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La Carroza Dorada (The Golden Carriage) is a collection of essays and poetry that details the narrator’s life growing up as an immigrant from Uruguay in the United States. Through each piece, the narrator explores themes in her own life relating to family, grief, self-identity, gender roles, language, distance, and more that directly relate to the perspective of a young immigrant. Inevitably, these personal themes connect to broader issues that affect every immigrant such as the Latinx experience, familial hardships, social/economic class differences, and cultural differences. The narrator explores the American Dream and the balancing act between dream and reality in order to better understand herself and the world around her.

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The literary essays in this collection explore the relationships between mind, body, and environment as the narrator explores Orlando, her beachfront hometown of Sarasota, and other "tourist traps." The traditional and experimental essays here question how residents make popular vacation destinations their own and how much trust one can put in strangers, neighbors, city planners, theme-park designers, and lovers. Dance floors, hybrid bikes, flying elephants, swing sets, and swimming pools fill these pages. Worries spiral like disco lights on dance floors, and cultural forces press down with the constant pressure of pedal strokes. With the embodiment of place comes connection between environment and activity; music, buildings, landscape, and physical activity heighten the relationship between personal identity and place. Everything moves, but the appeal of tourist traps remains constant.

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