Thesis (M.S.) -- Central Connecticut State University, 2006. / Thesis advisor: Gloria Marie Caliendo. "... in partial fulfillment of the requirements for the degree of Master of Sciences." Includes bibliographical references (leaves 54-56). Also available via the World Wide Web.

Thesis (Ph. D.)--University of Florida, 2003. / Title from title page of source document. Includes vita. Includes bibliographical references.

The video begins with a black and white wedding photograph from the mid 20th century of an Asian American wedding party with the women in cheongsams and the men in western suits. A male narrator states the importance of the bride. A stain (still in black and white) spreads from bottom of frame rising over the brides face. Color video now shows a tree with a clothesline and a woman hanging a sheet on the line. Asian instrumental music begins. The mother softly describes singing a song to her daughter that her mother sang to her, and then sings the song. A woman folds, tears, or knots a white sheet, intercut with brief flashes of a red stain, while a professional recording of the same children’s rabbit song plays as the lyrics appear in English. Finally the white sheet lies on the table and the red stain appears and spreads across the sheet.

published_or_final_version / abstract / Linguistics / Master / Master of Arts

杜綺明. / "2007年12月". / 論文(哲學碩士)--香港中文大學, 2007. / 參考文獻(leaves 90-96). / "2007 nian 12 yue". / Abstract also in English. / Du Qiming. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007. / Can kao wen xian (leaves 90-96). / 摘要 --- p.iii / 目錄 --- p.iv / Chapter 第一章 --- 導論 --- p.1-10 / Chapter 第二章 --- 民族音樂學與香港「兒歌」的硏究 --- p.11-19 / Chapter 第三章 --- 從歷史看「幼童時期」Childhood的槪念與香港「兒歌」 的關係 --- p.20-35 / Chapter 第四章 --- 中國兒童歌謠與香港電視「兒歌」 --- p.36-48 / Chapter 第五章 --- 香港電視廣播有限公司與香港「兒歌」的發展 --- p.49-73 / Chapter 第六章 --- 校園裡兒歌與兒童生活及成長 --- p.74-81 / Chapter 第七章 --- 總結 --- p.82-89 / 書目 --- p.90-96

This study aimed to intervene in the challenges emanating from the launch of a new primary schools Arts syllabus which is geared towards reflecting Batswana cultural values in Botswana primary schools. The launch was hurried, before all necessary provisions were made (Phuthego, 2007). Consequently, there is dire need of relevant resource materials, teaching/learning activities and qualified teachers, who can effectively translate the syllabus objectives and aims. The aim of this study was hence to devise learning activities based on Tswana children’s songs as the selected materials to realize the objectives of the existing primary school music syllabus for Botswana primary schools lower standards. This has been done through analysis of Tswana children’s songs, studying their nature and inherent values, on the basis of which culturally relevant teaching and learning activities have been designed for use in Botswana primary school music curriculum. In order to validate the need for a consideration of culturally relevant teaching and learning activities in Botswana primary schools, the study explored the music of the Batswana prior to and during colonialism and how it manifests itself in the current curriculum delivery. The study has also considered the current education policy’s aspirations of instilling cultural values in learners, as well as grooming a rounded citizen who can adjust to the challenges of the 21st century corporate world. The study employed content analysis through which twenty-four children’s songs were studied for their inherent values and musical concepts. Eclectic learning activities which take cognizance of the holistic approach prevalent in Tswana music making milieu, combined with the Rhythm Interval Approach (Akuno, 2005) which advocates the use of temporal and tonal elements of sound as the basic ingredients from which other musical elements such as form, texture, timbre harmony and dynamics are derived were employed. The activities were then tested in standards 1 to 4 to address the music syllabus. The results showed that the songs completely address the objectives stipulated in the syllabus and moreover, provide some extra-musical concepts which are embedded within them. The results also revealed that the Rhythm Interval Approach is applicable in Botswana lower primary schools, hence implicitly suggesting its further possible applicability to upper primary classes because the syllabus has been designed in a spiral fashion, where the same musical concept like ‘sound’ appears at different levels of intensity across all classes. The study recommended that The Revised National Policy on Education’s aim of grooming a locally and internationally compatible learner can be enhanced through learners’ awareness and appreciation of their culture on the basis of which they can later on spread their wings, to other world cultures. Tswana children’s songs have been observed to have a potential to act as a bridge to ease the transition of cultural pedagogy of rote learning to current paradigm of symbolic representation and abstraction of concepts. The study devised twenty learning activities to facilitate the use of these songs for curriculum delivery in standard 1-4. / Thesis (M.Mus.)-University of KwaZulu Natal, Durban, 2009.

Infant-directed singing is a universal phenomenon that has existed and prevailed for centuries. This study explores mothers' perceptions and experiences of singing to their infants and participating in Parent-Child Mother Goose; a community-based parent support program that (among other things) supports the use of infant-directed singing as a means to enhance the mother-infant relationship. A case study approach using both qualitative and quantitative techniques for data collection was used. Five mothers were asked to complete self-administered questionnaires relating to singing to their infants as well as participating in a Parent-Child Mother Goose Program. Each mother participant also completed an interview with the researcher. A cross-case analysis of the data revealed a number of interrelated themes including: 1) experiencing bonding/connection with one's infant. 2) infant-directed singing as a means to regulate infant and maternal emotions and. 3) infant-directed singing as a means to communicate information to one's infant. The mothers also experienced benefits participating in Parent-Child Mother Goose.

The video begins with a black and white wedding photograph from the mid 20th century of an Asian American wedding party with the women in cheongsams and the men in western suits. A male narrator states the importance of the bride. A stain (still in black and white) spreads from bottom of frame rising over the brides face. Color video now shows a tree with a clothesline and a woman hanging a sheet on the line. Asian instrumental music begins. The mother softly describes singing a song to her daughter that her mother sang to her, and then sings the song. A woman folds, tears, or knots a white sheet, intercut with brief flashes of a red stain, while a professional recording of the same children's rabbit song plays as the lyrics appear in English. Finally the white sheet lies on the table and the red stain appears and spreads across the sheet. Male Narrator (sounds like standard documentary narrator circa 1940s or 1950s): "This is the portrait of a very important bride. But whatever her name, where ever she lives, she is the wife and mother of America. How many years will she have before the job gets her down?

The purpose of this study was to determine if the teaching of rhyming verses containing rhythmic phrases facilitates young children's learning of the rhythmic phrases. The study utilized a pre-test/post-test/control group design. The students were randomly selected and assigned to either experimental group A, experimental group B, or a control group. Students in experimental group A were taught the rhyming verses and given practice repeating the rhythmic phrases contained in the rhyming verses. Students in experimental group B were only given practice repeating the rhythmic phrases. The control group was taught seasonal songs and activities. No rhythmic instruction was given to the control group.

M.A. (African Languages) / Please refer to full text to view abstract