Color is with us everywhere, all the time. It is an integral part of our existence. Sensitivity to color and awareness of color's physical and psychological qualities is undeveloped in the normal, average human being. What can be done about this? Where can it be done? The answers to these two questions form the basis for this thesis. Color awareness as part of visual education and environmental sensitivity can be taught and should be taught in every educational institution. The key to BUCcessful instruction is informed, knowledgeable, color sensitive teachers and the exposure of students to workable color systems. Color instruction can be approached from many directions; an observation and study of nature, a research of man's uses of color, past and present, and the examination of the scientific aspects of color to name a few. All are expressed in some kind of color systems. Whether the systems are identified to the students is of less importance than the instructors having a good understanding of these systems to help guide the students to more complete color awareness. Research for this thesis consisted of an examination of available material on color in the Portland area. In addition a questionnaire was given to all teachers at the elementary level and to teachers of Art, Science and Home Economics at the junior high and senior high level in a test school district to determine the color curriculum, at what grade levels color was introduced and the methods of introducing color. Also a color quiz was given to first year art students in one of the three high schools in the district to determine the amount of color knowledge or information retained from previous schooling. All instructional material in the same district was examined and evaluated. The results from the questionnaire and the quiz indicated a lack of color awareness by the elementary teachers and, consequently, the students in first year art classes. This was felt to be in part due to the minimal Oregon state requirements in Art for elementary teachers, which therefore would result in inadequately trained teachers. The lack of acknowledgement of the importance of color awareness by faculty and administration were also prevailing influences. This thesis is being written in the hope of enlightening teachers on the importance and necessity of color awareness and sensitivity at all grade levels.

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The problem of this study is to determine the degree to which color concepts should be taught to the art student. There is a survey of the awareness of color through art history, the introduction of certain historical and recent information in the fields of physics, physiology, and psychology in relation to color and the art student, a review of the symbolic nature of color, an examination of the development of color notation or theories utilized by art students, and an attempt to integrate color more fully with the other art elements.

This thesis investigates how the color red can potentially affect the player’s perception of horror game environments. The test was conducted by asking participants to play through a horror level made in Unreal Engine 4 which used realistic-looking assets. The study was performed using a mixed methodology of A/B/C testing with surveys and interviews to gather the data. The A, B, and C versions of the test used the same game-level in all versions however the color of the lighting was different in all of them. Version A used white lights, version B used red lights, and version C used red flickering lights. The results revealed that the players found the version with the white lights to be the scariest and the version with the flickering lights to be the second scariest. This was most likely due to the order in which the players played the levels, the version with white being the first that the players played. The players indicated that the realistic colors in version A added to the sense of immersion, whereas the continuous red lights in version B were perceived by some players as overdone or unnatural and would have been better suited for localized areas associated with supernatural elements. The flickering lights were well received by players and associated with a higher potential for danger and jump scares

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