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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Sociolinguistics of Swearing : A corpus-based investigation of male and female use of damn, darn, hell and heck in soap operas compared to real life

Mårtensson Vahlqvist, Sabine January 2013 (has links)
This essay will investigate male and female usage of four swear words: hell, heck, damn and darn. A minor part of the essay focuses on comparing real life speech (by using the Longman Corpus of Spoken American English) with scripted language in soap operas (the SOAP corpus). The main part of the essay focuses on a detailed investigation of the four swear words in the SOAP corpus to see how they are used considering gender. Preliminary hypotheses were both correct and incorrect. Even though it was true that women use the milder forms of swearing in the company of men, men however use the harsher forms in the company of women. Moreover, heck seems to be a very neutral swear word used by men and women equally. Hell was most frequently used by men, and darn was very frequent among women. Overall, there was very little female to female swearing, and the category with the highest instances of usage of three of the four swear words was in fact male to female.
2

Nine Lives: A History of Cat Women, Subversive Femininity, and Transgressive Archetypes in Film

Barnett, Katrina 08 1900 (has links)
The intention of this thesis is to identify and analyze the cat woman archetype as a contemporary extension of the transgressive witch archetype, which rampantly appears over the course of cinema history, working as a signifier of a patriarchal society's fear of autonomous and subversive women. The character of Catwoman is the ultimate representation for this archetype on grounds of her visibility, longevity, and ability to return again and again. More importantly, Catwoman and her sisterhood of cat women work against male creators as a means of female empowerment through trickery. Within this thesis, key films of varying genres are drawn from throughout cinema history and analyzed in order to demonstrate the intertextual network of characters that make up the cat woman archetype, and the importance of the Catwoman character in her many forms.

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