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1	Being of shape : being--The ground through which all things are / Schultz, Ruth. January 1989 (has links) Thesis (M.F.A.)--Rochester Institute of Technology, 1989. / "Selected bibliography": leaves 25-26.
2	Color in color field painting : color in the painting of Ellsworth Kelly, Kenneth Noland, and Frank Stella. Cade, Carol Beth, January 1973 (has links) Thesis (Ed.D.)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Sponsor: Justin Schorr. Dissertation Committee: William J. Mahoney. Includes bibliographical references.
3	Veils: Truth in Translation Block, Katherine M. 01 August 2015 (has links) This supporting document for the thesis exhibition entitled “Veils: Truth in Translation” will discuss Block’s exploration of painting during her time at East Tennessee State University. The supporting document also provides the historical background and influences which have contributed to Block's overall process and techniques. These influences include the Abstract Expressionists, Carl Jung, Ferdinand de Saussure, John Dewey, Theodor Adorno, Joan Mitchell and Gerhard Richter. In the supporting document Block probes the idea that non-objective painting is more than a language confined by linguistic elements of sign, signifier, and signified, but is a process of thinking, which is communicated on a higher level of perception than verbal speech or visual symbolism. Block will discuss how she translates experiences from the metaphysical realm of feeling and thought to the physical reality of paint and surface which communicates the experience to the viewer. Key words: painting abstract nonobjective color field Abstract Expressionism Gerhard Richter Katherine Block-Artist Arab Spring Carl Jung Motherwell color field painting Art and Design
4	Model citizens and perfect strangers American painting and its different modes of address, 1958-1965 / Relyea, Lane, Shiff, Richard, January 2004 (has links) (PDF) Thesis (Ph. D.)--University of Texas at Austin, 2004. / Supervisor: Richard Shiff. Vita. Includes bibliographical references. Also available from UMI.
5	En Studie i Rött : Hur beskrivs, uppfattas och kopplas färg samman med innehåll i Mark Rothkos abstrakta målningar? / A Study in Scarlet : How are color and content connected, described and understood in Mark Rothkos abstract paintings? Frisk, Mattias January 2008 (has links) <p>Undersökning av färgen i förhållande till innehåll i Mark Rothkos abstrakta verk. Studien innefattar en undersökning i hur man skriver om färg i anslutning till Rothkos abstrakta målningars innehåll och huruvida färg kan avgöra betydelser.</p> / <p>A study about color in relationship to content in Mark Rothko’s abstract paintings. It includes a research in how people write about color when discussing Mark Rothko´s paintings and how that is related to content. It also looks at color in relationship to meaning.</p> Mark Rothko color-field colour-field abstract expressionism color colour Mark Rothko färg abstrakt bild abstrakt expressionism färg fält colorfield abstract expressionism color colour Art Konstvetenskap
6	En Studie i Rött : Hur beskrivs, uppfattas och kopplas färg samman med innehåll i Mark Rothkos abstrakta målningar? / A Study in Scarlet : How are color and content connected, described and understood in Mark Rothkos abstract paintings? Frisk, Mattias January 2008 (has links) Undersökning av färgen i förhållande till innehåll i Mark Rothkos abstrakta verk. Studien innefattar en undersökning i hur man skriver om färg i anslutning till Rothkos abstrakta målningars innehåll och huruvida färg kan avgöra betydelser. / A study about color in relationship to content in Mark Rothko’s abstract paintings. It includes a research in how people write about color when discussing Mark Rothko´s paintings and how that is related to content. It also looks at color in relationship to meaning. Mark Rothko color-field colour-field abstract expressionism color colour Mark Rothko färg abstrakt bild abstrakt expressionism färg fält colorfield abstract expressionism color colour Art Konstvetenskap
7	Model citizens and perfect strangers: American painting and its different modes of address, 1958-1965 Relyea, Lane 28 August 2008 (has links) Not available / text Art, Modern--20th century Art, Modern--20th century--Appreciation Minimal art--New York (State)--New York Pop art--New York (State)--New York

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