This thesis deals with specifics of textual formulas of music journalism in magazines Týden, Reflex and Respekt and it is based on their articles published from January to July 2011. It contains a content analysis of the word-stock with a special interest in metaphors ant its position in our language. We can see the way how we understand the reality around us which is based on a conceptualization in our minds. And then it reflects how we speak and what meanings we give to concrete words. These metaphoric concepts are followed with concrete examples coming from articles. There is also paid attention to colloquiality and bookishness and their suitability in today's media discourse. There is made a comparison of the individual writing of journalists who represent these magazines and we can also see different attitude in processing the same or similar topics. The theoretic part of this thesis follows the history of criticism with special interest in music criticism. Then we compare today's position of this media discourse and we can also see trends which might be followed in the future.

Made available in DSpace on 2016-03-15T19:45:30Z (GMT). No. of bitstreams: 1 AnaRozaSilva.pdf: 540125 bytes, checksum: 3b72286d80582d382f890d668126b68b (MD5) Previous issue date: 2007-02-02 / Fundo Mackenzie de Pesquisa / This paper aims to comprove the personality of the talented chronicler, Rachel de Queiroz. The focus of the study is the stylistic dimension of the chronicles published in the section Última Página, of the magazine O Cruzeiro, in 1940 at 1970. Her style is based on exploration of the linguistics standards like colloquiality, some grammatical categories of the textual functions, the metalinguistic function and the parenthesis s discursive-textual functions. / O objetivo deste trabalho de pesquisa é comprovar o perfil da habilidosa cronista, Rachel de Queiroz. Em decorrência desse propósito, o foco do estudo é a dimensão estilística das crônicas publicadas na seção Última Página da revista O Cruzeiro no período de 1940 a 1970. O estilo da cronista é criado com base na exploração de marcas lingüísticas de coloquialidade, de certas categorias gramaticais de função textual, da função metalingüística e das funções discursivo-textuais dos parênteses.