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The present study of an ideal mixture for thrown ware is an outgrowth of a long-time personal interested developed during undergraduate work at North Texas State University. While a natural earthenware clay proved to be the best all-purpose clay for class use, it was not ideal for throwing.

acase@tulane.edu / It is of paramount importance to me as a maker to marry art and craft within the confines of function. I make porcelain objects with specific physical uses in mind. I develop my work to address aspects of aesthetics and design simultaneously. The relationship we have with handmade pottery is unlike that of other art objects. It is personal, relational, and intimate. As such, I create sculptural vessels intended for physical use. I draw great inspiration from the natural world. My vessels are imbued with volume, and are reminiscent of organic life forms. I am fascinated with the plumpness of sea tunicates, flower ovaries and seed pods. I am intrigued by the ethereal depth of cloud formations. I heavily manipulate my wheel thrown forms by hand to incorporate a quality of pillowy fullness within an organized but imperfect formal structure. I stretch and push the clay into billows, and bind these structures with a criss-crossing of geometric lines to create convex swells within the walls of each vessel. I glaze each piece to accentuate the form, and have utilized colors from the natural world that complement the external curves of the vessels. As a functional artist, I strive for the vessels that I create to have a dual purpose. We fill our lives with objects; I want my contribution to our world to be simultaneously elegant and utilitarian. / 1 / Danielle B. Inabinet

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This study, "Surface Textures of Unglazed Pottery," will record and evaluate a series of experiments performed that can be achieved on unglazed ceramic ware....The problem will be limited to experiments using a red clay from Horatio, Arkansas, a buff clay from Trenton, New Jersey, and a tan clay from Athens, Texas. The specimens will be fired at the temperature of 1643 degrees Fahrenheit...Experiments performed with the three clays will fall into three categories: (1) textures resulting from introduction of foreign matter into the clay (2) textures resulting from surface treatments of green ware and (3) textures resulting from surface treatments of bisque-fired ware. The experiments will be described and the fired clay specimens -- tiles 2"x2"x1/4" will be evaluated according to esthetic and practical standards.