Chan, Yee On Christine. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 109-115). / Abstracts in English and Chinese. / Chapter CHAPTER 1 --- INTRODUCTION --- p.1 / Literature Review --- p.4 / Changing role of today's museums and tourism --- p.4 / Tourists as potential museum visitors --- p.7 / Discussion --- p.13 / Methodologies --- p.15 / In-depth interview --- p.15 / Observation --- p.17 / Analyses of guide books and promotional materials --- p.18 / Comparative analysis --- p.19 / Chapter CHAPTER 2 --- TWO CITIES: HONG KONG AND MACAU --- p.20 / Historical and Economic Development of Hong Kong and Macau --- p.20 / Historical background of Hong Kong --- p.20 / Historical background of Macau --- p.22 / Economic structure of Hong Kong --- p.24 / Economic structure of Macau --- p.25 / Cultural heritage and museums in Hong Kong and Macau --- p.26 / Discussion --- p.28 / Destination Image and History Museums --- p.29 / Image of Hong Kong --- p.29 / Image of Macau --- p.31 / Discussion --- p.33 / Construction of Image --- p.34 / Governing bodies of the two museums --- p.40 / Management of the two museums --- p.43 / Summary --- p.46 / Chapter CHAPTER 3 --- THE HONG KONG MUSEUM OF HISTORY AND THE MUSEUM OF MACAU --- p.47 / The Hong Kong Museum of History --- p.47 / Location and mission of the Hong Kong Museum of History --- p.48 / Content and facilities of the Hong Kong Museum of History --- p.49 / From the perspective of tourists --- p.56 / The Museum of Macau --- p.59 / Location and mission of the Museum of Macau --- p.59 / Content and facilities of the Museum of Macau --- p.60 / From the perspective of tourists --- p.65 / Summary --- p.67 / Chapter CHAPTER 4 --- TOURISTS' CULTURAL BACKGROUNDS AND EXPECTATIONS TOWARDS THE HISTORY MUSEUM --- p.70 / Tourists' Cultural Backgrounds --- p.70 / "Tourists from ""Western"" countries" --- p.71 / Tourists from the Chinese mainland and other countries --- p.74 / Tourists' backgrounds and their expectation towards the museums --- p.76 / "Tourism, Curiosity and Museum Visiting" --- p.78 / Educational Level of Visitors and Educational Function of Museums --- p.79 / Summary --- p.84 / Chapter CHAPTER 5 --- INTEGRATION AND COMPARISON: HISTORY MUSEUMS ARE NOT AN ISOLATED ENTITY --- p.87 / Conceptual and Geographical Affiliation between History Museum and the City --- p.87 / Image affiliation --- p.88 / Geographical affiliation --- p.89 / Summary --- p.90 / Reflections from Tourists --- p.92 / The Multi-Functions of History Museums --- p.94 / Tourism and the economic function --- p.94 / Tourism and its educational function --- p.96 / Summary --- p.100 / Chapter CHAPTER 6 --- CONCLUSION --- p.101 / BIBLIOGRAPHY --- p.109 / APPENDIX 1 PHOTO --- p.116

published_or_final_version / Criminology / Master / Master of Social Sciences

published_or_final_version / Politics and Public Administration / Doctoral / Doctor of Philosophy

Thesis (M. Sc.)--University of Hong Kong, 1994. / Includes bibliographical references (leaf 72-76).

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-05T12:59:33Z No. of bitstreams: 1 Bruno Tateishi.pdf: 1268257 bytes, checksum: 80c2b714cc942d38f98b14304bb968f5 (MD5) / Made available in DSpace on 2018-11-05T12:59:33Z (GMT). No. of bitstreams: 1 Bruno Tateishi.pdf: 1268257 bytes, checksum: 80c2b714cc942d38f98b14304bb968f5 (MD5) Previous issue date: 2018-09-13 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The main goal of this paper is to analyze how Henrique de Senna Fernandes’s novel orchestrates the social diversity of languages artistically represented, recovering memories to forge a Macanese identity. Wherefore this research will seek to answer the following questions: 1) How does Senna Fernandes artistically articulate, in his inward Romanesque universe, the social diversity of discourses recovering memories of Macao? 2) From the orchestration of voices, what dialogical relations are established in Senna Fernandes’s novel to comprehend the Macanese identity represented by work? Starting from the premise that the novel, according to Bakhtin’s conception, is characterized by the internal stratification of language and taking focus the concept of multilingualism, we will seek confirmation or refutation of the following hypothesis: if the novel discourse is multilingual, that is, it is built up through diversity of voices and discourses, Senna Fernandes’s novel is representative of Macao cultural memory and identity, as far as it recovers different voices which appear in novels, which describe characters and spot them in different social spheres. The selected corpus is the conjunction of two novels of Senna Fernandes having the opuses been disposed chronologically by the following way: Amor e dedinhos de pé (1985) and the A trança feiticeira (1994). This research inserted in the theoretical framework of Dialogical Analysis of Discourse (DAD) will be divided into: 1) Elaboration of a social historical cultural context overview of Macao, which will start from the beginning of Portuguese occupation / administration in Macao until the end of the transition period, which would assure the return of Macao sovereignty to the government of China. Along this historical context overview of Macao, we will try to understand the historical political development of Macanese identity, more specifically throughout the twentieth century (time registered in novel and time of the author). 2) At the second part, we will explore the literary universe of Macao based on the idea of “Writing Macao”. 3) Development of theoretical basis which will be focused on Bakhtin’s approach about the discourse in novel; 4) Analysis of the selected corpus. In order to carry out the chosen literary works, this will be achieved as follows: (a) Delimitation of the context represented by work, clarifying how it contributed to the development of narrative and its characters; (b) Reading of works and selecting of statements, containing narrator’s voices and / or their characters’ as well as the manner of these voices, which refer to the issues of identity and memory of Macao; (c) Analysis of the discourses expressed by voices, showing how we can reflect, through them, on the issues of identity realized in work, analyzing, “dialogical lens”, how these voices legitimize their different values and perspectives and how they dialog among themselves / O objetivo deste trabalho é analisar como o romance de Henrique de Senna Fernandes orquestra a diversidade social de linguagens representadas artisticamente, recuperando memórias para forjar uma identidade macaense. Esta pesquisa buscará, por conseguinte, responder as seguintes perguntas: 1) Como Senna Fernandes articula artisticamente, no interior de seu universo romanesco, a diversidade social de discursos, recuperando memórias de Macau? 2) A partir da orquestração de vozes, que relações dialógicas são estabelecidas no romance de Senna Fernandes para compreender a identidade macaense representada na obra? Partindo da premissa de que o romance, na concepção bakhtiniana, se caracteriza pela estratificação interna da linguagem e tomando como foco o conceito de plurilinguismo, sustentamos a seguinte hipótese: se o discurso do romance é plurilíngue, ou seja, constrói-se na diversidade de vozes e de discursos, o romance de Senna Fernandes é representativo da memória e da identidade cultural de Macau, à medida que recupera diferentes vozes que aparecem nos romances, que caracterizam as personagens e as localizam em diferentes esferas sociais. O corpus selecionado é o conjunto de dois romances de Senna Fernandes, estando as obras dispostas cronologicamente da seguinte forma: Amor e dedinhos de pé (1985) e a A trança feiticeira (1994). Esta pesquisa, inserida no quadro teórico da Análise Dialógica do Discurso (ADD), estará assim dividida: 1) Elaboração de um panorama do contexto sócio-histórico-cultural de Macau, que partirá do início da ocupação/administração portuguesa em Macau até o fim do período de transição, que garantiria o retorno da soberania de Macau ao governo da China. Ao lado desse panorama do contexto histórico de Macau, tentaremos entender a construção histórico-política da identidade macaense, mais especificamente ao longo do século XX (tempo inscrito no romance e tempo do autor). 2) Na segunda parte, iremos explorar o universo literário de Macau com base na ideia de “Escrever Macau”. 3) Desenvolvimento da fundamentação teórica, que estará centrada na abordagem bakhtiniana sobre o discurso no romance; 4) Análise do corpus selecionado. Para que se leve adiante a análise das obras literárias escolhidas, proceder-se-á da seguinte forma: (a) Delimitação do contexto representado na obra, explicitando de que forma ele contribui para o desenvolvimento da narrativa e de seus personagens; (b) Leitura das obras e seleção dos enunciados, contendo as vozes do narrador e/ou dos personagens, que remetam a questões de identidade e memória de Macau; (c) Análise dos discursos expressos pelas vozes, mostrando de que forma podemos refletir, por meio deles, sobre questões de identidade percebidas na obra, analisando, por meio de “lentes dialógicas”, de que forma essas vozes legitimam seus diferentes valores e pontos de vista e como elas dialogam entre si

研究中國明清慈善組織的歷史學者們認為，中國都市中的善會善堂起源於明末清初。但是，這些研究者較少指出慈善組織如何代表地方利益，也相對忽略慈善組織及其觀念在鄉村社會的歷史發展過程。另一方面，研究中國鄉村社會的歷史學者們認為，維護地方利益的社會組織通常以寺廟及祠堂為中心，運用宗教和禮儀來表達地方訴求。伴隨著近代民族國家的建立和現代化的發展，通過宗教禮儀表達地方訴求的方式遭遇前所未有的衝擊；那麼，慈善活動及慈善組織是否提供了一種空間，延續傳統的宗教祭祀活動進而表達地方訴求？ / 本文即嘗試從地方的視角，探討近代慈善事業如何整合到地方社會，以期理解地方社會對近代中國社會變化的調適與應對。本文聚焦近代中西文化交流的前沿地區──中山縣，對其轄內鄰近澳門的前山地區進行深入剖析。在20世紀30年代「反迷信」話語以及中山縣現代化建設的歷史背景下，探討這一地區的慈善與「迷信」的關係，以及如何實踐慈善事業及傳統的救贖。 / Historians who study the history of charity in China note that the history of Chinese urban charity organizations may be documented from the late Ming dynasty. Nevertheless, they do not argue that from the late Ming, those organizations represented local interests in urban administration and the development of charity in the rural areas. On the other hand, historians who study village and town communities have noted that local organizations representing local interests were centered at temples and ancestral halls. However, the structure was destroyed by modernization and the establishment of nation state in modern China. Meanwhile, charity institutions took more significant roles in local society since late Qing. Therefore, is it possible that charity took over the position that had been occupied by religious sacrifice as the defining quality of local management? This study examines how practices and ideas of charity in modern times were adopted in local society from the bottom up. In order to have a substantial focus, this research takes charity institutions in Qianshan, Chungshan as case studies to examine how they adopted and practiced ideas of charity, how they preserved religious sacrifice under the background of modernization and anti-superstition movement in 1930s. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 毛迪. / Thesis (M.Phil.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 102-108). / Abstracts in English and Chinese. / Mao Di.