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21	An analysis of Frank Martin's Second Piano Concerto / Dellinger, Michael Eldon January 1985 (has links) No description available. Music Concertos
22	Birth of the modern concerto an explication of musical design and intention in Journey, concerto for contrabass tuba and orchestra / Daussat, David M. January 2008 (has links) Thesis (D.M.A.)--University of North Texas, 2008. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 17, 2002, June 14, 2004, Oct. 18, 2004, and Nov. 26, 2007. Includes bibliographical references (p. 30-32).
23	The life and works of Jan Václav Stich (Giovanni Punto) a check-list of eighteenth-century horn concertos and players. Miller, James Earl, Punto, Giovanni, January 1900 (has links) Thesis--State University of Iowa. / Vol. 2 contains a full score and an arr. for piano and horn of Stich's Concerto, no. 6. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
24	Concerto for piano and orchestra Hanna, Trent William 28 August 2008 (has links) Not available / text Concertos (Piano)--Scores
25	Selected bassoon concertos written by American composers since 1965 Ferrari, Vanessa Kulisek. Hakes, Roy. Wilson, Russell, Ferrari, Christian. Rose, Christopher, January 2007 (has links) Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs. Includes bibliographical references (leaves 31-34).
26	The life and works of Jan Václav Stich (Giovanni Punto) a check-list of eighteenth-century horn concertos and players. Miller, James Earl, Punto, Giovanni, January 1900 (has links) Thesis--State University of Iowa. / Vol. 2 contains a full score and an arr. for piano and horn of Stich's Concerto, no. 6. Includes bibliographical references. Also issued in print.
27	Concertino for Jazz Clarinet, Electric Viola and Symphonic Orchestra Holmquist, Mats G. (Mats Göran) 08 1900 (has links) Concertino for Jazz Clarinet. Electric viola and Symphonic Orchestra is a composition of approximately fifteen minutes' duration, and is scored for two flutes (second doubling piccolo), two oboes, two Bb clarinets, two bassoons, four F- horns, two Bb trumpets, three trombones (third bass), two percussionists, solo Bb clarinet, solo electric viola and strings. The piece is divided into two movements; Andante and Canon. Concepts derived from jazz music are employed in, for example, harmony and improvisation in the solo parts, whereas the orchestration is mainly traditional. The piece is written for two great Swedish instrumentalists; Putte Wickman, clarinet, and Henrik Frendin, viola. Stylistically this work is difficult in the orchestral parts, since it uses concepts from two different musical styles, jazz and classical. Influences originate from such wide-ranging composers as Mozart, Stravinsky, Shostakovich and Chick Corea. music composition concertos
28	Cadenza as reception: stylistic and structural analysis of selected cadenzas for the first movement ofBeethoven's piano concerto op. 58 關傑卿, Kwan, Kit-hing, Kelina. January 1994 (has links) published_or_final_version / Music / Doctoral / Doctor of Philosophy Concertos (Piano) - Cadenzas.
29	Systematic composition and intuition in a Concerto for organ and orchestra Worlton, James Timbrel, January 1900 (has links) Thesis (D.M.A.)--University of North Texas, 2003. / Score of concerto: p. 76-140. Duration: ca. 22:00. Includes bibliographical references (p. 74-75). Concertos (Organ) Composition (Music)
30	Doctoral thesis recital (clarinet) Willsey, Justin M. 16 July 2012 (has links) Grand duo concertant, op. 48 / C. M. v. Weber -- Chromatic fantasy, BWV 903 / J. S. Bach -- X- Concerto for clarinet / S. Mcallister. / text Clarinet music Clarinet concertos

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