Although the field of German Romantic Orientalism has been growing in recent years, the prolific writer E.T.A. Hoffmann has largely escaped critical attention. This study of his oeuvre reveals, however, that it was shaped and influenced by both the scholarly and popular orientalist discourses of his time. Furthermore, Hoffmann satirises literary orientalist practices even as he takes part in them, and so his work exposes the ambivalence of the apparent German veneration for the ‘Romantic’ Orient. While Hoffmann responds to the Romantic image of the Orient set up by his predecessors (J.G. Herder, Novalis, Friedrich Schlegel), he does so in order to reveal both the uses and the limits of this model for the Romantic artist in the modern world. The Orient serves as an inspiration for Romantic art, and thus Edward Said’s claim that the Romantics appropriated the East merely for the rejuvenation of European literature must be acknowledged. Nevertheless, as an extremely self-aware writer, Hoffmann does not utilise this approach uncritically. My thesis shows how Hoffmann responded to the image of the Orient as it was produced by writers, musicians, and scholars inside the German-speaking lands. The Orient resists successful imitation, as his texts acknowledge when they turn a critical eye towards German cultural production. Furthermore, Hoffmann’s famous criticism of nineteenth-century society is enhanced by comparison of German and oriental characters, with the latter often coming out more favourably. Hoffmann’s tales therefore demand a reassessment of the view that the Romantics constructed the Orient exclusively as a paradisaical land of poetic fulfilment. His (self-) reflective response to the nineteenth-century treatment of the Orient in Germany marks him out as an original – and essential – voice in Romantic Orientalism.

An expanding body of research explores the social, political, cultural and personal challenges presented by the Western emphasis of curricula around the world. The aim of my study is to advance this field of inquiry by gaining insight into perceptions of Western modern science presented by students, teachers and administrators in a given Caribbean setting. Through this study I asked how my research participants described the nature of scientific knowledge, how they related scientific knowledge to other culturally-valued knowledges and the meanings they attached to the geographic origins of science teachers. Situating this work firmly within the practice of Foucauldian critical discourse analysis, I have utilised a conceptual framework defined by the power/knowledge and complicity/resistance themes of post-colonial theory to support my interpretation of participant commentary in an overall quest that is concerned about the ways in which Western modern science might be exerting a colonising influence. Fourteen students, nine teachers (both expatriate and local) and three administrators participated in the study. I combined a semi-structured question and answer interview format with a card sort activity. I used a procedure based on my own adaptation of Stephenson’s Q methodology, where the respondents placed 24 statements hierarchically along a continuum of increasing strength of agreement, presenting their rationalisations, personal stories and illustrations as they sorted. I used an inverse factor analysis, in combination with the interview transcripts, to assist me in the identification of three discourse positions described by my research participants: The truth value of scientific knowledge, The pragmatic use of science to promote progress, and The priority of cultural preservation. The interview transcripts were also analysed for emergent themes, providing an additional layer of data interpretation. The research findings raise concerns regarding the hegemonic potency of certain scientific assumptions and assertions of participants, leading me to emphasise the importance of developing teachers’ knowledge of the historical, philosophical and social background of Western modern science as well as focusing on developing the conceptual and intellectual engagement of students with Western modern science without demanding the kind of belief commitment that would insist that students replace alternative modes of meaning making.

An expanding body of research explores the social, political, cultural and personal challenges presented by the Western emphasis of curricula around the world. The aim of my study is to advance this field of inquiry by gaining insight into perceptions of Western modern science presented by students, teachers and administrators in a given Caribbean setting. Through this study I asked how my research participants described the nature of scientific knowledge, how they related scientific knowledge to other culturally-valued knowledges and the meanings they attached to the geographic origins of science teachers. Situating this work firmly within the practice of Foucauldian critical discourse analysis, I have utilised a conceptual framework defined by the power/knowledge and complicity/resistance themes of post-colonial theory to support my interpretation of participant commentary in an overall quest that is concerned about the ways in which Western modern science might be exerting a colonising influence. Fourteen students, nine teachers (both expatriate and local) and three administrators participated in the study. I combined a semi-structured question and answer interview format with a card sort activity. I used a procedure based on my own adaptation of Stephenson’s Q methodology, where the respondents placed 24 statements hierarchically along a continuum of increasing strength of agreement, presenting their rationalisations, personal stories and illustrations as they sorted. I used an inverse factor analysis, in combination with the interview transcripts, to assist me in the identification of three discourse positions described by my research participants: The truth value of scientific knowledge, The pragmatic use of science to promote progress, and The priority of cultural preservation. The interview transcripts were also analysed for emergent themes, providing an additional layer of data interpretation. The research findings raise concerns regarding the hegemonic potency of certain scientific assumptions and assertions of participants, leading me to emphasise the importance of developing teachers’ knowledge of the historical, philosophical and social background of Western modern science as well as focusing on developing the conceptual and intellectual engagement of students with Western modern science without demanding the kind of belief commitment that would insist that students replace alternative modes of meaning making.

Thesis advisor: Zine Magubane / Using content analysis of the three largest United States Newsweeklies this thesis explores representations of young women's sexuality during the early 2000's. While popular culture during this period is focused on "Girls Gone Wild" causing widespread feminist concern over the "third wave's" definition of a feminist sexuality, no young women with sexual agency are presented in the magazines. Instead the women presented, who are overwhelmingly white, are either too pure to posses any information regarding sexual activities, engaged in sexual activities that they are coerced or forced into, or are celibate. The combination of these discourses expose a narrative of female empowerment through chastity that mirrors the Victorian-era ideals of white womanhood. Using post-colonial theory the thesis argues that this representation, combined with the erasure of all other alternatives is indicative of a identity crisis within the collective United Sates conscious. / Thesis (MA) — Boston College, 2009. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Sociology.

As an anarchist and a Muslim, I have witnessed troubled times as a result of extreme divisions that exist between these two identities and communities. To minimize these divisions, I argue for an anti-capitalist and anti-authoritarian Islam, an ‘anarca-Islam’, that disrupts two commonly held beliefs: one, that Islam is necessarily authoritarian and capitalist; two, that anarchism is necessarily anti-religious. From this position I offer ‘anarca-Islam’ which I believe can help open-minded (non-essentialist/non-dogmatic) Muslims and anarchists to better understand each other, and therefore to more effectively collaborate in the context of what Richard JF Day has called the ’newest’ social movements. / Thesis (Master, Sociology) -- Queen's University, 2009-09-08 12:11:39.996

Brick Lane has stimulated a wide range of debates regarding Monica Ali's portrayal of the inhabitants of the area from which the novel has taken its title. This essay claims that assimilation is the key theme of the novel, and that the desire to achieve it is represented most strongly in the character of Chanu. The latter's primary goal is to assimilate himself into the English society in which he now lives. In order to demonstrate just how complex this assimilation process is, Chanu is discussed in relation to society's influence on him and four concepts of post colonial theory, namely double consciousness, unhomeliness, mimicry and hybridity.

This thesis provides an anti-colonial analysis of how Indigenous knowledges have been studied and conceptualized through ethnographic research in the field of development studies. In this analysis I apply meta-ethnography within an anti-colonial discursive framework, a combination that I argue has great potential in the study of power relations in qualitative knowledge production. Firstly, this approach allows me to provide a synthesis of purposively selected ethnographies from the development studies literature; secondly, it requires that I refer to Indigenous scholars’ critical writings in the education literature to analyze development studies ethnographers’ approaches to Indigenous knowledges. The results of this analysis provide a starting point for questioning epistemological racism and colonial power relations at play in knowledge production on Indigenous knowledges in the field of development studies, with important implications for how we teach, study, and conduct research in development.

This thesis provides an anti-colonial analysis of how Indigenous knowledges have been studied and conceptualized through ethnographic research in the field of development studies. In this analysis I apply meta-ethnography within an anti-colonial discursive framework, a combination that I argue has great potential in the study of power relations in qualitative knowledge production. Firstly, this approach allows me to provide a synthesis of purposively selected ethnographies from the development studies literature; secondly, it requires that I refer to Indigenous scholars’ critical writings in the education literature to analyze development studies ethnographers’ approaches to Indigenous knowledges. The results of this analysis provide a starting point for questioning epistemological racism and colonial power relations at play in knowledge production on Indigenous knowledges in the field of development studies, with important implications for how we teach, study, and conduct research in development.

Thesis advisor: Jon M. Wargo / Recent critical literature on science and art education highlights a shift from engagement with disciplinary canons toward expansive, equity-oriented disciplinarity. Efforts to integrate the science and art disciplines, especially under the acronym STEAM (Science, Technology, Engineering, Art and Math), have not sufficiently engaged with such within-discipline critique. Left unchallenged, proposals for disciplinary integration cannot meet the transformative potential to which they aspire. Therefore, this 3-paper dissertation adopts an anti-colonial lens to explore conceptualizations of art and science inter- and transdisciplinarity as a collection of interconnected stories of disciplinary reimaginings. Drawing from multiple theories and methods, this dissertation aims to demonstrate the possibilities of transdisciplinarity conceptually, methodologically, practically, and personally. The first paper critically examines current discourse trends that mention transdisciplinarity efforts in K-12 schools, specifically in curricular activity that seeks to expand science learning through the arts. It offers a critique against flattened ways of being and knowing present in schooling and aims to put forward considerations for critical and creative transdisciplinary curriculum development. The second paper presents a vertical case study that investigates how the purposes of art and science transdisciplinarity are defined by multi-level actors: from the macro national and city policy level to that at the microlevel of an art and science museum. Using critical discourse analysis alongside Bakhtin’s concepts of centrifugal and centripetal forces, this study identifies how the purpose of transdisciplinary learning is reproduced and reimagined through discourse at multiple scales. Tensions arose in the pull of how transdisciplinarity was conceptualized, particularly between board members and staff who felt different responsibilities for aligning with national discourse. Finally, the third paper is an autoethnographic study weaving together personal narrative, theory in the arts and cultural studies, and student work from one summer art and science program. Grappling with the art/science disciplinary dichotomy, this last paper troubles framings of the human-nature divide through material inquiry into place. In the discourse of critique and iterative making, the class community follows one student’s movement in a relational encounter with an ant as a disruption of enduring dualisms that signify Cartesian logic. / Thesis (PhD) — Boston College, 2022. / Submitted to: Boston College. Lynch School of Education. / Discipline: Teacher Education, Special Education, Curriculum and Instruction.

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