"The Crystalline Sense" is a composition in one movement for chamber orchestra with the following instrumentation: flute, oboe, clarinet in Bb (doubling bass clarinet in Bb), bassoon, horn in F, trumpet in Bb, trombone, percussion and strings. The composition is approximately nine minutes in length. The goals of the work are (1) to employ intra-sectional practices, (2) to derive all rhythmic ideas from the main themes, (3) to combine certain elements of chromatic, whole tone, and certain triadic structures into a valid compositional technique effective in both vertical and horizontal situations, (4) and to produce a piece of music of moderate difficulty which fully exposes each instrument technically and lyrically.

Three Units is a symphony in three movements: fast-slow-fast. The general shape or large form of each unit is noticeably different from its counterparts, although all three exhibit a common feature: an evolutionary process in which one or more musical genres form the basis for the entire movement.

Nightdreams, a single-movement work for orchestra, is approximately nine and one-half minutes in duration. The concept for Nightdreams evolves from sketching three types of sounds as photographs: melodically oriented sounds, sound-mass texture, and vertical sonorities. A twelve-note set is used to construct the pitch content of the melodically oriented sounds. This set includes the intervals of a m2, M2, m6, and T. Sound-mass textures are constructed from the same intervals that are contained in the twelve-note set plus the addition of a m3 and a P5. Vertical sonorities use the linear aspect of the twelve-note set mapped onto a set of twelve different rhythms which alternate between non-retrogradable and retrogradable. Although the piece is contained in a single move-ment, there are twelve sections, each with its own characteristics.

Concerto for Piano and Orchestra is a three-movement composition for solo piano and orchestra. The three movements follow the general pattern of fast-slow-fast, although the first movement includes some slow sections. There is no break in continuity between the second and third movements. The duration of the entire work is approximately nineteen minutes, the first movement equivalent in time to the second and third movements combined.

"Quintet for Woodwinds " is in four movements. The form of each movement is basically traditional: the first movement is in Sonata form; the second movement is a Theme and Variations; the third movement is a short Chorale; and the fourth movement is a Rondo. The themes of the movements are interrelated, giving a cynical effect.

Missa Salve Regina, a five movement work, is approximately twenty minutes in duration. The work is a setting of the Ordinary of the Mass in Latin with additional text in the vernacular drawn from the writings of Miguel de Unamuno. The composition is scored for four speaking soloists (SATB), mixed chorus (SATB, percussion (player 1: tam tam, three suspended cymbal, bass drum, three tom-toms, glockenspiel, maracas, and marimba), and digital synthesizer optionally on tape. The Missa Salve Regina is concerned with the spiritual implications of the mass and its ritual. The music is composed for both concert presentation and use within the liturgy and deals with the conflict between faith and reason in the human mind, discussed at length, by Unamuno.

Variations Concerto is a work for large orchestra and solo trumpet of approximately sixteen minutes duration. The work is scored for piccolo, flute, two oboes (one doubling English horn), two clarinets in B-flat, bass clarinet in B-flat, two bassoons, four horns in F, three trumpets in B-flat, two trombones, bass trombone, tuba, timpani, percussion, piano, the solo trumpet in C, and strings. The large percussion battery includes glockenspiel, xylophone, chimes, vibraphone, four graduated wood blocks, four graduated triangles, temple blocks, four high toms, finger cymbals, four wood drums, four automobile brake drums, five medium toms, four low toms, four graduated suspended cymbals, snare drum, and four graduated metal pipes.

Mulima is a work intended to be used as the score for a ballet. The composition utilizes a large orchestra: 2-3-3-3, 4-3-3-1, 5 percussion, and full strings. The work is constructed in one large act which is comprised of three scenes and lasts approximately 45 to 50 minutes.

In Memoriam H. W. Reese is written for chamber orchestra and small mixed chorus, in honor of the composer's father, Hardy W. Reese (March 22, 1926-Nov. 23, 1982). The piece is written in one continuous movement with a total duration of approximately fifteen minutes. Within the work there are three distinct sections, each on texts dealing with a different stage in the process of reconciliation with death.

The composition was written as a laboratory experience in contemporary music especially for the Symphonic Wind Ensemble of the Skyline Career Development Center in Dallas, Texas. Based upon the Greek myth of Icarus, the movements are entitled, "Imprisoned", "Flight" , and "The Fall." The approximate performance time is 17 minutes, 45 seconds.