The aim of this study is to examine the perceptions of swedish students of Spanish as a foreign language and their teachers about practicing oral communication in the classroom and to know which are the communication strategies that the students prefer to use in occations when they don ́t know a specific word in Spanish. The present study is based on an empirical study consisting of questionnaries carried out with 102 students at highschool and secondary school and their corresponding teachers, wich are five. In the theoretical background of the essay the communication skills and the different factors that can affect the use of them are explained such as the different communication strategies. The statistical analyses do verify the inicial hypothesis that the opinion of the students and the teachers is different in order according to whether they learn how to use different communication strategies in the classroom or not, but both groups do have the same opinion about the use of strategies.

Syftet med den här uppsatsen är att undersöka om ett experimenterande med etnopoetisk transkribering av den i fältarbetet skapade etnografin kan ge fördjupade insikter i musikens funktion och betydelse inom demensvården. Det sju dagar långa fältarbetet på ett demensboende gav upphov till ljud- och videoupptagningar, intervjuer med personalen, samt fältanteckningar och -dagbok. Etnografin presenteras i två empirisk- analytiska kapitel, av vilka det första undersöker formellt organiserade musiksituationer, medan det andra undersöker informella musiksituationer på demensboendet. Den etnopoetiska transkriberingen eftersträvar att i text så noggrant som möjligt återge tal och sång, liksom även de minsta detaljer i mänsklig kommunikation, så som prosodi, gestik, koreografi och andra paralingvistiska element. Som svar på fem ställda frågor konkluderar undersökningen att den etnopoetiska transkriberingen tydliggör: 1) hur spegling, upprepning och turtagning strukturerar samspelet mellan vårdtagare och personal; 2) den sociala interaktionen mellan forskaren, personer med demenssjukdom och deras personal; 3) hur musik förekommer i situationer som inte vid första anblicken uppfattas som musik; 4) demenspatienter (som agerande subjekt); 5) den kommunikativa musikkompetensen hos personer med demenssjukdom, de anhöriga och personalen. / The aim of this paper is to investigate if an experiment with ethnopoetic transcription of the ethnography created in a field study can convey profound insights into the functions and meanings of music in dementia care. The seven days fieldwork, resulting in sound- and video recordings, interviews, field notes and diaries, was conducted in a nursing home. The ethnography is presented in two empirical-analytical chapters, the first of which investigates formally organized music situations, whereas the second scrutinizes informal music situations in the nursing home. The ethnopoetic transcript aspires to meticulously render speech and singing in text, as well as minute details of interaction, such as prosody, gestures, choreography and other paralinguistic elements of communication. In response to a set of five questions, the investigation concludes that the ethnopoetic transcription makes evident: 1) how mirroring, repetition and turn-taking structure the interaction between patients and nursing staff; 2) the social interaction between the researcher, the patients and the nursing staff; 3) how music actually happens in situations that at first sight may be considered non-music situations; 4) dementia patients (as acting subjects); 5) the communicative music-competence of dementia patients, their relatives and the nursing staff.