but as a workshop where music, the dance, architecture, sculpture, painting , and literature will play a great part in the public's daily lives, was of paramount consideration. / Master of Science

On August 31, 1886 a large scale earthquake occurred in Summerville, S.C. causing severe damage in the coastal city of Charleston. Although intensive geological and geophysical studies have been conducted in the area, uncertainty remains about the details of the event. Recently evidence from seismic reflection profiles have shed light on the tectonic environment of the area. The epicentral area of the 1886 event lies within the South Georgia Rift, a Mesozoic rift terrane. Previous studies have revealed clues to the geologic structure and evolution of this feature. SEISDATA4 is the largest seismic reflection profile recorded in the area. By re-processing the line, information about the tectonic structure of the area was revealed. The early Mesozoic extensional basin that hosted the 1886 earthquake and is host to the modern seismicity recorded in the area, extends several kilometers to the south and west of Charleston, along SEISDATA4. Cenozoic and Mesozoic faults were resolved within the basin and along its northwestern boundary that is distinguished by a strong gradient in the magnetic field. However, the question as to which fault was responsible for the rupture of 1886 still remains. The refraction analysis provides better resolution of the lithology in Lower Mesozoic section. The termination of the strong reflection at the base of the Atlantic Coastal Plain occurs in a section of the profile that shows major disruption of the underlying reflections, and suggests that the termination of a lower Mesozoic basalt flow responsible for the reflection may be related to tectonic deformation. / Master of Science