To mitigate the COVID-19 pandemic, unthinkable restrictions and measures were enforced. In a few weeks’ time, the greatest part of the global population went under strict lockdown policies. In this new reality, Italians took advantage of their balconies and started engaging in collective actions of communal and national solidarity. Unable to be outdoors in any other way they reinvented the balcony as the focal point of their everyday interactions in times that called for social distancing and became ‘viral’. Balconies are a common feature in dense urban settings of South Europe, and transformed into an outdoor territory, which demonstrates architectural innovation, bridging dipoles, of interior and exterior, of individual and collective, but mostly of private and public. Given the circumstances, one can provocatively suggest that balconies are public spaces, especially under the scope of pandemic urbanism. Recognizing public spaces as open, publicly accessible places that facilitate popular activities necessary for community building, we introduce balconies as hybrid and heterotopic spaces mediating the private and public realm. Defined by clear and strict borders, yet accessible in terms of sight and sound, balconies potentially create a wider social network within the city, which should be enhanced. In terms of methodology, besides the literature review, ‘on a balconé’ (sic). ‘Balconer’, in French translates to watch closely from a balcony, without taking part in what is happening and such methodological practice complemented the research, by recording direct and indirect personal observations. As a result, an online international survey was conducted in April 2020, open to subjects both having and not having balconies. Firstly, the perception of balconies in general was investigated, along with an effort to map out regular activities and objects that synthesize such places. Moreover, it was explored whether the viral scenes from all over the world were more than a momentum and an ‘Instagrammable’ trend or whether new synergies underlain beyond, especially in the scope of social interactions and solidarity. The research advocates reconsidering balconies as an important element of building structures, especially in cities. Comparing how previous pandemics and diseases shifted urban planning and design principles, it is high time to discuss the proliferation of balconies as a feature of pro-equal societies. Nevertheless, balconies should be understood as spatial manifestations rather than merely architectural typological elements. In that sense, porches, patios, terraces and rooftops bear the same opportunities. Placemaking and urban policies calling for dense public life should start taking into account places that exceed the street level perspective. Finally, in some languages, balcony is a slang word for female breasts. Reversing this metaphor, as breasts are life-giving, balconies also are life-supporting elements of the buildings and of cities and should be regarded as such.

O presente trabalho versa sobre os modos de fazer de coletivos e iniciativas coletivas de artistas ou multidisciplinares na América Latina. Foram estudados coletivos atuantes fora dos espaços tradicionais de arte. Com suas práticas eles inventam e ativam outros espaços. O coletivismo como posição política. A criatividade e a arte são as ferramentas principais destas ações conjuntas que se desenvolvem em espaços cotidianos promovendo experimentações, experiências e trocas. / This work discusses the ways of doing from collective initiatives of artists and multidisciplinal groups in Latin America. Particular attention is given to collective agencies that work outside the traditional art spaces. These practices invent and activate other spaces. The collectivism is a political position. The creativity and art are the principal tools of these joint actions. These practices are developed in daily spaces promoting experimentations, experiences and social relations.

O presente trabalho versa sobre os modos de fazer de coletivos e iniciativas coletivas de artistas ou multidisciplinares na América Latina. Foram estudados coletivos atuantes fora dos espaços tradicionais de arte. Com suas práticas eles inventam e ativam outros espaços. O coletivismo como posição política. A criatividade e a arte são as ferramentas principais destas ações conjuntas que se desenvolvem em espaços cotidianos promovendo experimentações, experiências e trocas. / This work discusses the ways of doing from collective initiatives of artists and multidisciplinal groups in Latin America. Particular attention is given to collective agencies that work outside the traditional art spaces. These practices invent and activate other spaces. The collectivism is a political position. The creativity and art are the principal tools of these joint actions. These practices are developed in daily spaces promoting experimentations, experiences and social relations.

O presente trabalho versa sobre os modos de fazer de coletivos e iniciativas coletivas de artistas ou multidisciplinares na América Latina. Foram estudados coletivos atuantes fora dos espaços tradicionais de arte. Com suas práticas eles inventam e ativam outros espaços. O coletivismo como posição política. A criatividade e a arte são as ferramentas principais destas ações conjuntas que se desenvolvem em espaços cotidianos promovendo experimentações, experiências e trocas. / This work discusses the ways of doing from collective initiatives of artists and multidisciplinal groups in Latin America. Particular attention is given to collective agencies that work outside the traditional art spaces. These practices invent and activate other spaces. The collectivism is a political position. The creativity and art are the principal tools of these joint actions. These practices are developed in daily spaces promoting experimentations, experiences and social relations.