Thesis (B.S.)--University of Missouri, School of Mines and Metallurgy, 1933. / The entire thesis text is included in file. Typescript. Title from title screen of thesis/dissertation PDF file (viewed July 21, 2010) Includes bibliographical references (p. 26).

Thesis (B.S.)--University of Missouri, School of Mines and Metallurgy, 1939. / The entire thesis text is included in file. Typescript. Illustrated by author. Title from title screen of thesis/dissertation PDF file (viewed March 22, 2010) Includes bibliographical references (p. 18-19).

This study documents the evolution of a unique body of ceramic work which straddles the areas of science and art. The author establishes the framework and context for the development of a range of ceramics incorporating crystalline glazes and forms. A personal aesthetic sensibility for the work is defined with reference to ceramics in general and specifically to the historical and contemporary development of glazes within this genre. The study articulates the stages of contemplation, design and development in the creation of a unique body of work which is cognisant of the decorative qualities of crystalline glazes. The forms are simple and uncomplicated, and the work is concerned with the pinnacle of the craft of ceramics at every level. / Doctor of Creative Arts (DCA)

The paper examines the work and production of Swedish ceramist Isak Isaksson (born 1949) from the aspects of emotional connection to materials, work processes, development and perceived meaning in relation to extraordinary craftmanship and the production of crystalline glazes. Isaksson has worked as a ceramist since the mid 1970s, starting with basic, functional stoneware goods but gradually moving towards the creation of art objects. His works, consisting of simple, traditional vessel shapes thrown to perfection – in combination with highly advanced crystalline glazes, have earned him recognition in Sweden and internationally.        While investigating Isaksson’s love for the intuitive, ancient technique of throwing, the paper also highlights his use of sophisticated chemical glazing methods and digital technique for creating, learning, inspiration and communication. Five of Isaksson’s contemporary pieces with crystalline glazes are studied with a combination of semiotics, associations and open senses.