Thesis (M.A.)--Carleton University, 1962. / Also available in electronic format on the Internet.

No description available.

Thesis--Harvard, 1954. / Bibliography: p. [322]-360.

Thesis (PH. D.)--University of Chicago, 1915. / Originally issued by Houghton Mifflin company without thesis note. This issue is identical except for the addition of the thesis t.p. Includes index. "Bibliographical note": p. [241]-248. "List of cases cited": p. [249]-257. Also available on the Internet. Also issued online.

Thesis (Ph. D.)--University of Chicago, 1915. / Originally issued by Houghton Mifflin company without thesis note. This issue is identical except for the addition of the thesis t.p. Includes index. "Bibliographical note": p. [241]-248. "List of cases cited": p. [249]-257.

Thesis (Ph. D.)--University of Chicago, 1915. / Originally issued by Houghton Mifflin company without thesis note. This issue is identical except for the addition of the thesis t.p. Includes index. "Bibliographical note": p. [241]-248. "List of cases cited": p. [249]-257.

Thesis--Harvard, 1954. / Bibliography: p. [322]-360.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1956. / Typescript. Abstracted in Dissertation abstracts, v. 16 (1956) no. 5, p. 888-889. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [424]-[427]).

L’institution d’experts officiels chargés de certifier l’authenticité de tableaux avant leur acquisition accompagne l'ouverture du Louvre. Ces commissaires assument également la gestion et le contrôle des restaurations jusqu'au milieu du XIXème siècle, même si la plupart poursuivent ; parallèlement, avec succès. leur activité de marchand, à Paris ou à Londres. Ces appréciateurs participent enfin à l'inventaire du musée sous l'Empire, puis de nouveau après les reprises alliées. malgré les critiques qui ne manquent pas de s'élever contre les estimations fantaisistes ou les attributions hasardeuses Au cours de la décennie 1840-1850, le règne des commissaires-experts s'achève au profit des conservateurs qui les supplantent au sein de l'établissement. Désormais le champ de l'expertise au musée s'avère du ressort exclusif des conservateurs. En Angleterre. deux marchands de tableaux participent, chacun à leur façon, à la mise en place du premier musée d'art national, avant que cette profession décriée ne soit définitivement exclue de la direction des musées publics. / The institution of officiai experts asked to guarantee the authenticity of pictures before their acquisition follows the opening of the Louvre. These commissioners are also in charge of the management and the control of the restorations until the middle of the 19th century. even if most pursue at the same time, successfully, their trader's activity. in Paris or in London. These appreciators participate finally in the inventory of the museum under the Empire. then again after the allied restitutions, in spire of the criticisms which do not miss ta rise against the fanciful estimations or the risky attributions. During decade 1840-1850, the administration of the commissioners-experts ends for the benefit of the curators who supplant them within the establishment. Henceforth the field of the expertise to the museum falls in the exclusive hands of the curators. ln England, two art dealers participate, each in their way. in the implementation of the first museum of national art, before this slandered profession is definitively excluded from the management of the public museums.

Thesis (Ph. D.)--Georgia State University, 2007. / Charles G. Steffen, committee chair; Mohammed Hassen Ali, Wayne J. Urban, committee members. Electronic text (322 p.) : digital, PDF file. Title from file title page. Description based on contents viewed Dec. 5, 2007. Includes bibliographical references (p. 284-318).