Notre étude aborde les relations entre la culture traditionnelle chinoise portée par le confucianisme, le bouddhisme, le taoïsme, et les trois piliers du développement durable que sont le social, l’économie et l’environnement. La culture traditionnelle chinoise s’attache principalement à l'harmonie dans les relations interpersonnelles,dans les relations entre l’homme et la nature. Le développement durable cherche à créer pour le futur un état d’harmonie entre les êtres humains et entre l’homme et la nature. Notre question est la suivante : la culture traditionnelle chinoise ne pourrait elle pas apporter sa contribution au développement durable dans sa façon de communiquer au monde ? Les fondements de la culture traditionnelle chinoise définissent l’harmonie à partir de règles de vie : le confucianisme favorise la communication interpersonnelle, la relation entre l’homme et le social ; le taoïsme met l’accent sur la communication entre la nature et l’homme ; le bouddhisme quant à lui privilégie la communication entre l’esprit et le corps de l’homme. Nous tenterons de montrer à partir d’analyses de discours scientifiques, politiques et d’une enquête en Chine et en France, qu’une meilleure compréhension pour l’occident de la culture chinoise pourrait apporter une contribution significative au projet du développement durable. La réconciliation entre la tradition et la modernité, la combinaison des cultures occidentales et orientales sont les axes majeurs de ce projet. / Our study talks about the traditional chinese culture supported by Confucianism,buddhism,and Taoism as well as by the 3 pillars of social,economic and environmental sustainable development. The traditional chinese culture, puts an emphasis on harmonious human relations and the relations between humans and nature. Sustainable development tries to create an harmonious state between the people and the people and nature.The reconciliation between tradition and modernization ,the combination of oriental and western cultures are the axises of our study .

Thesis (D. Min.)--Temple Baptist Seminary, Chattanooga, Tenn., 1994. / Abstract. Includes bibliographical references (leaves 369-388).

This thesis aims at clarifying the very basic characteristics of Wu Ze Tian&rsquo / s reign and her utilization of religious and symbolic propaganda for legitimizing her authority. Wu Ze Tian is the only female emperor of China&rsquo / s long dynastic history who founded her own dynasty, Zhou dynasty after overthrowing the Tang dynasty in 690. The political ideal presented by Confucianism, which is the traditional state doctrine of the imperial China, refuses female participation to political arena and identifies the emperor as the Son of Heaven. In order to overcome the Confucian obstacle, Wu Ze Tian referred to the symbols and rituals of the antiquity, highly appraised by the Confucians, which enabled her participation to the political sphere. Moreover, for legitimizing herself as a female ruler, she utilized the Buddhist scholarship and concepts as tools of political propaganda. It was also a matter of fact that due to the northwestern nomadic influence on the society, female rulership was not conceived to be impossible in the Tang dynasty, as it was in the previous dynasties. Benefitting from this sociopolitical atmosphere, Wu Ze Tian occupied the throne first as the empress and later as the empress dowager for almost 35 years and at last ruled over the whole Chinese soil as the female emperor of the Zhou dynasty for 15 years. Wu Ze Tian proved herself as a capable ruler under whose dominion the whole country reached its broadest borders and the economy flourished considerably. Not only owing to the power of her political propaganda but also mostly because of her talent in rulership and her social and political reforms, Wu Ze Tian is one the most important Chinese rulers who left a remarkable influence on the governmental tradition of China.