Sur le restreint territoire de la Vallée d’Aoste, en Italie, deux modalités distinctes de pèlerinage trouvent place. Une modalité est représentée par les pèlerinages locaux, fréquentés par une communauté de dévots qui se connaissent depuis toujours, l’autre par les pèlerinages internationaux, composés de fidèles qui souvent se rencontrent pour la première fois alors qu’ils montent sur le bus qui les conduira vers le lieu saint. Parmi ces pèlerinages internationaux, un des plus fréquentés dans ces dernières années est celui qui amène les pèlerins à la rencontre de la Vierge de Medjugorje, en Bosnie-Herzégovine. Quelles sont les différences qu’on peut retrouver à l’intérieur de ces deux modalités distinctes de voyage saint ? Les participants aux pèlerinages locaux sont les mêmes qui décident d’aller à la rencontre d’une Vierge “étrangère” et non pas encore reconnue par l’Église ? Et qu’est -e que cette dévotion peut offrir de plus par rapport aux nombreux lieux de culte présents sur la région ? A travers l’instrument de l’analyse ethnographique, Nora Demarchi cherche à répondre à ces questions, en illustrant comment l’analyse du phénomène du pèlerinage religieux peut nous dire de plus sur la société plus en général. / In the narrow area of Valle d'Aosta, in Italy, two different approaches to pilgrimage can be found: one is represented by local pilgrimages, attended by a community of devout constantly in touch with each other, the other one being international pilgrimages, composed by followers who meet for the first time when they board the bus that will take them towards the holy place. Among the latter, one of the most frequented lately is the one that brings the pilgrims towards the Virgin of Medjugorje, in Bosnia-Herzegovina. What are the differences we can find between these two different peregrinations ? Are the members of local pilgrimages the same who decide to meet a “foreign” Virgin Mary, which has not even been yet acknowledged by the Church ? Can this second devotion offer something more than the numerous places of worship located in the region ? Through the instruments of ethnographical analysis, Nora Demarchi tries to answer those questions, illustrating how the study of the religious pilgrimage phenomena can say something more about society in a broader sense.

The Master thesis has for its objective mapping of destiny of czech comunity in Paris from sixties to eighties. Its purpose is not to get a complete list of all artists, who came to Paris. It's just a sellection of those important persons, who broke through Paris. The personal interviews play an important part of the sources. The thesis is not structured in medallion-biography way, but it is lined up in a thematic way. Most of the artists handled in their new home country withe similar problems and situations. First theoretical part characterise the period, the environment, the czech-french relations and the general phenomena of emigration in the czech historical memory. In sixties the czech-french relations started to be reanimated and many french art critics visited Czechoslovakia and they wrote about czech art. Beside France, the czech emigration refuged in sixties largely to West Germany, United States of America, Canada, austrian Wien, Swiss and nordic countries. Individuals art centres were connected to others by friendships and artists visited themselves. Second and more extensive part of the thesis works with the oral and witten interviews. The respondent artists are Miloš Cvach, Roman Kameš, Karel Machálek-Zlín, Miloslav Moucha, Vladimír Škoda, Ivan Theimer and art historian Jana Claverie....